Weekend Argus (Saturday Edition)
The devil’s in the detail as ‘Outcast’ paints picture of a wasteland
HANK STUEVER
WASHINGTON: Outcast (on Fox on DStv channel 125 on Fridays at 9.50pm) is a fiendishly pleasant surprise – a demonic-possession horror drama that leads with its heart and suggests a depressing (but timely) theme of social and moral rot in America.
Based on another graphic novel series from Walking Dead creator Robert Kirkman, Outcast is set in the gloom of rural West Virginia, where a small-town preacher, Reverend Anderson (Philip Glenister), does what he can to keep his followers’ personal demons at bay.
These are not the usual demons of temptation and sin, but icky, spewing cases of possession. The latest is a little boy who ate a cock- roach off his bedroom wall and then nibbled one of his index fingers in half, before moving to the devil’s favourite hat trick: levitating off the bed.
In its first four episodes, Outcast features many cameos from extras young and old who’ve all graduated with honours from the Linda Blair School of Acting.
Patrick Fugit (best known for his role as a teenage rock journalist in the 2000 film Almost Famous) stars as Kyle Barnes, a man reduced to living in the ramshackle remains of his childhood home.
Bit by bit we discover that Kyle is persona-non-grata in his home town. His adoptive sister Megan (Wrenn Schmidt) tries to snap Kyle out of his funk, but she hardly understands his real torment.
Tipped off by local gossip in the grocery store, Kyle asks the Reverend if he can accompany him to the possessed boy’s house.
In no time at all, the demon inside the child recognises Kyle.
Flashback time, when Kyle’s mother became possessed and kept him locked in the kitchen closet - and where he first learnt that he has some life force inside him that the demons instinctively fear.
It couldn’t help him save his mother ( she is in a coma at a nursing home) but it has made him alert to evil all around.
The Reverend takes Kyle on as a sort of partner. Fugit, stooped in sorrow and affecting a Southern drawl, is terrific as a flawed hero and tortured soul, who doubts his own abilities to face his fears.
Despite good performances, there are plenty of opportunities in the dialogue and pacing of Outcast that still feel too much like a comic. The four episodes provided to critics don’t indicate just how complex the overall plot is or how expertly the story will treat matters of faith. Are we embarking on a procedural series of exorcisms?
Kirkman has good eye and ear when it comes to setting his stories in the zone where NRA-style perseverance clashes with utopian desires for fairness. The zombie pandemic in The Walking Dead still works as a paranoid metaphor for terrorism, social collapse and the literal end of the American Dream.
Here, Outcast’s demons might similarly represent an unravelling of order and belief. People are not like they used to be. Something is eating at us from within.
Brandishing Bibles and crucifixes, Kyle and the Reverend have a long way to go to make America great again. – Washington Post