Sunday Times (Sri Lanka)

To commemorat­e Shakespear­e’s 400th death anniversar­y

- By Susitha R.Fernando

Commemorat­ing the 400th death anniversar­y of the greatest playwright William Shakespear­e, ‘Premawanth­a Kumarayo’, Sinhala adaptation of ‘A Midsummer Night’s Dream’ produced by Drama and Theatre and Image Arts Unit of the Kelaniya University and Academic Players theatre group will go on the boards on July 23 at Lionel Wendt theatre, Colombo.

Based on a translatio­n of Jayawathi Jayasinghe, the play which is produced by Lal Handapango­da is directed by veteran actor and theatre lecturer Priyankara Ratnayake. Director of ‘Oedipus’, ‘Thatu Ewith’ and ;Wisekariyo’, ‘Premawanth­a Kumarayo’ is his latest play.

“Filmmakers of many countries have been influ- enced by the works of William Shakespear­e and a large number of films have been produced based on his plays,” said Priyankara Ratnyake. The vivid and colourful characters together with depth are among the main reasons for Shakespear­e’s plays to be popular even today.

Priyankara is of the view that there was false perception about Shakespear­ian plays in Sri Lanka. “Many thought that ordinary people cannot understand his plays. Some even thought everybody cannot understand Shakespear­e and there were taboos. There were only a handful of people like Tony Ranasinghe and Bandula Vithanage who translated Shakespear­e’s plays to Sinhala. However the reality is that Shakespear­e wrote plays for ordinary people,”. Asked for the reason to select ‘A Midsummer’s Night Dream’ to make a Sinhala play, Priyankara said that the play was a real comedy in its proper sense. “Comedy has been misunderst­ood by Sri Lankan theatre. A play with any jokes cannot be a comedy. Comedy plays have a depth and that is why Shakespear­e’s comedies are so important,” Priyankara said.

“Sri Lankan theatre both English and Sinhala have promoted a genre of theatre to attract the audience that was glued to television. So directors used same faces in the TV dramas in theatre but now it has proved a failure,” he said. The same problem is there in the English theatre also, he added.

The cast comprised of Priyankara Ratnayake, Sajitha Danuththar­a Anthony, Ishara Wickremasi­nghe, Premaratne Thennakone, Harshika Ratnayake and Mahesh Umagiliya. Prameeth Dahanayake handles music direction and costumes of ‘Premawanth­a Kumarayo’ is done by Harshika Ratnayake and Mahesh Umagiliya.

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