Daily Sabah (Turkey)

National Gallery marks 200th birthday with 14th-century religious art

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RELIGIOUS artworks by 14thcentur­y painters are being brought together for the National Gallery’s 200thanniv­ersary celebratio­n in London.

“Siena: The Rise Of Painting 13001350,” which also celebrates the earliest pictures in its collection, will display triptychs and images of crucifixio­ns created in the Italian city, the country and across Europe at the London Museum.

One ensemble, a double-sided altarpiece known as the “Maesta,” was broken up in the 18th century. It was painted by Sienese artist Duccio di Buoninsegn­a for the city’s cathedral.

The Trafalgar Square museum owns three panels, which will be shown alongside other paintings depicting Christ’s life.

These include “Christ And The Woman Of Samaria” from the Thyssen-Bornemisza Museum in Madrid and “The Calling Of

The Apostles Peter And Andrew” from the National Gallery of Art in Washington, D.C.

The artist’s triptychs “The Virgin And Child With Saint Dominic and Saint Aurea” and “Patriarchs And Prophets,” housed at the National Gallery and “The Crucifixio­n;” “The Redeemer With Angels,” “Saint Nicholas,” “Saint Clement,” kept the Museum of Fine Arts in Boston, are thought to have been made as a pair thanks to matching decoration­s on their exterior wings.

They will be brought back together at the exhibition.

Another reunion will be the “Orsini Polyptych” by Sienese artist Simone Martini. Martini was a pupil of di Buoninsegn­a and is believed to have created the piece for Cardinal Napoleone Orsini, a member of one of medieval and Renaissanc­e Italy’s leading families.

The panels of “Christ Bearing The Cross,” “Crucifixio­n,” “Descent From The Cross and Entombment,” “The Archangel Gabriel” and “The Virgin Of The Annunciati­on” are currently looked after at the Louvre in Paris, the Royal Museum of Fine Arts in Antwerp and the Gemaldegal­erie in Berlin.

Paintings by Pietro Lorenzetti and his brother Ambrogio Lorenzetti will also be shown along with metalwork, enamel, gilded glass, wood, marble, and manuscript illuminati­on by Sienese artists and a selection of works such as ivories, enamels, illuminate­d manuscript­s, rugs and silks from other places.

“Siena: The Rise of Painting 1300-1350” will open in spring 2025.

 ?? ?? The paintings “Sant’Agostino” (L) and “San Michele Arcangelo” (R), two panels of the Augustinia­n Polyptych created by Piero Della Francesca, are on display during the exhibition “Piero della Francesca and the reunited Augustinia­n Polyptych” at the Poldi Pezzoli Museum in Milan, Italy, March 19, 2024.
The paintings “Sant’Agostino” (L) and “San Michele Arcangelo” (R), two panels of the Augustinia­n Polyptych created by Piero Della Francesca, are on display during the exhibition “Piero della Francesca and the reunited Augustinia­n Polyptych” at the Poldi Pezzoli Museum in Milan, Italy, March 19, 2024.

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