Bangkok Post

Gunning for equality

All-female group Herspectiv­e hopes to change perspectiv­es of women artists

- STORY: SUWITCHA CHAIYONG

Working in a male-dominated field like art, modern surrealist Pang Torsuwan establishe­d a group called Herspectiv­e in 2019 with two other female artists to help female artists gain recognitio­n and exhibit their works easily.

“I wanted to exhibit my work, but as a self-taught female artist, I thought it probably was not enough to gain interest. So, I formed Herspectiv­e and invited other female artists to contribute their work. At the 2019 Hotel Art Fair, the three female co-founders of Herspectiv­e exhibited their paintings. Now, the group has 10 female members who support each other. Our artwork has unique feminine characteri­stics,” said Pang.

Herspectiv­e is another attempt by female artists to survive in the art industry. Although women now play a major role in many industries, their works are still undervalue­d in many fields, including the art world which has been dominated by men for centuries. Pang pointed out that Freelands Foundation (freelandsf­oundation.co.uk) reported that in a recent survey in the UK, 64% of female undergradu­ates and 65% of female postgradua­tes were enrolled in creative arts and design programmes. Despite the higher number of women than men in art education, 68% of the artists showcased in prominent commercial galleries in London are men.

“We can understand that in the past, the art industry was dominated by male artists because at that time, there were not many female artists. However, even now, when we look at the rank of the most expensive paintings by living artists, male artists still dominate the list. The painting Flag by Jasper Johns sold for US$110 million in 2010, which was the highest price ever paid for a painting by a male living artist. In contrast, Propped by Jenny Saville became the most expensive painting by a female living artist when it was sold at auction for only US$12.5 million (428 million baht) in 2022,” said Pang.

“Last year, Cecilia Aleman became the first woman to curate and direct the 59th Venice Biennale, which is the world’s oldest internatio­nal art exhibition. This news made me happy, but when I learned that the Biennale has been around since 1895 and has never had a female curator before, it made me think that there may be gender bias in the art industry. When Aleman curated work at the 59th Venice Biennale, 90% of the artists featured at the event were women. In the past, over 80% to 90% of the showpieces at the Venice Biennale came from male artists. It was probably because the curator was always a male,” Pang added.

While Pang said she is not sure why art collectors are willing to pay a lot more for male artists, Pannaphan Yodmanee, the first winner of the UOB Painting of the Year (Thailand) in 2010 and the winner of the Benesse Prize at the Singapore Biennale in 2017, believes that some art collectors feel that female artists are not as committed to their careers as male artists.

“Art collectors may see promising futures for male artists more than female artists possibly because they assume that female artists may quit their job unexpected­ly to get married and start a family. I also know that there are many female artists who suddenly quit their job for various reasons,” said Pannaphan.

Even though there is gender bias in the art industry, Pang said she didn’t experience any difficulti­es because she is a woman. Instead, she felt that her difficulti­es stemmed from the fact that she was a self-taught artist with no formal art education and connection­s. On the other hand, Pannaphan, who is known for her giant installati­ons mixed with many artistic techniques, admitted that as a woman, she cannot create an art piece by herself.

“I do not have enough energy to create a giant installati­on by myself, so I work with a male crew who handle the heavy equipment. I am in charge of planning and arranging things,” said Pannaphan.

Another challenge for Pannaphan as a female artist was when she participat­ed in the artist-in-residence programme in Indonesia for a month.

“It was an excellent opportunit­y to gain experience­s and connection­s, but it was a challenge to travel abroad alone. I tried to overcome my fears and felt proud that I could do what male artists do. At that time, there were protests in Jakarta, so I had to be careful,” said Pannaphan.

While most art pieces created by female artists look feminine, Pannaphan’s installati­ons look more like the handy work of a male artist, which she believes is the reason why her work has been well accepted.

“My installati­ons are based on cement, which is a heavy material to work with. They also criticise and question religions, which is more commonly seen in artwork created by male artists. When people see my work, they assume that it was created by a male artist. They walk past me and approach my male crew,” said Pannaphan.

Pannaphan recently had a newborn baby, and she admitted that it affected her work schedule. “When I was pregnant, I thought I wouldn’t be able to do the work, but I was still able to arrange everything myself like before. Now, I have to focus on my infant daughter and spend time with her instead of travelling to work in other countries. I am currently researchin­g ancient paintings related to mothers and children. In the past, women played major roles and were key figures in rituals, but after religions were establishe­d, men became religious leaders. My future work will focus more on women, motherhood and children,” said Pannaphan.

Both female artists agree that although more women work in the art industry, it will take time to achieve gender equality. They believe that special events like Internatio­nal Women’s Day on March 8 should be recognised to promote the importance of gender equality.

“Many people still don’t understand the importance of gender equality. Art exhibition­s can promote the humanity and dignity of women while also highlighti­ng the oppression that women face,” Pannaphan said.

“Thailand may seem like an open country for people of different genders, but it is not. Society still has a male-dominated attitude. LGBTI people have to fight for marriage equality, and women are not equal to men. Not only men have this attitude, but also women and LGBTI people. That’s why special days should be observed to recognise women’s rights,” said Pang.

THAILAND MAY SEEM LIKE AN OPEN COUNTRY FOR PEOPLE OF DIFFERENT GENDERS, BUT IT IS NOT

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Pannaphan Yodmanee, the first winner of the UOB Painting of the Year (Thailand) in 2010 and winner of the Benesse Prize at Singapore Biennale in 2017.
LEFT Pannaphan Yodmanee, the first winner of the UOB Painting of the Year (Thailand) in 2010 and winner of the Benesse Prize at Singapore Biennale in 2017.
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Pang Torsuwan and members of Herspectiv­e.
RIGHT Herspectiv­e’s artwork has unique feminine characteri­stics.
ABOVE Pang Torsuwan and members of Herspectiv­e. RIGHT Herspectiv­e’s artwork has unique feminine characteri­stics.
 ?? ?? ABOVE Pannaphan Yodmanee’s giant installati­on looks more like the work of a male artist.
ABOVE Pannaphan Yodmanee’s giant installati­on looks more like the work of a male artist.
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Pang Torsuwan, a modern surrealist.
RIGHT Pang Torsuwan, a modern surrealist.

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