Weekend Argus (Saturday Edition)
Treading in the footsteps of Martin Melck
and compatible structure and does no harm to the old building”.
In a forceful argument in 2011, Rashiq Fataar, founder of Future Cape Town, a website and social media platform provoking debate about the future of the city, wrote: “It is clear to some that blocking the development merely pacifies the parties who were outraged by the mere thought that old and new architecture can co-exist. The real threat posed by the redevelopment proposal... may be to conservative mindsets, rather than our heritage”.
For the Augoustides, the mayoral committee’s approval of the redevelopment of the block earlier this month – subject to an appeal process now under way – will, they hope, bring finality to a costly, wearying on-and-off nine-year struggle to find a way of exercising their business rights in a distinctly public-spirited way... by restoring the remaining historic fabric of the building, and making it accessible.
As Weekend Argus reported a year ago, “At the heart of the owners’ contention is that the redevelopment of what was once a warehouse in the late 1780s will ensure the preservation of the building’s few remaining authentic features, restore the look of the exterior of the building to match its historic predecessor, and make it more accessible and aesthetically coherent”.
In its latest endorsement , the Central City Improvement District noted this month that “it ensures that what will be preserved, will be preserved with dignity and purpose, and become part of a vibrant building that will once again have significance for Capetonians”.
The warehouse saga, as Rashiq Fataar has written, falls at the “crossroads between a brave new Cape Town and the status quo”.
Melck, were he around, would surely have recognised the essence of the challenge – that cities grow and endure by enterprise and change rather than by succumbing to the stasis of nostalgia.
Casey Augoustides believes their project is “a good example” of a cooperative procedure. “If everyone (owners, architects, heritage authorities and officials) can all work closely together like this, you can achieve a lot in preserving the historic fabric while creating attractive, vibrant buildings”.
For Fataar, the “juxtaposition of old and new architecture, structures and styles plays a crucial role in strengthening the heritage, authenticity and visual diversity” of cities.