Bangkok Post

Eurovision's first AI winner was trained on kookaburra songs

- AMY THOMSON

AnAustrali­an team called Uncanny Valley won the inaugural Eurovision AI song contest for their song Beautiful The World, even with lyrics like “dreams still live on the wings of happiness”.

The usual Eurovision contest, which was scheduled to take place in Rotterdam last week, has been cancelled. In its place, 13 teams of computer scientists, artists and academics were invited to compete using artificial intelligen­ce to write original songs, feeding their programs everything from pop ballads to folk music to animal noises.

The scores were decided jointly by a panel of judges and 12,000 online votes in a live-stream event last Tuesday by Dutch broadcaste­r VPRO, which organised the competitio­n.

Australia’s poppy song was written with AI trained on previous Eurovision hits along with contributi­ons from a neural network fed samples of noises made by koalas, kookaburra­s and Tasmanian devils.

But not all of the programs were so upbeat. Second place and the judges’ favourite was a compositio­n from Germany’s Dada bots x Portrait XO team. It begins as a love song before taking a dark turn toward human extinction. The group, whose members are originally from the US but were working in Berlin, generated “nonsensica­l babbling” from 1950s a capellas and tried to pick out a story. They created the rest with, among other things, death metal lyrics and a fake news generator. The Dutch team Can AI Kick It submitted an entry that called for a “revolution” and to

“Kill the government. Kill the system”. In addition to using pop music and national folk music for the song, the team created a lyric generator that sampled from Reddit. The program also invented a word, Abbus, used as the song’s title. Whenasked, the AI said it meant “a nascent cloud”.

AI is being increasing­ly incorporat­ed into music creation —from programs that can create jingles for advertisem­ents to fully formed acts like Yona, an AI witha teenage girl avatar created by London-based company Auxuman. She can be licensed for performanc­es. The teams used varying degrees of interventi­on — from including human producers and vocalists and curating their programs’ output to letting the software take control with as little of their interferen­ce as possible. The French team Algomus & Friends combined human compositio­n and edited versions of AI-created music and lyrics for asong that sounds more like a typical Eurovision entry. Sweden’s algorithm generated the melody and lyrics together for dance song Come Together.

Meanwhile, for Switzerlan­d’s aptly named song Painful Words, the creators said: “Faced with the choice between making an accessible song with quite a few human interventi­ons, or experiment­ing with as much AI as possible and then delivering a worse-sounding song, we chose the latter.” They came in last. The win was Australia’s first in a Eurovision contest. The country, which has a large Eurovision fan base, was invited to participat­e in 2015 to commemorat­e its 60th anniversar­y and kept showing up ever since. Traditiona­lly, the Eurovision final is an eclectic mix of earnest Swedish pop stars, Polish milk maids and Finnish death metal bands. Hosted by enthusiast­ic young continenta­ls, songs are scored by a combinatio­n of dial-in votes from viewers and jurists representi­ng the participat­ing countries. Voting is famously political — the UK hasn’t won in more than two decades, and neighbouri­ng countries often give each other top marks — and goes on forever. It’s a true celebratio­n of Europe, and, now, Australia. Eurovision was meant to be heldin Rotterdam this year after Dutch artist Duncan Laurence won in 2019 with his song Arcade. “There is glitter, there is a smoke machine, there will belove, peace and modulation­s,” said Belgian comedian Lieven Scheire, the host of the AI song contest. “Everything for a wonderful Eurovision evening.”

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