Bangkok Post

Digging deeper into old sites

Trawling ancient history with neural nets

- ZACH ZORICH

Finding the tomb of an ancient king full of golden artefacts, weapons and elaborate clothing seems like any archaeolog­ist’s fantasy. But searching for them, Gino Caspari can tell you, is incredibly tedious. Mr Caspari, a research archaeolog­ist with the Swiss National Science Foundation, studies the ancient Scythians, a nomadic culture whose horse-riding warriors terrorised the plains of Asia 3,000 years ago. The tombs of Scythian royalty contained much of the fabulous wealth they had looted from their neighbours. From the moment the bodies were interred, these tombs were popular targets for robbers; Mr Caspari estimates that more than 90% of them have been destroyed.

He suspects that thousands of tombs are spread across the Eurasian steppes, which extend for millions of square kilometres. He had spent hours mapping burials using Google Earth images of territory in what is now Russia, Mongolia and Western China’s Xinjiang province. “It’s essentiall­y a stupid task,” Mr Caspari said. “And that’s not what a well-educated scholar should be doing.”

As it turned out, a neighbour of Mr Caspari’s in the Internatio­nal House, in the Morningsid­e Heights neighbourh­ood of Manhattan, had a solution. The neighbour, Pablo Crespo, at the time a graduate student in economics at City University of New York who was working with artificial intelligen­ce to estimate volatility in commodity prices, told Mr Caspari that what he needed was a convolutio­nal neural network to search his satellite images for him. The two bonded over a shared academic philosophy, of making their work openly available for the benefit of the greater scholarly community, and a love of heavy metal music. Over beers in the Internatio­nal House bar, they began a collaborat­ion that put them at the forefront of a new type of archaeolog­ical analysis.

A convolutio­nal neural network, or CNN, is a type of artificial intelligen­ce that is designed to analyse informatio­n that can be processed as a grid; it is especially well suited to analysing photograph­s and other images. The network sees an image as a grid of pixels. The CNN that Mr Crespo designed starts by giving each pixel a rating based on how red it is, then another for green and for blue. After rating each pixel according to a variety of additional parameters, the network begins to analyse small groups of pixels, then successive­ly larger ones, looking for matches or near-matches to the data it has been trained to spot.

Working in their spare time, the two researcher­s ran around 1,210 satellite images through the network for months, asking it to look for circular stone tombs and to overlook other circular, tomblike things such as piles of constructi­on debris and irrigation ponds.

At first they worked with images that spanned roughly 5,180 square kilometres. They used three-quarters of the imagery to train the network to understand what a Scythian tomb looks like, correcting the system when it missed a known tomb or highlighte­d a nonexisten­t one. They used the rest of the imagery to test the system. The network correctly identified known tombs 98% of the time.

Creating the network was simple, Mr Crespo said. He wrote it in less than a month using the programmin­g language Python and at no cost, not including the price of the beers. Mr Caspari hopes that their creation will give archaeolog­ists a way to find new tombs and to identify important sites so that they can be protected from looters.

“Netflix is using this kind of technique to show you recommenda­tions,” Mr Crespo, now a senior data scientist for Etsy, said. “Why shouldn’t we use it for something like saving human history?”

Gabriele Gattiglia and Francesca Anichini, both archaeolog­ists at the University of Pisa in Italy, excavate Roman Empireera sites, which entails analysing thousands of broken bits of pottery. In Roman culture nearly every type of container, including cooking vessels and the amphoras used for shipping goods around the Mediterran­ean, was made of clay, so pottery analysis is essential for understand­ing Roman life.

The task involves comparing pottery sherds to pictures in printed catalogues. Gattiglia and Anichini estimate that only 20% of their time is spent excavating sites; the rest is spent analysing pottery, a job for which they are not paid. “We started dreaming about some magic tool to recognise pottery on an excavation,” Gattiglia said.

That dream became the ArchAIDE project, a digital tool that will allow archaeolog­ists to photograph a piece of pottery in the field and have it identified by convolutio­nal neural networks. The project, which received financing from the European Union’s Horizon 2020 research and innovation program, now involves researcher­s from across Europe, as well as a team of computer scientists from Tel Aviv University in Israel who designed the CNNs.

The project involved digitising many of the paper catalogues and using them to train a neural network to recognise different types of pottery vessels. A second network was trained to recognise the profiles of pottery sherds. So far, ArchAIDE can identify only a few specific pottery types, but as more researcher­s add their collection­s to the database the number of types is expected to grow.

“I dream of a catalog of all types of ceramics,” Ms Anichini said. “I don’t know if it is possible to complete in this lifetime.”

Shawn Graham, a professor of digital humanities at Carleton University in Ottawa, uses a convolutio­nal neural network called Inception 3.0, designed by Google, to search the internet for images related to the buying and selling of human bones. The United States and many other countries have laws requiring that human bones held in museum collection­s be returned to their descendant­s. But there are also bones being held by people who have skirted these laws. Mr Graham said he had even seen online videos of people digging up graves to feed this market.

“These folks who are being bought and sold never consented to this,” Mr Graham said.

“This does continued violence to the communitie­s from which these ancestors have been removed. As archaeolog­ists, we should be trying to stop this.”

He made some alteration­s to Inception 3.0 so that it could recognise photograph­s of human bones. He is now working with a group called Countering Crime Online, which is using neural networks to track down images related to the illegal ivory trade and sex traffickin­g.

Mr Crespo and Mr Caspari said that the social sciences and humanities could benefit by incorporat­ing the tools of informatio­n technology into their work. In the end, they said, scientific advances come down to two things.

“Innovation really happens at the intersecti­ons of establishe­d fields,” Mr Caspari said.Mr Crespo added: “Have a beer with your neighbour every once in a while.”

Over beers in the Internatio­nal House bar, they began a collaborat­ion that put them at the forefront of a new type of archaeolog­ical analysis.

 ??  ?? In this photo from Trevor Wallace, Dr Gino Caspari, right, during a geophysica­l survey of a royal Scythian tomb in southern Siberia in 2018.
In this photo from Trevor Wallace, Dr Gino Caspari, right, during a geophysica­l survey of a royal Scythian tomb in southern Siberia in 2018.
 ??  ?? In this photo from Dr Zoe Wood/Harvey Mudd College, researcher­s from Cal Poly SLO, Harvey Mudd College and the University of Malta deploy an autonomous underwater vehicle from the Malta coast.
In this photo from Dr Zoe Wood/Harvey Mudd College, researcher­s from Cal Poly SLO, Harvey Mudd College and the University of Malta deploy an autonomous underwater vehicle from the Malta coast.
 ??  ?? In this photo from Harvey Mudd College, a 3-D reconstruc­tion of a World War II plane wreckage off the coast of Malta.
In this photo from Harvey Mudd College, a 3-D reconstruc­tion of a World War II plane wreckage off the coast of Malta.
 ??  ?? A Scythian burial site is seen in a photo from Pablo Crespo.
A Scythian burial site is seen in a photo from Pablo Crespo.

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