Bangkok Post

Demolition, lies, nepotism and impunity

- Sanitsuda Ekachai

Seriously? The national park authoritie­s in Phrae province outraged the whole nation by razing a historical heritage house to the ground, and are we still going to let them get away scot-free? Destroying historical buildings is against the law. The perpetrato­rs must face legal punishment. Yet, after a month of public uproar, are we going to let the matter rest now that the perpetrato­rs have let the experts take over and promised to pay for restoratio­n costs?

They used tax money to tear down the ancient teak house that is an important part of Phrae’s history. When the locals got mad, they lied, saying they were doing proper conservati­on work. When the lie made people madder, they patted them on the back, telling them to calm down, and promising speedy restoratio­n — with our tax money, of course — all the while blatantly dodging legal responsibi­lity.

And we are still letting them get away with impunity. Seriously?

The Department of Fine Arts, being in charge of historical sites, has the responsibi­lity to sue the Department of National Parks and its Phrae office. Yet the agency is submissive­ly going through the debris to rebuild the old Bombay Burmah House from bits and pieces.

Of course, it will be good to have at least a copy of the heritage house back. After all, we cannot undo the damage. But we cannot prevent future ravages either if the law cannot punish violators.

Isn’t “sanctity of the law” the mantra of national park officials when they arrest forest dwellers? For them, it doesn’t matter if they have been living in the forest for generation­s. Everyone must respect the law, they insist.

Here, the law says it is a crime to destroy historical sites. If national park officials ordered the axing of the old teak house that is also part of its organisati­on’s history, then they, too, must face the music.

In 1901, after the company left Thailand, the Forest Department took over the house, as well as the logging industry in Phrae, and used it as the residence of regional forestry chiefs. When the logging days ended, it became accommodat­ion for the Forest Department’s guests and later a study centre in the Chetawan Arboretum. Surrounded by lush greenery, the house is adjacent to the riverside Chetawan community which is as old as the heritage house, if not older.

The community noticed a sign in front of the house announcing a “repair and improvemen­t” project. Fine, everyone thought. Although there was no public consultati­on, the old house indeed needed a facelift. Before they knew it, the house was bulldozed overnight.

They were stunned. The teak pillars and planks were strewn on the ground without protection from the sun and rain. Decorative patterns were torn into small pieces. This was not “repair and improvemen­t”. It was a demolition. Furious, the Phrae locals staged a protest at the City Hall, demanding the project be stopped, all the details revealed, and to allow local communitie­s to take part in the restoratio­n.

I must admit I feel strongly about the demolition for personal reasons. This is the house where my grandfathe­r used to live when he

was the regional forestry chief in Phrae. He also died there.

This house was also my mother’s happy childhood home which appeared time and time again in our bedtime stories. Her eyes glistened every time she talked about her pet elephants, how they played together, and how intelligen­t they were. She could just run and run in the house, she said, because the upstairs veranda was so huge and so long. The fun stories were full of her mischiefs. But as “daddy’s girl”, she always enjoyed his protection. And how she was proud of him, she reminisced. When a merchant tried to bribe him, he just kicked a box of crackers full of money down the stairs of that house.

Life after her father’s untimely death was full of challenges, but in those bedtime stories, the iron lady in Thai journalism who was my mother was once again that carefree, happy, little girl in that old teakwood house.

My family visited the house 20 years ago, some years after my mother passed away. As a private property of the Forest Department, it was not open to the public. But we met a local woman who, once we mentioned our grandfathe­r’s name, immediatel­y took us into the house, showed us the wood board showing his name and other forestry chiefs before him.

She also told us spooky stories about the house, such as the sounds of a man riding a horse in the middle of the night, and the death of a little girl in the house. She was stunned

when I told her my mother’s baby sister died there and the coffin was kept in the house during the funeral ceremony.

I asked to go upstairs so I could see the veranda where my mother used to play. The house, she said, used to be much bigger before the renovation to provide accommodat­ion for forestry bosses from Bangkok. Neverthele­ss, I was happy to see that the stairs where my grandfathe­r kicked the cracker box were still there.

All gone now.

The demolition of the Bombay Burmah House and the culture of impunity should not come as a surprise. Remember how a national park chief led his men to burn down the houses of forest dwellers in Kaeng Krachan forest? The court ruled it illegal. Instead of being punished, he was promoted.

So was his sidekick. The man was ruled guilty by the court for keeping the tusks of a wild elephant as his personal belongings after its mysterious death in the forest. Instead of being fired, he is now a national park chief.

We saw the same games of lies, nepotism and impunity during the Bombay Burmah controvers­y. The regional forest chief in charge of Phrae kept lying that it was a restoratio­n project that followed proper preservati­on techniques and blueprints. When pressed for evidence, he reluctantl­y admitted it did not exist — but only after his minister had come out to defend the Phrae forest officials and

amplified the same lie to the whole nation.

In an about-face, the minister said he was sorry he had not checked the facts and transferre­d the forest official on the ground. But ministers come and go. The deeply ingrained culture of impunity of the forest bureaucrac­y stays. Don’t be surprised if the demolition man escapes punishment. A transfer, by the way, is short of what the law requires. If you break the law, you must go to court, either the Criminal or Administra­tive court, or both.

That is not happening. Last week, the big boss of the Department of National Parks, Wildlife and Plant Conservati­on eventually paid a visit to the razed ground. Don’t talk about the past, he insisted, focus on the present and the future.

Pardon me?

He promised to make the house close to the original “or even more beautiful” and promised to heed local input. He also mentioned the possibilit­y of amending the law so his agency could use national park entrance fees to improve cultural sites on its lands.

Promising to give this and that to appease local anger not only underscore­s the patronisin­g mentality of the centralise­d bureaucrac­y, but it also sounds like bribery.

Should the Phrae people buy that? Under the constituti­on, local communitie­s have the right to conserve and restore their cultural and natural resources. Yet, the forest authoritie­s keep bypassing community rights because they can get away with it.

Should this go on? Should the locals continue to let the mandarins from Bangkok rob them of their right to manage what belongs to them? This is not only about conserving an old, historical house. It’s about the country’s need for decentrali­sation. If not, local rights, culture and dignity will continue to be razed to the ground by the despotic officialdo­m like the Bombay Burmah House was.

Sanitsuda Ekachai is former editorial pages editor, Bangkok Post. She writes on human rights, gender, and Thai Buddhism.

‘‘ The demolition of the Bombay Burmah House and the culture of impunity should not come as a surprise.

 ?? PICTURE COURTESY OF FINE ARTS DEPARTMENT ?? A fine arts official is assembling debris that used to decorate the gable of ancient Bombay Burmah house that was torn down in a restoratio­n project.
PICTURE COURTESY OF FINE ARTS DEPARTMENT A fine arts official is assembling debris that used to decorate the gable of ancient Bombay Burmah house that was torn down in a restoratio­n project.
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