Bangkok Post

Promenade risks river’s cultural history

- SRISAKARA VALLIBHOTA­MA Srisakara Vallibhota­ma is anthropolo­gist and adviser of the Lek-Prapai Viriyaphan Foundation. This article is an adaptation of an article published in the foundation’s journal.

As a Bangkok-Thon Buri resident, I have grave concerns over the 14-billion-baht Chao Phraya River promenade project, dubbed as the New Landmark of Thailand, that is being promoted by the military government.

The project features a 12-metre-wide path, aimed at promoting the use of bicycles, a popular leisure activity, but which I fear will further destroy the cultural landscape of the river.

It’s inarguable that poorly-planned developmen­t in past years has left the cultural landscape of the river, a major artery of the country, in bad shape.

In recent years, wealthy real estate investors, with the nod from the state, took possession of most riverfront strips, turning them into towering blocks that serve as hotels, condominiu­ms and office buildings. In so doing, the new landscape has compromise­d the beauty of our eastern, riverine society which can still be seen in paintings by Andre Murot and some western photograph­ers who recorded that old beauty during the reign of King Rama IV.

In my view, the very first eyesore that harms the riverine landscape is the tall condominiu­m project in the Pin Klao area. With such a towering height, the condominiu­m, dubbed by many as a giant Shiva linga, is an insult to the stupa of Wat Arun temple, equivalent to the sacred Borom That (main stupa that houses the Lord Buddha’s relics) of Rattanakos­in town.

Another example of visual pollution in the Chao Phraya landspace is the new parliament building in the Kiakkai area. The gigantic project has altered the cultural landscape forever. Apart from challengin­g our old belief that only a palace and temple could be built on such a large scale, the project has caused an impact on the communitie­s, as well as an old Yothin Burana school, which were evicted from the designated site.

In fact, before the promenade project was initiated, the Bangkok Metropolit­an Administra­tion, with a group of town planners and university lecturers, planned to create a colossal flyover across the river. If constructe­d, the project would have led to the forced eviction of some historical communitie­s which have lived and depended on the riverine system for generation­s.

The Chao Phraya is like the backbone of the country which has interdepen­dent tributarie­s or khlongs where groups of people of various ethnicitie­s settled down as communitie­s.

The present landscape came into existence with the digging of two new canals as a short-cut during the Ayutthaya era. In Bangkok, a new canal dug in 1534 opened a waterway linking Bangkok Noi and Bangkok Yai which later became the main river which we see today.

One characteri­stic of resettleme­nts in this area is the name of each community begins with “Bang”, which reflects its riverine nature.

Each community has a temple as its centre. In some areas, there are Chinese shrines — mostly next to market places like Talad Noi in Charoen Krung — and mosques. Poet Sunthorn Phu described each community in his series of travelogue­s, including his famous Niras Phukao Thong, or the golden mount travelogue.

As a major transport route in the old Bangkok, river trade prospered, with orchard farmers from the Thon Buri side and nearby provinces using the river to transport their produce.

The areas where the river meet canals have become bustling trading places called pakklong talad markets where fruits and vegetables were loaded to feed locals on the Phra Nakhon side. There is evidence this system existed even before Bangkok was establishe­d as the new capital of Rattanakos­in.

With developmen­t in modern times, the river trade system has faded with the death of some pakklong markets. The Tha Tian market is a prime example. Extensions of electric train routes dealt a heavy blow to some riverine communitie­s. Many were evicted, and cleared to pave the way for stations on the train routes.

But the controvers­ial promenade project will just turn bad into worse. Changes in the cultural landscape have occurred in past decades, but at least some vestige of the past remains. People can still take a journey on the river to see the old ways of living.

It will not possible with the promenade project. With its length, 7km, or 14km on both sides of the river in the first phase, and over 100km in later stages, it threatens to kill the entire river landscape as well as local communitie­s and small towns along the riverside and canals.

The promenade will effectivel­y block the remaining pakklong spots and weaken orchard farmers who depend on this system.

Looking at recent developmen­t, I have little faith in elected politician­s who played a part in introducin­g the changes that destroyed the cultural landscape. So it shocks me to see the military, which promised to bring back happiness to the people, pushing for this controvers­ial project. I hope they listen and reconsider.

It threatens to kill the entire river landscape as well as local communitie­s and small towns.

 ?? KRIT PROMSAKA NA SAKOLNAKOR­N ?? The promenade project could diminish the majesty of Wat Arun, or the Temple of Dawn, on the Chao Phraya riverbank.
KRIT PROMSAKA NA SAKOLNAKOR­N The promenade project could diminish the majesty of Wat Arun, or the Temple of Dawn, on the Chao Phraya riverbank.

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