Daily Mirror (Sri Lanka)

ONCE UPON A FAMILY

- BY RIHAAB MOWLANA

Since debuting their first ever original theatre production in 2014, Sri Theatre Company has gone on to stage a number of original plays, providing avid theatre goers in the hill capital the opportunit­y to experience quality English Theatre. Sri Theatre Company has staged four original theatre production­s including ‘‘21st Century Monk', ‘Anarchy', ‘To be or Knot to be', ‘It's all amidst' and are now prepping for their latest - ‘Once Upon A Family'.

“The play touches upon various social aspects of politics, trade, and protecting family values” Aslam Marikkar, playwright and Director of Once Upon a Family shared. “This is an original play which was conceptual­ized during the pandemic lockdown. The actors of this play were given the script during the second year of the pandemic and have been gradually working their way to taking part in practices in person”.

Speaking of the cast, Marikkar added “we have a founder member of Sri Theatre Company that is Anaz Haniffa who is joined by Fazmina Imamudeen, Tobias Vishvabara­tha, Hemal Muscreen, Ashfaq Thowfeek, Tiara Beneragama, and Bhagya Senadhira who are acting key roles, while also featuring new comers to theatre who are joining in portraying the minor characters”. Marikkar hopes that the “bond that is shared among the family, and their integrity being challenged by external events and incidents that unfold throughout the play” will resonate with the audience.

Fazmina Imamudeen (Lead female protagonis­t)

1

A strong woman who cares deeply about her family. Her love for them is fierce; yet that very nature makes her rather vulnerable and helpless at times. That's how I see Inaya. Although God fearing, she loves her unorthodox husband whom she believes will be the saviour of her family no matter what.

2

While reading the script, I was drawn to Inaya's character right away. Observing old married Muslim women and talking to my mother about her relationsh­ip with my father helped me improve my body language and mannerisms.

A strong woman who cares deeply about her family. Her love for them is fierce; yet that very nature makes her rather vulnerable and helpless at times.”

I also studied characters in movies. When I was trying to figure out how to communicat­e my sorrow, I looked to a scene from a Korean drama. At home, I can be myself and pretend to be Inaya to my daughters' amusement and they'd give me constructi­ve criticism as well. I consider the cast I'm working with a second family. There are times, we'd brainstorm ideas on how we may better embody the character we're trying to portray. For the most part, Aslam has left room for creativity in how we approach each character. He's also been open to providing input and making adjustment­s as we go along.

3

My inability to stop chuckling during key scenes to which everyone would respond with a sense of humour. Anaz Haniffa would take it upon himself to be the spouse he is to Inaya and tell her, “Inaya, go start again”. One of the most difficult aspects of the play is learning lines while still juggling other commitment­s. But the difficulti­es become opportunit­ies for growth when you have a cast and director as supportive as this one. In Dom Toretto's jargon - We are not a cast. We are a family.(ha ha) 4 Well I think, I wouldn't want to swap characters with others. The way I see it, the performers are a wonderful fit for their characters; it's almost as if the roles were designed with them in mind. Because of this, I wouldn't want to switch places with any of the cast members' characters.

Anaz Haniffa

(lead male protagonis­t)

1

A man with a will to win at all cost, consumed by rivalries outside, lost being hell bent by his ideologies within the family. He tries to strike the balance between family and business.

2

Input from the whole team has helped immensely with moulding the character. It is still evolving and I'm excited to see where it goes.

3

Memorising lines hasn't been a cakewalk. Most fun aspect was getting to work with such an amazing cast. A bunch of genuinely nice people having fun doing what they love.

Input from the whole team has helped immensely with moulding the character. It is still evolving and I’m excited to see where it goes.” 4 David. Light-hearted character and not as many lines to learn.

Tobias Vishvabara­tha (Antagonist)

1

The ideal state beaurocrat, i.e. in the Sri Lankan context, a political stooge, forever eager to take advantage of any open opportunit­y to his benefit.

2

The entire cast, led by the director carved and crafted the role and I eased in to it, a collective effort.

3

Learning lines while being totally immersed with my other daily engagement­s was a challenge but the discussion­s on the Whatsapp group created for the drama was always entertaini­ng.

4

May be the role of Com Leader, feel more comfortabl­e in a Sinhala speaking role.

Learning lines while being totally immersed with my other daily engagement­s was a challenge but the discussion­s on the Whatsapp group created for the drama was always entertaini­ng.”

Bhagya Senadhira (eldest son)

1

I have the joy of playing two completely different characters on stage which is an opportunit­y any actor would salivate at especially being one of the last few additions to the cast.

2

Aslams style allows a lot of creative freedom to get deep into character and explore those depths, with focused direction to fine tune the tinier details. That combined with intensive discussion­s with my fellow actors helped to bring the scenes to life.

3

The most challengin­g aspect would be fitting into a cast that had already been together for months developing chemistry and figuring out how I could optimize my role within the show to contribute as much to its success and bring the best out of all my fellow actors.

4

Maybe the role of Warna, being

25, the idea of transformi­ng into a much older male character is an intriguing challenge.

I have the joy of playing two completely different characters on stage which is an opportunit­y any actor would salivate at especially being one of the last few additions to the cast.”

Ashfaq Thowfeek (accountant)

1

Playing the character of Ibrahim is very interestin­g in itself. This family accountant is not a family member yet is a strong and an essential part of family. Always there to help the family unconditio­nally as he calls them family and vice versa. Many twists in his connection to the family.

2

Since I'm an amateur at theatre drama, the crew helped me through a lot. They always helped me identify and develop where it's necessary. Aslam's style of direction was to let me explore and freestyle in the practice sessions. He wanted me to understand the depth of every situation to get the right expression needed. He always made sure either he or another team member stepped in to help me when I hit dead ends. 3

The most challengin­g part is to understand theatre drama in itself entirely in this short span of time. And the most fun part is that I actually come from an accounting background and my dialogues easily resonated with my daily work. It is something that gave me a push to this role.

4

Warnakulas­ooriya. Although the character has a lot of screen time which scares me, I always like an extraordin­ary evil character. He also has lines in both English and Sinhala which I think is very interestin­g.

The most challengin­g part is to understand theatre drama in itself entirely in this short span of time.”

Tiara Beneragama (daughter)

1

I play Sarah, the only daughter of the Suleiman family. Having brought up with two other brothers that use their prestigiou­s family name to live ‘larger than life', Sarah has been made a strong independen­t lady, who would not remain silent but fight for what she believes in. Though she adores and loves her family, her feisty character doesn't allow her to easily forgive them if they do wrong.

2

I think that I tried to really relate to the character of Sarah to prepare for it. How she wants to escape that stereotypi­cal role of a woman at a conservati­ve time, but she has such a strong need to take care and protect the family as well. It was a really enjoyable process because the play is set several decades earlier, and observing the dynamics of this family along with the societal issued they faced was just really interestin­g!

3

I think the biggest challenge was for me to break away from characters I've played before, which were more extravagan­t and fantastica­l. Since Sarah, or the play in general is much more realistic and apt with real life issues, the others actors and Aslam helped me play the character in a more natural, grounded way. What was really fun was honestly acting with everyone else! There would always be a sense of lightheart­edness and encouragem­ent; it is a great environmen­t to be in!

4

I would love to play one of the coms actually! Though the number of Sinhala lines would drown me, I always loved the fact that they show sarcasm, anger and confidence all together within such a short burst of the scene!

I think the biggest challenge was for me to break away from characters I’ve played before, which were more extravagan­t and fantastica­l.

Since Sarah, or the play in general is much more realistic and apt with real life issues, the others actors and Aslam helped me play the character in a more natural, grounded way.”

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