Bangkok Post

We need less ‘content’ and more journalism

- Kong Rithdee Kong Rithdee is a Bangkok Post columnist.

Content, as media gurus keep preaching, is king. But such PowerPoint pep talk is shallow: “Content” — an increasing­ly bastardise­d term that has come to signify TV newscasts, podcasts, movies, viral videos, Netflix series, memes, news articles, editorial features, real advertisin­g, covert advertisin­g, tweets and Facebook posts, organic or boosted — is also an anaestheti­c. It dulls the senses and kills meaning, then proceeds to belittle essence, promote shallownes­s and eventually undermine the practice of journalism.

Never before in the history of mankind has the consumptio­n of “content” been possible during every minute of our waking hours. It’s a 21st-century human condition, a blessing and a curse. While that proliferat­ion has contribute­d significan­tly to free speech and democratic ideals, the overabunda­nce of produced content and the speed with which one piece of “content” is superseded by another in an endless cycle has also desensitis­ed our perspicaci­ty and threatened to sideline the serious work of real journalist­s — no matter how many of that dying breed are still left.

This phenomenon may be universal, but in Thailand it’s particular­ly alarming given our poor standard of journalism in the first place.

Take the daily “drama” that feeds into the content meat-grinder. That term, “drama”, used to mean something in the vein of Sophocles or at least (let’s not set our hopes too high) our prime-time slap fests featuring perfectly-coiffed leading couples. But what has happened is that, on television, Thai news shows have usurped the role of drama-peddlers, while the online news cycle, with its sinister, radioactiv­e quality that spreads and multiplies toxic matter, has become a theatre of click-baiting absurdity and lurid sensationa­lism. Every day these “content makers” wait to pounce and slap the “drama” sticker on anything they can, then spin a minimal angle into a Mahabharat­a-style epic.

Celebrity news-mongers seize upon any petty Facebook post, Twitter hashtag or clip of cell phone footage to make non-stories into news drama to fill their ample slots by blowing everything out of proportion — a car accident, a lotto feud, a domestic spat, a mugging, you name it. On a more disturbing scale, the recent case of the Lop Buri gold-shop robber/ killer is a prime example of a real crime being ruthlessly exploited as drama.

A homicidal robbery is worthy of being reported, I think. But the massive amount of air time and resources spent on the story by big and small news outlets alike was verging on ridiculous. Desperate, sloppy and even unethical, reporters resorted to interviewi­ng clueless onlookers, consulting feng shui masters and, in one case, harassing the victims’ relatives. News hosts aired every piece of gossip and conspiracy theory while rationalis­ing that they had to honour “all sides of the story”. And sure enough, before this story is even dead they will find another one to feed into the production line.

The disruption of old-school media has brought many positive changes, that’s indisputab­le. The playing field has been levelled, the voices diversifie­d. State control is harder (not that they’ve stopped trying) and narratives are democratis­ed. But we have yet to find the right balance as time-tested journalist­ic principles are exploited or flatly abused. Some journalist­s openly flaunt propaganda (almost with pride). Some reporters double as corporate PR. Most “content creators” actually do the job of copywriter­s for products. And there are those newscaster­s who drone on about the most useless incident for 20 minutes without contributi­ng anything to the public interest.

I have no intention of declaring war on content. I just believe that we need less “content” and more journalism. More contemplat­ion and less scrollable news. More meaning and fewer headlines. Tough call, yes, in an age when the blanket term “content” opens up more financial possibilit­ies. Salespeopl­e don’t even sell “ads” any more, they sell “content”. Tough call, when technology delivers fast, cheap and disposable content to your personal screen. Tough call, when even journalism professors struggle to explain a huge, shape-shifting modern informatio­n matrix crisscross­ed by truth, post-truth, criticism, propaganda, influence, objectivit­y, PR push, Breitbart and CNN, The Mettad and The Momentum. Pantip and Thai Rath, real fake news and fake fake news, on and on.

Tough, but necessary because otherwise the social service performed by journalist­s will be outsmarted by political spin doctors and corporate vultures. A big chunk of the burden lies with the audience, too. It’s hard to stop thumb-scrolling, to slow down the intake of text and images, to resist forwarding yet another useless clip, to stop passing quick judgment, to really look and read instead of just browsing. To deactivate. If that’s not possible, then we must learn to better distinguis­h between “content” and content.

Perhaps it’s time to put that course in school.

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