Daily Mirror (Sri Lanka)

A memorable celebratio­n by SOSL

- BY ASHANI GUNASEKERA

Four extremely talented musicians of the Symphony Orchestra of Sri Lanka took to the stage on the 31st of January at the Lionel Wendt Theatre to celebrate the 250th anniversar­y of Ludwig

van Beethoven, one of the greatest composers of Classical music. Beethoven is truly an outstandin­g idol and musical legend who successful­ly composed great musical pieces that have been carried centuries into the future, entertaini­ng and educating the younger generation­s of classical music. Beethoven had created unique pieces throughout his lifetime, learning from the best.

He was indeed a person of utmost importance in the transition between the classical and romantic eras in classical music. He is highly appreciate­d in the world of classical music and therefore is honoured and celebrated around the world.

The magnificen­t celebratio­n of Beethoven’s legacy in Sri Lanka included the Piano Sonata no. 30, Op. 109 which was performed by Soundarie David-rodrigo, Violin Sonata no.5, Op, 24 (“Spring”) by Nilupul Silva and Soundarie David-rodrigo, and Clarinet Trio in

B-flat, Op.11 by Soundarie Davidrodri­go, Ajit Abeysekera (clarinet) and Tamara Holsinger (cello). The show commenced with the beautiful and harmonious notes flowing out of the instrument­s that were in no doubt, skillfully played by the Violinist Nilupul Silva and Pianist Soundarie David-rodrigo.

The pieces that were given great justice to were, the Allegro, Adagio molto espressivo, Scherzo: Allegro molto and Rondo: Allegro ma non troppo.

These pieces were then followed by the second performanc­e by the Pianist

Soundarie David-rodrigo. She built up great intensity as she expressed her full emotions through the intricate works; Vivace ma non troppo, Prestissim­o, Gesangvoll, mi tin ni gs te re mp fin dung. Andante Molto Cantabile Ed Espressivo.

It was definitely a musical treat as the notes flowed along the piano keys, exploding into great harmonies that filled the stunned silence of the mesmerised audience.

The solo performanc­e was then followed by the musical trio playing the Clarinet Trio in B-flat, Op.11.

Soundarie David-rodrigo, Ajit Abeysekera playing the clarinet

and Tamara Holsinger, playing the cello, made a memorable performanc­e on stage as they recreated great music together with perfect co-ordination and sync.

They performed the Allegro con brio, Adagio and Tema con variazioni. Beginning with a bold statement phrase in unison, followed by two loud chords, a silence and an unexpected harmonic shift, the entire performanc­e revolved around the constant variations of soft and loud tunes which clearly expressed a great range of gentle to powerful emotions.

The concert came to a close promising the greatly satisfied audience more great work to look forward to in the near future.

Beginning with a bold statement phrase in unison, followed by two loud chords, a silence and an unexpected harmonic shift, the entire performanc­e revolved around the constant variations of soft and loud tunes which clearly expressed a great range of gentle to powerful emotions Beethoven had created unique pieces throughout his lifetime, learning from the best. He was indeed a person of utmost importance in the transition between the classical and romantic eras in classical music

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 ?? PIX BY Pradeep Dilrukshan­a ??
PIX BY Pradeep Dilrukshan­a
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