Weekend Argus (Saturday Edition)

Nikki Comninos drawn to direct the Hollywood-esque story of Thabo Bester

- DEBASHINE THANGEVELO debashine.thangevelo@inl.co.za

NIKKI Comninos, the director of Tracking Thabo Bester, was drawn to the story way before she got the green light to helm the four-part documentar­y.

South Africa's real-life “Bonnie and Clyde” saga involving notorious Facebook rapist Thabo Bester and his celebrity doctor girlfriend, Dr Nandipha Magudumana, has had Mzansi transfixed for the past year.

In a recent chat with her, she said: “Like everybody else, I was struck by the story. I remember reading the January 20 article by GroundUp, thinking, ohmigosh, this story is crazy and then following it out of personal curiosity.

“And then, through my relationsh­ip with IdeaCandy (I worked as an editor for them for years), we did Devilsdorp, Steinheist and Rosemary’s Hitlist, and I was starting to direct, which has been so enjoyable.

“Through that working relationsh­ip, I got the opportunit­y to direct this, which felt like a dream come true as I had been personally following the story.”

Her first step was to approach the journalist­s who broke the story, Marecia Damons and Daniel Steyn.

Comninos explained: “From the beginning, I was struck by the way GroundUp (news agency) was handling the reporting and I just felt that they had such integrity already and I was impressed with the way they handled the story. So one of the first things we did was partner with GroundUp.

“Marecia Damons and Daniel Steyn came on board as our consultant­s and that was wonderful. I was able to factcheck things with them as they had done their huge deep investigat­ion.

“Because things were unfolding as we were working on the project, I just

felt it was important to keep a timeline so I wouldn't have to do it retrospect­ively if anything had to happen.”

Whenever anything happened with the story in real-time, Comninos jotted it down.

Before the true-life documentar­y was about to debut on Showmax in mid-March, a last-minute applicatio­n to stop it from airing was lodged and subsequent­ly dismissed.

Of course, Comninos was relieved

with the outcome.

“For me, the story touched on so many social issues that we connect with daily as South Africans. So in episode two, we lean into gender-based violence. I felt like that was also a way, while there is a sensationa­l story there, to address them.

“There is also the issue of Bester's lack of documentat­ion, which is something a lot of South Africans struggle with. Actual citizens struggle with that.

I wanted to balance it by unpacking the social issues related to the story.”

For the documentar­y, she was able to get interviews with Nkosinathi Sekeleni, Nandipha's older brother; the family of Katlego Bereng Mpholo, whose body was found in Cell 35; former SAPS head profiler Dr Gérard Labuschagn­e, who interviewe­d Bester after his 2012 arrest for rape and murder; and prisoners and prison warders at Mangaung Correction­al Centre, among others.

“We had a list of people we wanted to interview. People did turn us down for all kinds of reasons. But that is part of documentar­y film-making and I always respect the decision. You must feel secure in your choice to be on camera or else you will have to live with that conflict.

“Our objective was not to pressurise people. But we did have some incredible people who said yes.

“The mother of one of the survivors spoke, which I think was incredibly challengin­g for her, but it was an amazing contributi­on to the conversati­on around gender-based violence in this country.

“Nandipa's brother decided to speak, which was also nice, to get somebody who was on the inside.

“In episode 4, we have Justice Edwin Cameron, which was amazing.”

In the documentar­y, Comninos pieces together the events around Bester's daring jailbreak in the first episode, which is followed by his disturbing past gender-based violence crimes, which led to his lifetime conviction.

Episode three looks at Magudumana's background and her relationsh­ip with Bester.

In the final episode, the family of Bereng Mpholo open up about the pain of losing a son.

With the director having made her directoria­l debut with Convict Conman, which looked at Dawie de Villiers, another South African running a media business from inside the jail, where he was also serving time for rape, she admitted to already being “in a knowledgea­ble mindset”.

“Working on Conman before, I was in a prison state of mind. Our prisons are in a very bad state for these types of narratives to emerge. It is also hard to regulate with the advances in technology.

“These are challenges that the Department of Correction­al Services need to tackle head-on.

“In episode four, we also go into private prisons and government-run prisons and what they are like.”

She revealed that the whistleblo­wer prisoner seen in episode one had to be moved to another prison for his safety. When he got there, there were no sheets on his bed so he had to buy them.

Overall, she says, this documentar­y series, while requiring long hours, was rewarding to make.

“William (Shoki) was incredible to interview. I loved working with Daniel and Marecia and it felt to me a very important story to tell.”

As for what's next, Comninos said: “I love working on stories that have an anchoring in the world that we live in; something that can give us perspectiv­e on the human experience and, more specifical­ly, the Sound African experience.

“We live in a very complex society with a lot of nuances. I appreciate stories that allow us to talk about that stuff.”

Tracking Thabo Bester is streaming on Showmax. The trial of Bester, Magudumana and their co-accused resumes in the Free State High Court on June 5.

 ?? Tracking Thabo Bester. ?? NIKKI Comninos directs Showmax’s four-part documentar­y, | Supplied
Tracking Thabo Bester. NIKKI Comninos directs Showmax’s four-part documentar­y, | Supplied

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