KZN orchestra teaches music awareness
Orchestra ready for summer season
MORE than 500 pupils from Molweni were treated yesterday to an ISIZULU version of Peter and the Wolf performed by the KZN Philharmonic Orchestra and narrated by renowned storyteller Dr Gcina Mhlophe.
The performance took place during an annual special event for top 2017 matric achievers from four schools in that district at Kwa-Dinabakubo Hall.
Pupils present at the event, including 50 primary pupils, were encouraged to continue excelling academically.
It was the first time the orchestra had been invited and chief executive and artistic director, Bongani Tembe, said the orchestra enjoyed dedicating time to enriching communities through its education and development programmes.
“When they are not performing symphony concerts, the orchestra implements an extensive education and development programme, in which they introduce pupils to the joys of classical music.”
Peter and the Wolf, composed by Sergei Prokofiev, is a symphonic fairy tale for children performed under the baton of Lykele Temmingh.
Tembe said the transfer of skills was important and it was in this spirit that during the KZN Philharmonic’s Summer Symphony Season visiting artists would conduct master classes for students and teachers of string instruments.
“This will enable them to learn from some of the world’s best,” he said.
Tembe said Peter and the Wolf had been translated for the orchestra by Hlophe and it taught children to recognise the different orchestral instruments. In an effort to help pupils better understand the complexities as well as the benefits and accessibility of an orchestra they had visited schools across Kwa Zulu-Natal.
“Outside its World Symphony Series and other public concerts, we have an extensive and far-reaching programme taking the orchestra to schools across the province to introduce pupils to the concept of music appreciation.”
THE KWAZULU-NATAL Philharmonic Orchestra has an exciting four-week programme lined up for its Summer Season which will run in the Playhouse Opera Theatre from Thursday to March 15.
Bongani Tembe, chief executive and artistic director of both KWAZULU-NATAL and Johannesburg Philharmonic orchestras, said: “I am delighted we can attract the finest international conductors and soloists to our concerts, along with leading South African artists.”
For the opening concert on Thursday, Israeli-American conductor Daniel Boico returns with a blockbuster programme that includes Liszt’s Les Préludes, Saint-Saëns’s dazzling Piano Concerto No 2 and Tchaikovsky’s Symphony No 4. Often referred to as the Russian composer’s “Fate symphony”, it bears fascinating synergistic aspirations to Beethoven’s Fifth. Acclaimed young Ukrainian Anna Dmytrenko is at the keyboard.
Canadian-Caribbean conductor Kwamé Ryan returns on March 1 with a programme of French classics. Gabriel Fauré created his Masques et Bergamasques Suite as a musical homage to the world of the 18th century fêtes galantes.
Soloist Liesl Stoltz performs two short works for flute and orchestra. Cécile Chaminade’s 1902 one-movement Flute Concertino in D major has a highly decorative solo part, followed by François Borne’s Fantaisie brillante, based on themes from Bizet’s opera Carmen. The concert includes Claude Debussy Prelude a L’apres-midi d’un fauneby and concludes with the Symphony in D minor by César Franck.
Dutch maestro Arjan Tien conducts the final two concerts of our summer season. The first on March 8, features two Beethoven masterworks, his Violin Concerto, and the Symphony No 3 “Eroica”. The great German composer’s only violin concerto is sometimes dubbed his Everest. The work’s premier by Franz Clement in 1806 was unsuccessful and the piece languished in obscurity, until it was revived in 1844 by Joseph Joachim. Since then it has become one of the bestknown violin concertos. Soloist, Daniel Röhn, is no stranger to the work.
Beethoven dedicated his Third Symphony to his friend and patron, Prince Lobkowitz. It was originally conceived to honour the French general, Napoleon Bonaparte, whose rise to fame the composer had followed with admiration and interest. Beethoven wrote to his publisher in August 1804, telling him he was naming the work, Bonaparte, but was subsequently enraged when Napoleon betrayed his revolutionary ideals by declaring himself Emperor of France. He tore the original title page from his score, renaming it Sinfonia eroica.
Tien closes the season on March 15 with a dynamic programme that includes Wolfgang Amadeus Mozart’s Don Giovanni Overture before father-and-son duo, Max Baillie (violin) and Alexander Baillie (cello), perform Brahms’s A minor Double Concerto. Sibelius’s Second Symphony concludes the evening.
Pre-concert lectures will be held at the Alhambra Room in the Playhouse from 6pm to 6.40pm preceding the concert. Cost is R15. Speakers include pianist Andrew Warburton, Ted Brien and Dr Teddy Pillay.
The public can join the orchestra for the final rehearsal at 10am on the Thursday in the Playhouse Opera. Entrance is R35 adults/ R15 for pupils, which includes a cup of tea or coffee during the interval.
Concerts are in the Playhouse Opera at 7.30pm. Booking through Computicket at 0861 915 8000 or online at www. computicket.com. For details, call the Playhouse box office at 031 369 9438.