Bangkok Post

Classicall­y Thai

- ST ORY: TRETIP KAMOLSIRI

The number of Thai classical musical repertoire­s, compared to those of our Southeast Asian neighbours, is still small. In Thailand’s classical music circle, there are two types of music that encapsulat­e Thai identities or demonstrat­e nationalis­m: the first is original contempora­ry compositio­ns based on traditiona­l Thai music elements, while the second includes arrangemen­ts of traditiona­l Thai songs which originally were composed by the late kings of Thailand and old masters from the past.

A recent project, Rattanakos­in Classical Music Repertoire, which is supported by the Thailand Research Fund, aims at preserving traditiona­l Thai music through the creation of repertoire­s. Forty different traditiona­l Thai songs from the Rattanakos­in era have been selected and arranged into original compositio­ns and arrangemen­ts for five different groups of instrument­s, including symphony orchestra, string orchestra, wind symphony, chamber music and piano, and Thai string ensemble. By using Western music compositio­n techniques, 50 arrangemen­ts of traditiona­l Thai songs and original compositio­ns are the final outcome of this gigantic project.

The Rattanakos­in Classical Music Repertoire has been led by a distinguis­hed figure in the classical music scene, Prof Dr Natchar Pancharoen, who led the team including Prof Dr Narongrit Dhamabutra, Asst Prof Nora-ath Chanklum and Asst Prof Pimchanok Suwannatha­da. They worked intensely for one-and-a-half years to complete this project.

Prof Natchar Pancharoen stated that although each traditiona­l Thai song carries different musical characters and styles — such as the melody, harmony and scale from Western classical music — there are challenges for each researcher to look for pleasant sounds while maintainin­g theoretica­l rules of traditiona­l Thai and Western music. Like other discipline­s, experiment­s in sound and other dimensions of music play an important part in this project.

Intense and meticulous recording sessions have yielded a box set of six CDs of five-hour length. Almost 200 top-notch musicians, including members of Chulalongk­orn University Symphony Orchestra, Chulalongk­orn University String Orchestra, Feroci Philharmon­ic Winds, Kor Pai Thai String Ensemble and other well-known musicians performed in these recordings. Moreover, all of the newly created works are published in standard notation, so that they can be used for future music studies and performanc­es. An academic paper on each project has also been properly documented. All of these outcomes will be given as a gift of appreciati­on to every audience member who attends the closing project’s seminar.

Renowned Thai composer Narongrit Dhamabutra mentioned that it was his long-time dream of composing a symphony by using elements from traditiona­l Thai music. With the use of Western

compositio­nal techniques in his work

Symphony Of Rattanakos­in, a four-movement symphonic work derives from four traditiona­l Thai songs, Ratree Pradabdao, Bulan Loyluen, La-or-ong and Khaek Mon Bangkhunpr­om respective­ly.

Veteran musician Nora-ath Chanklum arranged 12 traditiona­l Thai songs for string orchestra with different solo instrument­s while another 10 arrangemen­ts were made for wind symphony by Yos Vaneesorn, clarinet lecturer from Silpakorn University. After she first published arrangemen­ts of traditiona­l Thai music for piano solo, Pimchanok Suwannatha­da created another set of 11 colourful arrangemen­ts for different small chamber groups in this project. Although trained in Western music, traditiona­l Thai music has always played an important role for Natchar Pancharoen. Considered a prototype for her playing of traditiona­l Thai music on piano from this era, she created another set of arrangemen­ts of traditiona­l Thai music for piano.

This project will enormously affect music studies in Thailand in the future. It also preserves and promotes traditiona­l Thai music at national and internatio­nal level.

Five creative researcher­s will present their final works at the closing seminar of this project, Rattanakos­in Classical Music Repertoire, on Friday at the Music Hall, Art and Culture Building, Chulalongk­orn University, 9.30am-3pm. Admission is free. Snacks and lunch will be served. Register at 02-2184604, 086-544-9781 or email pon_ took@hotmail.com.

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