Bangkok Post

Are hats the new tattoo?

- ASTRID WENDLANDT © 2017 NEW YORK TIMES NEWS SERVICE

Hunched over 50-year-old sewing machines in a workshop in central Paris, milliners diligently stitch together straps of straw that grow into a spiral that grows into a hat. The boaters, adorned with a black grosgrain band, will join the rabbit-felt fedoras, cloches and other bonnets made in the cramped atelier of Mademoisel­le Chapeaux, a six-yearold brand at the forefront of a millinery renaissanc­e.

Another is Maison Michel, one of the largest and fastest-growing high-end hat brands, which opened an in-store boutique in the department store Printemps here last month. Fans include Pharrell Williams, Alexa Chung and Jessica Alba.

“The hat is a new means of expression. In a way, it is the new tattoo,” said Priscilla Royer, the artistic director of the Chanelowne­d brand.

Back in the 1920s, there were milliners on nearly every street corner in Paris, and no self-respecting man or woman left the house without a hat. Hats were not only status symbols, but a gateway to the fashion world. Famous milliners who turned into full-blown fashion designers include Gabrielle Chanel (better known as Coco), Jeanne Lanvin and (two centuries earlier) Rose Bertin, Queen Marie-Antoinette’s seamstress. But after the May 1968 student riots, hats fell out of favour, as French youth ditched their parents’ sartorial habits as a symbol of their new-found freedom.

By the 1980s, traditiona­l 19th-century millinery techniques like straw-hat sewing and felt-hat steaming had all but disappeare­d. Now they are making a comeback, powered by a new generation of hat makers seeking to tap customers’ growing appetite for the handmade and the unique.

Caroline de Maigret, one of the authors of How To Be Parisian Wherever You Are: Love, Style, And Bad Habits and a Chanel brand ambassador, said that the stigma once attached to the hat as a status symbol has almost entirely disappeare­d.

“A few years ago, people in Paris could think you were acting like a rock star if you wore a hat,” she said.

“Now, it has become more common, and the fact that we live in the era of social media, where people constantly put their lives on stage, has also made wearing a hat easier.”

Marie Marquet, a 26-year-old milliner who created her own brand, MiniMe Paris, after earning her stripes at Maison Michel, said: “I feel that every three months a new hat brand is being created.”

Indeed, the number of hat labels presenting their wares at Premiere Classe, the accessorie­s trade show that took place last week in Paris and is held twice a year, has nearly doubled in the past three years, organisers said.

Marquet’s Tutti Frutti and Walt Disney-inspired creations have just been admitted to the Designers Apartment showroom for young designers, held during Paris Fashion Week. Her hats, made in a Paris cellar, have become so popular, particular­ly among young Asian customers, that she recently started offering matching coats and dresses.

The hat market is worth around US$15 billion (518.3 billion baht) annually, according to the market research company Euromonito­r — a fraction of the global $52 billion handbag market.

But even beyond Paris, in cities like New York and Los Angeles where there are vibrant fashion scenes, hat makers like Janessa Leoné, Gigi Burris and Gladys Tamez are expanding fast, with orders piling in from around the world.

And retailers from Paris, London and Shanghai all said they had noticed a clear uptick in hat sales. Both the upmarket department stores Le Bon Marché in Paris, owned by LVMH Moet Hennessy Louis Vuitton, and Printemps have noticed increased demand in the past three seasons among women as well as men.

The rival Lane Crawford, with department stores in Hong Kong and mainland China, said that it had just increased its hat purchases by 50% and that they were among its strongest-selling fashion accessorie­s.

“Most popular styles are reworked classics, like the fedora, Panama and hats with brims,” said Andrew Keith, the company’s president. “Our customers have mentioned that they enjoy wearing hats on casual days off — a good way for them to go natural while still looking fashionabl­e and stylish.”

 ??  ?? Chloe Thieblin in her shop and workshop in Paris.
Chloe Thieblin in her shop and workshop in Paris.

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