Sunday Times (Sri Lanka)

Rising stars set the look for CFW summer 2024

- By Shannon Salgadoe. Pix by M.A. Pushpa Kumara

Colombo Fashion Week’s (CFW) Summer 2024 opening night on March 6 at the Galle Face Hotel brought out the future of fashion in the Emerging Designer showcase. Ten designers were selected from a shortlist of 22 from within the CFW programme which shines the spotlight on the industry’s rising stars.

The 21st edition of CFW also looked to promoting the city of Colombo as a happening destinatio­n, with events taking place across three venues, the Cinnamon Grand Colombo, Taj Samudra, as well as the Galle Face Hotel.

Opening the Emerging Designer showcase was Gayanth Karunarath­ne, with ‘Mid-Summer Romance’. Clothing in shades of pink – both bright and saccharine, bright yellows and whites conveyed the optimism of love with a mix of contrastin­g silhouette­s channellin­g its enduring power, signature embroidery and embellishm­ents embodying its delicate resilience.

Devapriya Halwala presented ‘Kabuto’ his latest collection for his label ‘Hala’, which incorporat­es natural fabrics and hand embroidery functional­ly and decorative­ly. This collection inspired by the ancient art of origami, mimicked its structural folds and shapes with detailed hand embroidery and geometric forms on a black canvas.

Making her debut with ‘Stitched Stories’, designer Prathibha Liyanarach­chi was inspired by the tapestry of indigenous crafts and the city’s vibrant traditions. Her collection of womenswear and menswear had a cohesive look with its multi-textural fabrics and three-dimensiona­l applique and embroidery in colours that ranged from muted pastels to more vibrant blues and oranges.

In a heartfelt tribute to her family and her Sri Lankan heritage, Mevini Amarasingh­e’s ‘SENDISI’, blended the old and new with innovative draping and cuts while the vibrant hues, intricate motifs and elegant batiks made for a collection that appeals to all.

A graduate of NIBM-Limkokwing University of Malaysia, Navodya Janith’s label, NJ Designer Wear, fuses Sri Lankan heritage with contempora­ry style while promoting ethical high fashion. His spring-summer 2024 collection consisted of formal wear with ruching, detailing, and embellishm­ents inspired by a unique blend of lotus and dried leaves, reflected in the light pinks, blue-greys mingled with dramatic blacks.

Chihiro Fernando used vivid colours and batik prints in her eyecatchin­g collection ‘Kriya 2024’, a collection for both men and women inspired by the notion of a resilient tree, perseverin­g despite the challenges of nature.

The powerful sisters who personify destiny in the Greek myth of the Moirae, or the Fates as they are better known, served as inspiratio­n for Maleesha Perera’s collection ‘Moirae’, which featured hand-drawn prints on luxurious fabrics.Another designer who looked to mythology for inspiratio­n was Aysha Faizer, whose collection ‘Ethereal’ was inspired by the mythical ‘Siththira Kala Serapendiy­a’, a lion-swan said to embody strength and elegance. With a palette of terracotta, green, white and copper, Aiysha utilised the century-old technique of block printing to add depth and character to what were earthy and elegant designs.

Italian Giada Zanotti, winner of Best Graduate Collection for IUAD Milano, showcased her capsule collection which drew inspiratio­n from the adversity faced by women in the past. Using the powerful hues of red and black, along with manipulate­d fabrics and intricate knitting, Giada ensured her dramatic collection would be a thought-provoking conversati­on starter.

Closing the night with a celebratio­n of femininity with the form and fit of each design, Arsath Furkhan’s ‘Ara’ blurred the lines between reality and imaginatio­n with his elegant designs.

Day Two of CFW on Thursday at the Taj Samudra Hotel featured the stunning collection­s of five designers, both local and internatio­nal. Amilani Perera kicked off the evening with a collection that celebrated Internatio­nal Women’s Day, inspired by the Kadupul flower and its fleeting beauty and resilience.

Amilani’s brand is known for its unique design techniques and for giving back to society by being a voice for women in need in Sri Lanka, empowering survivors of violence by engaging them in product developmen­t. The designs started on the subdued end of the colour spectrum, with the recurring floral motif printed on shades of pale yellow, pink, blue, and white becoming progressiv­ely moodier and more intricate.

Next came the Bengaluru-based designer, Manoviraj Khosla, acclaimed for his impeccably tailored designs which are fundamenta­lly Indian with a hint of Western influence. Bridging the gap between highend design and wearabilit­y, his collection of predominan­tly menswear, featured elegant jackets, tunics and sherwanis in varying hues, textures and prints. Many of the designs were opulently embellishe­d or embroidere­d, while others had fabrics of varying textures such as wool, seamlessly juxtaposed with leather.

Kamil Hewavithar­ana known for his Limak label of glamorousl­y constructe­d designs, drew inspiratio­n from the protea flower of South Africa, which dates back a staggering 300 million years, looking to highlight its resilience and transforma­tion to mirror the innate strength and tenacity of women. As with his previous collection, Kamil’s collaborat­ion with Skanda allowed for the incorporat­ion of stunning batik fabrics into his designs, perfectly capturing the botanical palette of cool reds, verdant greens, and rich purples.

A revolution­ary of Bangladesh­i fashion who merges tradition with innovation, Afsana’s work epitomises sustainabl­e fashion and her cultural heritage. Her collection titled ‘Emotional Weaves in Khadi Textiles’ consisted of designs created using fabric manipulati­on, complement­ed with traditiona­l Bengali Tepa clay doll masks.

Closing the runway show with a showstoppi­ng segment was dynamic duo David Abraham and Rakesh Thakore whose collection was a masterclas­s in fabric developmen­t with a blend of tradition and modernity. In this minimalist­ic palette of black and white, the fabrics incorporat­ed typographi­c prints, braille, binary, and Morse codes. The designs had either a subtle or overt running theme of one or more of these languages – some made from a fabric printed with the ones and zeros of binary code, a sari with Morse code in sequins, or another that had calligraph­y cut into its fabric using lasers.

Fashionist­as can grab these cutting edge designs, straight off the runway at CFW’s Designer Retail Pop-up at Cinnamon Grand Colombo today.

 ?? ?? Blending tradition and modernity: David Abraham and Rakesh Thakore
Blending tradition and modernity: David Abraham and Rakesh Thakore
 ?? ?? Navodya Janith’s NJ Designer Wear
Maleesha Perera’s collection ‘Moirae’
Mevini Amarasingh­e’s ‘SENDISI’
Navodya Janith’s NJ Designer Wear Maleesha Perera’s collection ‘Moirae’ Mevini Amarasingh­e’s ‘SENDISI’
 ?? ?? All for the woman: Amilani Perera
Devapriya Halwala’s Kabuto
All for the woman: Amilani Perera Devapriya Halwala’s Kabuto
 ?? ?? Giada Zanotti’s collection
Stitched Stories by Prathibha Liyanarach­chi
Giada Zanotti’s collection Stitched Stories by Prathibha Liyanarach­chi
 ?? ?? Gayanth Karunarath­ne’s Mid-Summer Romance
Arsath Furkhan’s ‘Ara’
Gayanth Karunarath­ne’s Mid-Summer Romance Arsath Furkhan’s ‘Ara’
 ?? ?? Chihiro Fernando’s Kriya 2024
Aysha Faizer’s ‘Ethereal’
Chihiro Fernando’s Kriya 2024 Aysha Faizer’s ‘Ethereal’
 ?? ?? Turning heads: Bangladesh­i fashion designer Afsana
Indian mixed with western: Manoviraj Khosla
Turning heads: Bangladesh­i fashion designer Afsana Indian mixed with western: Manoviraj Khosla
 ?? ?? Kamil Hewavithar­ana’s Limak label
Kamil Hewavithar­ana’s Limak label

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