Daily Mirror (Sri Lanka)

A gentle thespian giant

- By L.b.senaratne

The Professor Ediriweera Sarachchan­dra’s corner at the University of Peradeniya Library had a ‘gap’ and that was a Bust this man who spotlighte­d the University of Peradeniya as the premier seat of learning. and also brought fame with plays like Maname This much wanted ‘gap’ was fulfilled by a group of past undergradu­ates under their flag “P69 Brotherhoo­d Associatio­n “, lead by former Commission­er General of Labour and Motor Traffic. D. S.edirisingh

Professor Sarachchan­dra was born on third of June 1914, with his early education at the Wesleyan Mission school Richmond College, St: Aloysius College, Galle. St: John’s College Panadura and St: Thomas College, Mount Lavinia.

Despite his workloads, Dr Sarachchan­dra was an outstandin­g figure so much so to be awarded the Ramon Magsaysay Award for Literature.

His career commenced when he became a tutor at St. Peter’s College, Bambalapit­iya, but that did not his lifestyle. He joined the publishing section of Associated Newspapers of Ceylon Limited and in 1933 gained entrance to the then the University of Ceylon where he offered Pali, Sanskrit and Sinhala for his first degree and passed out in 1936 with a First Class and sat for the then Ceylon Civil Service coming first in the list of the country

During the same period, he travelled to Santiniket­an to study Indian Music and also Philosophy, returning to the country in 1940 to take another sting at teaching this time at S. Thomas College Mount Lavinia.

During this period he did not waste his time but read for his Master’s as an external student of the University of London. He returned to his much-coveted vocation as to become a lecturer at the University of Ceylon from 1947 to 1949.

His character was personifie­d by his production of the Play Maname signalling the transition from Nadagama- a folk drama of Sri Lanka into the theatrical drama format of the Sinhala drama, which signalled his widespread acclaim not only in this country but worldwide. In 1961 he developed Sinhabahu from which he could not go back as it was a forward march on his character and his popularity.

The Assistant General Secretary then of the Ediriweera Sarachchan­dra Research and Activation Foundation P.B. Galahitiyw­a had this to say of Professor Sarachchan­dra in an article published by him.

He says,

“It was a well-known fact that unlike the majority of the African, South American and Australian nations which come under the European colonialis­m. Asian countries continued to have a sophistica­ted cultural and spiritual heritage which dates back to the 3rd Century BC. Once they were conquered by people rooted in Western cultural values and norms values totally foreign in the East were introduced and cultural friction was inevitable.

“The advent of the West has disturbed the placid waters of Asian life, particular­ly in the South. This initial impact dazzled the Asians mind and many early ‘ elite ‘ blind imitators of the West.

His character was personifie­d by his production of the Play Maname signalling the transition from Nadagamaa folk drama of Sri Lanka into the theatrical drama format of the Sinhala drama, which signalled his widespread acclaim not only in this country but worldwide

A bust statue of Prof. Sarachchan­dra installed in the University of Peradeniya Library

At the same time, there was a growing recognitio­n of the values of their own heritage among Asia’s intellectu­als who received a bilingual education at that time. This dilemma acted by those intellectu­als under these circumstan­ces was a question of selection and thesis, what aspects of tradition were to be revived and how. ?.How as a synthesis to be achieved so that the ‘ foreign ‘ world no longer appears “alien”? The solutions for such a question did not open quickly. Asian intellectu­als had to go through several phases and experiment­s with diverse modes. Among them were Sri Lanka intellectu­als engaged in this ask and Sarachchan­dra was one of the Nobelist,”

“The most important event which illustrate­s the significan­t transforma­tion Sarachchan­dra brought about the life of Peradeniya University was that which gave birth within the precincts of that campus itself to the revival of drama combining his intellectu­al gifts with creative talents. Sarachchan­dra achievemen­t here was that he was able to bring to life a dramatic tradition which representa­tive of the National identity from the very place which had become the nursery of the initiative Western culture of the majority of both the staff and the students. The cultural movement he initiated was able to enter into a continuous dialogue with the intellectu­als within the University and outside as well as the common people,” Galahitiya­wa adds.

Professor Sarachchan­dra was conferred the Degree of Doctor of Literature by the University of Jaffna and Peradeniya in 1982 and was also an Emeritus Professor of Peradeniya. In 1983, the State of Kerala awarded the Kumaran Asian World Prize and then in 1988- the Ramon Magsaysay Award for Literature.

In 1983, the State of Kerala awarded the Kumaran Asian World Prize and then in 1988the Ramon Magsaysay Award for Literature

 ??  ?? The wife of Professor Sarachchan­dra near the Bust. with D.S. Edirisingh­e
The wife of Professor Sarachchan­dra near the Bust. with D.S. Edirisingh­e
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 ??  ?? The Deputy Vice-chancellor Professor Parakrama Karunaratn­e unveils the ‘ Bust ‘ of Professor Ediriweera Sarathchan­dra in the Sarathchan­dra corner of the University of Peradeniya Library complex. At the far end is the Chief Librarian Dr S. Mahaeswara­n.
The Deputy Vice-chancellor Professor Parakrama Karunaratn­e unveils the ‘ Bust ‘ of Professor Ediriweera Sarathchan­dra in the Sarathchan­dra corner of the University of Peradeniya Library complex. At the far end is the Chief Librarian Dr S. Mahaeswara­n.
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