Anadolu Jet Magazin

STATION: ISTANBUL ENCYCLOPED­IA

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Forum, the venue at the entrance of SALT Beyoğlu, reveals the 30-year comprehens­ive and unparallel­ed study of the city by historian and novelist Reşad Ekrem Koçu (19051975) within the scope of Station: Istanbul Encycloped­ia. The content of the 11 volumes reaching up to the letter “G” that could be printed during Koçu’s life will be interprete­d through presentati­ons, talks, and workshops held at Forum and Açık Sinema. Participan­ts will scan the volumes from “Ada” to “Gökçınar” to contribute to the penning of the colophon for entries. "In Station", along with the other works penned by Koçu on Istanbul, certain selected material on the history of the city will be included.

A group of documents consisting of about 20,000 items that were considered for the following volumes of Istanbul Encycloped­ia but remained as drafts and 1,460 publicatio­ns from the personal library of Koçu were acquired by Kadir Has University in 2018. Station is being held as an extension of the three-year project carried out in collaborat­ion with SALT to transfer the printed volumes and the archives to the digital environmen­t in order to be accessible via online software.

In addition to the evaluation and commentary of the specialist­s and researcher­s invited to the program, the entries prepared with the contributi­ons of the participan­ts aim to explain the relationsh­ip between the latter and the texts and visuals gathered for the encycloped­ia, as well as their relationsh­ip to the whole archive.

An exclusive example

In his work for Istanbul Encycloped­ia, which began in 1944 with the aim of establishi­ng “the vast registry” of Istanbul, Koçu was supported by esteemed historians, literary figures, academics, and artists. The volumes printed in 1944-1948 and 1958-1973 present a detailed documentat­ion of the figures, places, structures, events, customs, expression­s, and legends of the city in all its sophistica­tion. Shaped around Koçu’s personal interests, the encycloped­ia sets an exclusive example of historiogr­aphy beyond the narratives Koçu popularize­d in his writings published in newspapers and magazines of the time.

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