Bangkok Post

Immigratio­n tensions seep into US music festival

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The trendsetti­ng US South by Southwest music festival is all about the next big thing, but the heated politics of the moment is stealing the show.

Tensions over immigratio­n have put a heavy air over the typically breezy weeklong music bash that begins on Monday and includes headliners The Avett Brothers, Weezer and the Wu-Tang Clang dropping into Austin, along with roughly 2,000 other acts from around the world.

It’s more than just promises of bands using SXSW as a stage for politicall­y-charged performanc­es in the wake of President Donald Trump’s executive orders on immigratio­n: The festival has come under fire itself for warning internatio­nal artists that bad behaviour could result in it making a call to US immigratio­n agents.

Unrelated, but still stoking concerns, was the Italian band Soviet Soviet posting on Facebook on Friday that it was denied entry into the US. Soviet Soviet claimed US customs officials in Seattle said the band members needed work visas, but the band says it didn’t believe work visas were required for a promotiona­l and unpaid tour.

Matthew Covey, a New York-based immigratio­n attorney who helps internatio­nal performers obtain visas to enter the US, said the travel ban has unsettled artists who are not even from the impacted countries.

“Everybody is worried now,” Covey said “We’re getting calls from Danish jazz musicians saying, ‘Am I going to be OK?’. Yeah, probably. You’re a Danish jazz musician. But everybody is on edge”.

Covey is helping put on a SXSW showcase of artists exclusivel­y from the list of banned countries in response to Trump’s order, although none of the performers currently live in those nations.

SXSW organisers had quickly come out against Trump’s travel ban, but later found themselves on the defensive over a contract provision warning that “SXSW will notify the appropriat­e US immigratio­n authoritie­s” if a performer acts in ways that “adversely affect the viability of their official SXSW showcase”.

The language set off a storm of criticism and at least one performer announced plans to cancel. Organisers said the clause was a safeguard in the event of an artist doing something egregious — such as flouting rules about pyrotechni­cs or starting a brawl — but pledged to remove it from future contracts.

Zane Lowe, who runs Apple’s Beats 1 Radio and will be a keynote speaker at the festival, said he has taken more notice lately of music reflecting the times.

“I don’t believe that we’re in an era of a movement,” Lowe said. “But I believe that we’re in an era where, more than it has been in recent times, what’s going on in and around the music is going to have a very direct impact on what’s made.”

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