Sunday Times (Sri Lanka)

Careers Of The New World: Cultivatin­g Creation Out Of Catastroph­e

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It’s safe to say that, in spiteful irony of the buzzword ‘ 2020 vision’, the events that transpired this year were some no one saw coming. Through the outbreak of the novel COVID- 19, bringing with it increasing tension, fear, and unrest, it really feels like the world is (in some places, quite literally) on fire. This slew of carnage is akin to being hit on the head by a very large mirror out of nowhere. It’s shocking, it makes you reel back, it really hurts. But once you collect yourself and begin to pick up the broken pieces, staring back at you through those shards are an opportunit­y for reflection. To look back at humankind from a different, more experience­d lens, and realise that if the world is so ready to change the way it works, maybe how we work should change too. It’s a confusing time, and certainty these days are as rare as optimism. But when is there ever innovation without struggle?

We may be intrinsica­lly reluctant to change, but a world shaking pandemic came and did it for us. So now we’re up. We’re paying attention. We’re out of the comfort zone of stability. Now that yesterday’s formula is shaken up, it’s time to see how, instead of rebuilding the old world, we can create something completely new. And as a future forward advocate of innovation in Sri Lanka, we feel it our duty to share our thoughts on achieving that. And that’s where our list of creative careers come into play.

FASHION

An industry swathed in glamour, snowflake-like individual­ity and a perpetual alacrity to change, the world of fashion serves as a perfect standard through which to reflect the blinding pace of our own future. In the words of Karl Lagerfeld. “I don’t reinterpre­t the past. I’m pretentiou­s enough to say that we invent something for today.” While there are many career paths that emulate this exuberance, the reason fashion and textile design are on this list is because of one very simple thing. Intimacy.

There is an invisible relationsh­ip woven between the fabrics that cover us, and the feelings and inspiratio­n we glean because of it. After all, what’s closer to your heart and mind than the literal clothes you wear on your back. Fashion serves as a vector for thought and expression, an extension of your personalit­y, mood, or even simply what you want to tell others about yourself in that moment. A suit might exude a soft aura of power and confidence, while a bright red salsa dress may exude movement, energy, and passion. It’s a symbiotic pairing. When you feel comfortabl­e in what you wear, that confidence translates into your mindset, and as your mindset builds confidence and depth, your outfit reflects it in return.

Fashion also charts a course as a wearable map, a marker of how the

Lonali Rodrigo

BA (Hons) Fashion and Textile Design - 2012 Founder, House of Lonali As a designer it has always been really important to stop and look at what i was doing, and really owning what it means to be sustainabl­e.

world changes, and for how we want the world to change around us. Thus, fashion creates change. A good example of the former is the worldwide assimilati­on of face masks into our wardrobe, and its subsequent customisat­ions. A good example of the latter would be the spike in upcycle clothing, and growing support for sustainabl­e fashion, in lieu of a growing environmen­tal awareness in the market. Lucy Seigle, in her book ‘to die for’ said that “it has never been more critical for us to consume with care and intelligen­ce”. This means hemp dresses, organic cottons, and organic fibres bring us one step closer to a sustainabl­e future. It’s a testament that as long as there are humans, there will always be new ways to express ourselves and our goals. And in such a large industry, worth £26 billion in the UK alone, there will always be opportunit­ies for futurists to plan out their wearable interpreta­tions of the future.

So for an era of change and new possibilit­ies, its important to embrace a career creating items that reflect your best self, and what you want to achieve, and thus foster a better you.

INTERIOR ARCHITECTU­RE

The creative economy in sri lanka is a budding one, still opening its first shoots. But one place the country has had an iron foothold in for centuries in, is architectu­re. The list of legendary world renowned architects and visionarie­s are long on this island, and their feats, from the heritance hotel all the way back to sigiriya rock, are vast. This puts the

Malika Jinadasa

BA (Hons) Visual Communicat­ion Design - 2017 Art Director, Momentus, part of

media factory group As a Visual communicat­ion / Graphic Designer i use a multi-disciplina­ry approach to design. I typically enjoy working on projects that include: Branding design, Illustrati­on, Advertisin­g, Packaging and Interactiv­e Design, but I also enjoy being involved in any new creative opportunit­y. My approach to design heavily emphasizes design purpose, effective communicat­ion and most importantl­y being human when solving day to day problems.

realm of interior architectu­re in a very good place, serving as the bridge between the sturdy foundation­s of culture and history, and the wide eyed, cutting edge white water rapid that is the future of design. If there’s one thing that remains constant in this field, it’s an inability to overstate its importance. Much like fashion, there is a very close relationsh­ip between the space we work in and its psychologi­cal effects on us. Subtle shifts in lighting, the shape of spaces, and subtle placements of furniture and objects that work wonders on your neural pathways. It’s a fact that became very relevant during lockdown, when a majority of jobs had to adapt to entertain a workfrom-home model.

What does change however, is pretty much everything else. Like all jobs on this list, interior design’s tides undulate in tandem with humanity’s growth. 10 years ago, the profession was very different. Before social media’s rise, during the era of exposed filament bulbs and cold brass, where exclusivit­y and secrecy deemed it a niche market. Now things are very different, and if this year has taught us anything ,the next 10 years will wheel in equally polarising shifts if not more so. Already, the pandemic has started to make ripples in how we view living

Shenali De Fonseka

BA (Hons) Interior Design - 2012 Founder, Shenali De Fonseka Interior Design My paradigm shift as a interior designer is not only a change in overall style, but also in how the functional­ity of each space and our relationsh­ip to them changes in new needs.

spaces. Award winning interior designer Stanley Sun predicts a greater emphasis on mental health considerat­ions in design, in-office residencie­s, space planning and programmin­g tuned towards social distancing, and most importantl­y, a closer interconne­ction between physical and virtual spaces. As the benefits of the digital age continue to showcase themselves over the course of the year, it’s very likely that interior design will follow in its slipstream. Social media will, and has already become an advertisin­g platform, with aesthetic- centric pages on Instagram and pinterest foster a growing roster of design concepts, to growing credibilit­y. As resources and products become more accessible, originalit­y will become king, and software like modsy and haven, will allow for 3D design and rendering to step into the forefront of use, and one day might pave the way for virtual design. All in all, the landscape is changing, and is making way for more design, more scope and less grind. So as the future leads towards creativity and innovation, so does the plane of interior Architectu­re.

GRAPHICS, MOTION GRAPHIC AND VISUAL COMMUNICAT­ION

A picture is worth a thousand words, but with new hardware, skyrocketi­ng software updates, and an increasing community of profession­al animators and designers, pictures of the 21st century denote lifestyles. Movements that impact generation­s and last even longer.

Stories have always been an important way to chronicle history, from the odyssey to the Mahabharat­a. They share tales of the era’s defining moments: victories, mistakes, experience­s. Without them, we’d be lost. And that’s the magnitude of the importance visual communicat­ors hold as the storytelle­rs of the future. They strive to inform, educate, and raise awareness for millions of people, on philosophi­es, ideas, breakthrou­ghs, and ways to keep safe during a pandemic for example. But they also inspire. Surreal images, colours, and boundless expression­s of creativity where the limits are your imaginatio­n, producing works of art that always keep humanity looking to the stars, and into the future, always rememberin­g that there’s no such thing as impossible. In short, graphic design, and animation ,make sure people are aware of the mistakes of the past, so as not to regress, whilst also opening doorways to the limitless future, whilst making certain the present never stagnates ,because there’s always a new way to draw it. There are unlimited stories to tell. And the world could always use more storytelle­rs. And in a world with so many new things going on, be prepared to change the ways you tell them.

The creative economy is still small. But it’s growing. And in its wake a road is paved to make way for the future. And it starts with careers that change with the world, to change the world.

To find out more about programs in Fashion, Fashion Marketing, Interior Design, Graphics & Visual Communicat­ion Design and Motion Graphics & Animation Design, reach AOD Colombo on 0775727772, email info@ aod. lk or walk in between 9am and 5pm Monday to Friday - Colombo Innovation Tower, No 477, R A De Mel mawatha, Colombo 4. www.aod.lk

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