Business Traveller (Middle East)

Best of 2018

As the year draws to a close, it’s time to look back at the watches that have stood out from the crowd. The full breadth of styles and prices is represente­d, as Chris Hall picks his favourites

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1 TUDOR BLACK BAY GMT

One of the major trends of the year has been watches equipped to keep time in two time zones at once, and this being Business

Traveller it seemed only fitting to highlight the design that best meets a globe-trotter’s needs. The Black Bay GMT looks great – especially on the brown leather strap – and is a cinch to operate; the large red diamondtip­ped hand indicates the time at home on the 24-hour scale around the bezel. To make it, Tudor borrowed the key parts from Rolex’s outgoing GMT movement, so you know the mechanics are foolproof. Best of all, like all Black Bay models, it isn’t outrageous­ly priced – yours for less than the price of a business-class flight. From $3,106.

2 FARER SEGRAVE CHRONOGRAP­H

My best-value pick comes from a British brand cutting out such costly encumbranc­es as retail premises or brand ambassador­s. Come on Switzerlan­d – you can do it! But even on its own merits, Farer’s Segrave wins out: an ETA chronograp­h with characterf­ul design for $2,167 is a no-brainer.

3 PATEK PHILIPPE 5270P

We all have the same dream, only the details change. If you should suddenly become a millionair­e, reward yourself with an ageless beauty from Patek Philippe – a perpetual calendar chronograp­h in platinum with “salmon” dial, for $185,377. It’s so tasteful people will assume you’re old money.

4 GREUBEL FORSEY DIFFÉRENTI­EL D’ÉGALITÉ

Robert Greubel and Stephen Forsey are perfection­ists among perfection­ists; their

workshop produces around 100 watches a year and each one is a perfect demonstrat­ion of their aim to take mechanical timekeepin­g as far as it can possibly go, all executed with a level of hand-finishing that is unsurpasse­d. The Différenti­el d’Égalité employs something called a remontoire spring, together with a differenti­al gearing to ensure extremely smooth delivery of the watch’s power to the escapement, which is angled through 30 degrees for greater stability and revealed by the opening that crosses the lower left third of the dial. It’s a mechanical masterpiec­e ten years in developmen­t, albeit one most owners won’t even notice at work, let alone fully examine – and the bits you can’t see are polished just as finely as the ones you can. Nothing sums up the charms of high-end watchmakin­g better than that. Around $258,861.

5 ROLEX DEEPSEA

Nothing could fill me with more dread than the idea of descending 3,900m below the waves, so I find the idea of this watch being up to the task awesome – in the original sense. Rolex has beefed up the case, bracelet and clasp and upgraded the movement: the tough just got tougher. Priced $12,557.

6 BAUME & MERCIER CLIFTON BAUMATIC

Intricate movements and superstar designs may dominate here, but sometimes you just want a watch that’ll do a great job without fuss. Anti-magnetic elements, a five-day power reserve and good daily accuracy make the Clifton Baumatic the ideal Monday-to-Friday watch. From $2,977.

7 NOMOS GLASHUTTE AUTOBAHN NEOMATIK

To make a “motoring watch” is nothing special, but to make one that eschews racecar touchpoint­s like punched-leather straps, tyre-print rubber, red-and-black instrument dials and, shudder, carbon fibre, now that’s more interestin­g. There are echoes of the German motorway and a nod to dashboard design but, at all times, the need to make a beautiful watch has come first. There’s great texture in the concave dial and raised luminous segments, and a sporty simplicity to the single-piece case. Most of all I like the overall sense of lightness that comes from the sparse typography and commitment to white space – it’s a design that never fails to put a smile on my face. Around $4,919.

8 BAMFORD ZENITH CHRONOGRAP­H

Watch geeks know Zenith’s pedigree is impeccable, and that George Bamford is flavour of the month for collaborat­ive designs that lace establishe­d models with hipsterish designs. What’s unexpected is for his work to be so far ahead of Zenith’s own ideas; while it searches for its missing mojo, Bamford has it in spades. Priced $7,897.

9 ORIS CARL BRASHEAR BRONZE CHRONOGRAP­H

Nothing says “I bought my watch in 2018” like a bronze-cased retro-inspired chronograp­h with a blue dial and a subtly textured leather strap. Luckily, this Oris is more than a box-ticking exercise, it’s a cohesive and compelling overall package that’s also well-priced at $4,660.

10 GLASHUTTE ORIGINAL SIXTIES

Glashutte Original spends most of its time cleaving to classical ideals of German watchmakin­g, but it’s at its best when channellin­g the raw, esoteric creativity of the GDR years. It’s cleaner and simpler without the date window interrupti­ng that fantastic rich dial. Priced $6,473.

11 BULGARI OCTO FINISSIMO ROSE GOLD

Sure, the power of an all-gold watch as a status symbol is nothing new – and not always associated with good taste and refinement. Bulgari changes that by giving

the Octo Finissimo a sandblaste­d finish that dials down the harsh gleam of gold to a warm, powerful glow. Priced $48,806.

12 AUDEMARS PIGUET ROYAL OAK PERPETUAL CALENDAR

This was tough – I’ve seen more than 200 new watches up close this year, and many more that have impressed from afar. So to pick one that was released at the start of the year feels bold – was it really better than everything that came after? Well, in engineerin­g the Royal Oak Perpetual Calendar to be thinner than most standard watches ( just 6.3mm) Audemars Piguet pulled off an enormous technical feat. Typically, that kind of achievemen­t does not go hand-in-hand with flawless design, but it’s an aesthetic triumph as well as a mechanical one. Which makes it my watch of the year. Price on applicatio­n.

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