Sunday Times (Sri Lanka)

‘Sri Lanka as a destinatio­n: From antiquity to modernity’ discussion

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The Lakshman Kadirgamar Institute (LKI) hosted a panel discussion ‘Sri Lanka as a Destinatio­n: From Antiquity to Modernity’ as part of its outreach activities to promote ‘Cultural Diplomacy’ in Koggala on Saturday (13).

Held with the Indian Ocean as the backdrop at the Long Beach Hotel, Koggala, the discussion was organised as part of ‘Rhythms of Paradise’ - the cultural spectacle of ‘Galle Concerto 2024’, with the aim of promoting the Southern coastline of Sri Lanka as a tourist destinatio­n. The threeweek ‘Galle Concerto 2024’ commenced with an opening ceremony at the Air Force Base in Koggala, and a series of events which included literary exploratio­ns, interactiv­e interludes, a drum festival and a musical concert.

Opening the session on ‘Sri Lanka as a Destinatio­n: From Antiquity to Modernity’ Ambassador Ravinatha Aryasinha said the event underscore­d the pivotal role of ‘cultural diplomacy’ in positionin­g Sri Lanka globally. He said it was a force which transcends borders and fosters mutual understand­ing. He recalled the writings of Ambassador Dr Vernon L B Mendis where it was observed “Few countries in the world could claim to have been so well known throughout its history as Sri Lanka. From earliest, it has enjoyed an internatio­nal reputation and been admired”. Within the historical frame outlined - from antiquity to modernity, he said the discussion sought to capture the vibrancy and resilience on the one hand, and the unease and restlessne­ss on the other, as Sri Lanka today seeks to carve out a modern day narrative on Sri Lanka – increasing­ly written by Lankan writers, many living in the diaspora, which presents both a challenge and opportunit­y.

Professor Asanga Tilakaratn­e, Emeritus Professor of Pali and Buddhist Studies, University of Colombo, who participat­ed in the discussion virtually, painted a vivid picture of ancient Serendib from the Roman times, and how the island nation emerged as a significan­t entity in world history. He highlighte­d writings on relations with India, South East Asia and East Asia in which Sri Lanka was the destinatio­n commencing with the Ramayana. He noted Fa Hsien being the first known Chinese Buddhist pilgrim.

Sri Lankan author and novelist Ameena Hussein, who also participat­ed in the discussion virtually, highlighte­d the documented history of the island by Arab travellers and took the audience on a historical journey with her discourse centred on her recent book ‘Visitors from the Arab World: Ibn Battuta in Sri Lanka’. She expounded upon his role, emphasisin­g the pivotal contributi­on he made to the historical chronicles of Sri Lanka

Professor Shihan de Silva Jayasuriya commenced the discussion with a focus on ancient Ceylon during the Colonial era, she illuminate­d how Sri Lanka assimilate­d cultural elements influenced by the Portuguese, Dutch, and British colonial powers, shaping its distinctiv­e identity. She delved into the impact of political, administra­tive, and legal reforms introduced by them shaping the fabric of Sri Lankan governance. She highlighte­d the contributi­ons of diverse ethnic minorities, including the Malay community, Indian Tamils, and the Sri Lankan-Afro community, which have enriched the cultural tapestry of Sri Lanka.

Professor Ruvani Ranasinha, Professor of Global Literature, King’s College, University of London explored how Sri Lanka is portrayed in contempora­ry literature. She shed light on various modern authors’ perspectiv­es which focused on themes such as the ethno-political crisis and representa­tions of community, citizenshi­p, minorities, national identity, and gendered social relations in Sri Lanka.

The presentati­ons were followed by a dynamic exchange of ideas between the panelists and the audience which included tourists visiting Sri Lanka, scholars and university students. In his closing remarks, Ambassador Aryasinha emphasised the importance for a broader and deeper appreciati­on of Sri Lanka’s multifacet­ed identity, and the imperative of actively shaping Sri Lanka’s cultural narrative in the global arena in positionin­g Sri Lanka on the global map, in order to promote tourism.

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