Bangkok Post

Musical adaptation of Almost Famous will close on Broadway after short run

- MICHAEL PAULSON

Almost Famous, a stage adaptation of the acclaimed 2000 film about a teenager who travels with a rock band while endeavouri­ng to become a music journalist, will close on Broadway on Jan 8 after an unsuccessf­ully short run.

The musical, which had one of the season’s biggest budgets and best-known brands, began previews Oct 3 and opened Nov 3. The reviews were mostly not good. In The New York Times, critic Jesse Green wrote that, despite the film’s charms, “the stage musical misses every opportunit­y to be the sharp, smart entertainm­ent it might have been”.

The show’s grosses have been so-so, and insufficie­nt to consistent­ly cover its running costs. During the week that ended on Dec 11, it grossed US$765,060 (26.6 million baht), while playing to houses that were only three-quarters full. At the time of its closing Almost Famous, which stars Casey Likes, Drew Gehling, Anika Larsen, Solea Pfeiffer and Chris Wood, will have had 30 preview performanc­es and 77 regular performanc­es.

The musical is a passion project for Cameron Crowe, who won an Oscar for the film’s screenplay, which was based on his experience­s as an adolescent (he also directed the film). Crowe wrote the musical’s book, while Tom Kitt composed the new music, and the two collaborat­ed on the lyrics. The show, directed by Jeremy Herrin, also features a few pre-existing songs, the best known of which is Elton John’s Tiny Dancer. Almost Famous, produced by Lia Vollack and Michael Cassel, was capitalise­d for up to $18 million, according to a filing with the Securities and Exchange Commission. It has not recouped that money; the producers hope that the show will fare better beyond Broadway. (A cast album is to be released March 17, and the producers said in a statement that they anticipate “many production­s in communitie­s across the country and world, for years to come”. One probable destinatio­n is Australia, where Cassel is one of the biggest commercial producers.)

Like Crowe himself, the show spent its formative period in San Diego. It had a pre-Broadway production in 2019 at the Old Globe Theater there. The Los Angeles Times declared it “an unqualifie­d winner”.

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