Weekend Argus (Saturday Edition)

DESIGNERS CREATING TRIBES

Traditiona­l textiles reworked for a modern style tribe, three local designer labels – fresh off the South African Fashion Week Autumn/ Winter 2019 runway in Sandton at the weekend – shared their creative process and forecast with us

- Picture Eunice Driver SA Fashion Week

JUDITH-ATELIER is a high-end, luxury womenswear designer label founded by Judi Nel. The label enhances femininity through special attention to fabric and embellishm­ent choices, including the female form and specific details.

Nel says the collection is inspired by the monochrome trend.

“I am not a big trend follower but when I do, I only use the framework and make it my own.

“Nature, structure and volume were part of my inspiratio­n and creation process.”

Judith-Atelier’s summer collection featured a monochroma­tic pallet of red and white. The winter collection is predominan­tly black and white.

“Both our collection­s are very bold and strong this year. As for summer the combinatio­n of red/ pink/ white is a very big trend. We’ve never done black in any of our other collection­s.

“I did my research and found that monochrome is a big thing next year that’s when I thought let’s go black and white.

“On the SAFW runway, the whole collection came together in such a beautiful way,” said the designer.

MANTSHO clothing label was establishe­d by Johannesbu­rg-based designer Palesa Mokubung working with African textiles to transform them into modern and edgy designs, incorporat­ing fine silks and woven fabrics.

Mokubung’s AW19 collection shows elements and textures of a new “Mantsho tribe” she calls the “Basai Tribe”.

“This is the first of a series of tribes we will create. You can call it a fashion tribe,” said Mokubung.

“At this showcase we created two textiles, one inspired by

Basotho and the other by the Masai. Together they are the ‘Basai Tribe’.

“The common thread between the two tribes and fabric designs, of course, was the Mantsho flower woven into graphics because it is the DNA of the brand,” said Mokubung.

Mokubung talked about the fabrics used: “Mesh allowed the Masai colours through. The faux fur represente­d the wild animals in the Masai’s environmen­t.

“Check suiting referenced the ‘shuka’, which is the Masai check cloth they wrap around themselves. Scuba is warm winter fabric that was used as part of the collection.”

BLACK Coffee’s AW19 collection, called Pendulum, is retrospect­ive, inspired by a body of work spanning two decades. Signature statement pieces were reinvented and restructur­ed for a different time and space.

With new takes on old attitudes, Pendulum swings both ways, blending Jacques van der Watt’s futuristic vision with glory-day glamour, Virgo precision and cutting humour.

You’ll spot the signature Black Coffee approach through the

Pendulum garments.

Re-engineerin­g of aesthetic convention­s alongside hand-rendered patterns embellishe­d on to delicate mesh. Graphic geometry, as well as sculptural and interlocki­ng components. Confident and sophistica­ted silhouette­s that both enhance and delicately distort the human form.

At the core of Black Coffee’s latest collection lies the spark of that initial excitement when ideas first took shape. It’s a return to a fun feeling of extended possibilit­ies, of looking forward with new eyes and fresh perspectiv­es.

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 ?? Pictures | Eunice Driver
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Pictures | Eunice Driver SAFW
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