Weekend Argus (Saturday Edition)
A horror experience with a lot of bite
There are plenty of thrillers with sharks in them, but Jaume Collet-Serra’s new film ‘The Shallows’ might be the first since ‘Jaws’ to enter predator territory head-on, writes Geoffrey Macnab
WHEN it comes to shark movies, the shadow of a certain Steven Spielberg film looms so ominously over the waters that other film-makers have shied from the subject matter. There are plenty of sharks in films but relatively few films that are entirely about sharks. This is what makes Jaume Collet-Serra’s new feature The Shallows so unusual. It’s a story about a young woman played by the Gossip Girl’s Blake Lively stranded off shore as a great white prowls around, waiting to gobble her up.
Collet-Serra is best known for his thrillers, Non-Stop and Run All Night with Liam Neeson; The Shallows is the most pared down film he has made. “The fewer resources you have, the more creative you have to get – and that fuels my mojo,” Collet-Serra said about the attraction of the project.
The Shallows is very different from Jaws and yet has some of its same primal qualities. There’s no Robert Shaw spinning grim yarns about US navy sailors being eaten alive, no grim-faced Roy Scheider trying to keep the beaches safe and no Richard Dreyfuss showing off his expertise about sharks. There is just Lively in a bikini and wet suit, trying to keep out of the mouth of the beast. This is a survival story.
“Even though in concept, it is a simple movie, it is highly complex to keep the feeling we are in the ocean,” the director said.
Anyone who has been on a tour of Universal Studios theme park and seen the Jaws attraction will realise that, actually, the mechanical shark wasn’t so lifelike. It’s the idea of the shark that frightens the tourists as much as the shark itself. In today’s digital era, Collet-Serra was able to make his great white seem much more realistic. Even so, the shark is used relatively sparely. This means when we finally see it in its full-toothed glory, it has all the more impact.
The director was all too aware the film could have seemed voyeuristic and even sexist. The point about The Shallows, though, is that Lively’s character refuses to be the victim. A medical school student still getting over the death of her mother, she’s not there to be gawped at in her bikini but is resourceful and courageous.
“I think audiences are maturing. I don’t think that selling sex or sexiness is a huge draw any more. You need something more than that. We had a bit of fun at the beginning when she is getting ready with the closer-to-the-skin-type shots, but once she has been bitten and is danger, it becomes another movie. We were very conscious not to ever cross that line of bad taste. If she is already in jeopardy, we don’t want ever to take advantage visually of that situation... as a director and a human being, you just want to treat that other human with respect.”
Jaws has been criticised for demonising sharks. After all, the great white isn’t the embodiment of evil the film suggested. It simply behaves according to its nature. However, Collet- Serra makes it clear The Shallows is a horror flick, not an eco-documentary. “I can differentiate between what happens in a movie and what happens in reality. I can watch a documentary and feel very sorry about what happens to the sharks or any other creature.”
The Shallows, he said, is a human story. Lively’s antagonist could equally well be a dinosaur or an alien or a storm, ”or another human being”. The drama comes from her fight to survive.
On his own scuba diving trips, the director has experienced firsthand what it is like to feel “the fear of being under the water and not knowing what is around me and feeling very vulnerable. Whether it is with sharks or any other creature, when I am not in my element, I am very uncomfortable – that’s also why I am a director who makes movies that are about expressing fear”.
“Sharks are a very difficult thing to do. They are so powerful and big and scary,” Collet-Serra said. “It’s very cool to have a shark theme, but try to do 100 shots of a shark, is hard not to repeat yourself and to create a memorable character, one that people remember.
“Jaws is a masterpiece and set the bar very high for everybody. A lot of people have tended to do variations on it. For us, we tried to do something that was fresh, simple, realistic and enjoyable for a new generation.”
From the Jaws sequels to Bait 3D, Open Water, The Reef and The Deep Blue Sea, there have been several other shark-themed movies since Spielberg unleashed his great white terror in 1975.
Nonetheless, Jaws itself is invariably the first title anybody remembers when shark films are mentioned. The Shallows won’t eclipse it, but at least it is bound to add to the conversation. – The Independent
The Shallows is out now.