The Independent on Saturday

BACK ON TRACK FOR FRANCHISE

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CARS 3 Run time: 1hr 47min Starring: Owen Wilson, Cristela Alonzo, Armie Hammer, Larry the Cable Guy, Bonnie Hunt, Chris Cooper, Nathan Fillion, Lea DeLaria, Paul Dooley, Tony Shalhoub, Kerry Washington, Cheech Marin and Paul Newman

Director: Brian Fee

IN THE wake of the noisy misfire that was 2011’s Cars 2, the Pixar pit crew ran the diagnostic­s and were able to pinpoint the winning formula of humour, heart and action (along with an added dose of Route 66-informed nostalgia) that made the 2006 original such a sweet ride.

They all make a welcome return in Cars 3, but, while visually dynamic, Lightning McQueen’s newest challenge still feels out of alignment with a languid end result that lacks sufficient forward momentum.

Given the enduring goodwill generated by the first instalment, the franchise, which has to date grossed well over $1 billion (R13bn) and sold countless billions more in four-wheeled merchandis­e, should expect similarly strong school’s-out business, even with the picture’s less-than-zippy performanc­e.

Lightning

Wisely not alluding to his previous espionage-fuelled World

Grand Prix adventure, Lightning McQueen (again voiced by Owen Wilson), the pride of Rust-eze, returns front-and-centre to pole position, only to discover a new generation of sleek, state-of-the-art vehicles nipping at his wheels.

He ultimately proves no match for one of them – Jackson Storm (Armie Hammer), who takes Lightning’s title and forces him to reassess his racing future, especially when his longtime sponsor has been bought by the smarmy Sterling (Nathan Fillion), who views McQueen’s retirement as a merchandis­e-branding gold mine.

After seeking solace back in Radiator Springs, where he’s eventually spurred on by the words of his gruff late mentor, Doc Hudson (the late Paul Newman, in flashbacks), as well as by girlfriend Sally (Bonnie Hunt) and loyal towtruck pal Mater (Larry the Cable Guy), McQueen agrees to hi-tech rehab with some guidance from gung-ho race technician Cruz Ramirez (Cristela Alonzo).

Taking the wheel from John Lasseter, who directed the first two films, Brian Fee, who served as a storyboard artist on both, opts for a leisurely approach to the pacing, which occasional­ly gets stuck in neutral.

As in the first film, the themes of youth vs old age and change vs heritage again play a prominent role in the script, credited to Kiel Murray, Bob Peterson and Mike Rich, which does a nice job retaining the warmly regarded original characters (although in much smaller roles) while introducin­g engaging new ones, most notably Alonzo’s spunky Cruz.

While on the subject of change, over the decade since the first Cars there have been some noticeable shifts on the voice-casting front. Among them, aside from the deaths of Newman, who looms large here, and George Carlin, who originated the character of blissed-out VW van Fillmore (now played by Lloyd Sherr), the voice of McQueen rival Chick Hicks, formerly provided by Michael Keaton, is now handled by Bob Peterson.

Like its predecesso­rs, the film is visually quite splendid and, especially for an animated feature, stirringly well lit, most notably in a racing sequence set along a photo-realistic beach during golden hour and another on a vividly moonlit night.

But despite its many winning characters and good intentions,

Cars 3 functions mainly as a tenderly rendered, wish-youwere-here picture postcard to Newman, whose absence, while affectiona­tely noted, ultimately serves as a reminder why Lightning can never truly strike twice. – Hollywood Reporter

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 ??  ?? RACE IS ON: Cars 3 is visually superb but serves mainly as a tribute to the late Paul Newman, whose absence reminds us why Lightning can never truly strike twice.
RACE IS ON: Cars 3 is visually superb but serves mainly as a tribute to the late Paul Newman, whose absence reminds us why Lightning can never truly strike twice.
 ??  ?? NEWBIES: There are a number of new lovable characters to meet.
NEWBIES: There are a number of new lovable characters to meet.

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