Weekend Argus (Saturday Edition)

SHORTCUTS

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Insidious: Chapter 2: Three years after Insidious introduced movie-goers to the Lambert family and its troubling connection to the spirit world, the stars and film-makers have reunited for another instalment. The sequel picks up where the first story ended, but it has enough scares, laughs and a story of its own to stand alone. ★★★ The Bling Ring: A modern-day cautionary tale about youth run amok. Based on the story of a group of Los Angeles teenagers who cased, then robbed the homes of Paris Hilton, Lindsay Lohan and other celebritie­s, it taps into the same fears and voyeuristi­c horror that have characteri­sed teen problem movies throughout the decades. ★★★

NEW RELEASES

Captain Phillips: A taut, finely crafted, superbly acted maritime thriller tells the true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in 200 years. ★★★★★

ON CIRCUIT

Thor: The Dark World 3D: The Marvel superhero drama lurches from Wagnerian sturm und drang to flippant self-parody in a disconcert­ing style. Alan Taylor makes a valiant attempt to balance the action set pieces with humour and depth of characteri­sation. He is helped by Tom Hiddleston’s sleekly malevolent performanc­e as Loki, a more engaging and complex figure than Chris Hemsworth’s monosyllab­ic Thor. ★★★ The Butler: Forest Whitaker plays Cecil Gaines, who was born a sharecropp­er’s son in Georgia, goes to Washington in the 1950s and serves eight US presidents as a White House butler. But building a heroic film around Gaines requires Herculean effort, which director Lee Daniels doesn’t quite manage. ★★★ Baggage Claim: This breezy, cheesy, uneven romcom stars Paula Patton as a flight attendant who’s desperate to get married. To secure a ring, she goes through humiliatio­n, pain and illegality to bumping into ex-boyfriends. There’s so much wrong with this film, it’s all the more surprising when things go right. ★★★ Austenland: Keri Russell’s neck does most of the heavy lifting in Austenland, and if you pay attention to its many undulation­s, you might just make it through this embarrassi­ngly juvenile comedy without groaning aloud. ★★ Jackass Presents: Bad Grandpa: If you liked the Jackass television series and its movie spin-offs, you’ll probably love this. Starring Johnny Knoxville, Bad Grandpa is a loose sequence of hidden-camera pranks centered on the antics of an octogenari­an. ★★★ Salinger (Documentar­y): Director Shane Salerno has an admittedly tricky obstacle in making this documentar­y about the intensely private author JD Salinger. ★★ The Family: There’s not much to laugh about in Luc Besson’s dark comedy, a plodding film which follows a former mob boss who winds up in France in a witness protection programme with his wife and kids. ★★ Killing Season: This film is not entirely worthless, but it’s not good. As a genre film, it’s too ambitious; as an art film, it’s too obvious. It deals with genocide, the ethical compromise­s which are made in combat, and the lingering effects of wartime decisions . ★★ Riddick: Cheesy, silly and often violent, this sci-fi action movie with Vin Diesel reprising his role as the titular antihero is also a lot of fun. ★★★ About Time: Richard Curtis mixes familiar boy-meets-girl ingredient­s with time-travelling magic realism in this enjoyable movie. ★★★ Gravity: This 3D sci-fi action adventure about two astronauts not only delivers on its promise of a wildly entertaini­ng space adventure, it also becomes a groundbrea­king addition to a genre already defined by films like 2001: A Space Odyssey. ★★★★★ Jobs: At the risk of damning with faint praise, it should be noted that Ashton Kutcher is not a disaster in Jobs, the biopic of Apple co-founder Steve Jobs. But, the film is so thick with Jobs’s career highlights and lowlights that there’s little room for insights into what made this private man tick. ★★★ Diana: This biopic is not awful enough to be an enjoyably kitsch train wreck. ★★

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