The Band’s Visit dances away with 10 Tony Awards
The American, grown-up musical The Band’s Visit outmuscled the acclaimed and sprawling British import
Harry Potter and the Cursed
Child for the most Tony Awards on Sunday, capturing 10 statuettes, including best musical, on a night where the theme of acceptance flowed through the telecast.
The Band’s Visit is based on a 2007 Israeli film of the same name and centers on members of an Egyptian police orchestra booked to play a concert who accidentally end up in the wrong town. Its embrace of foreign cultures working together found a sweet spot with Tony voters.
“In The Band’s Visit, music gives people hope and makes borders disappear,” producer Orin Wolf said upon accepting the best new musical crown, saying it offers a message of unity in a world that “more and more seems bent on amplifying our differences.” Tony Shalhoub, the Monk star who won as best leading man in a musical for his work on
The Band’s Visit, connected the win to his father’s 1920 immigration from Lebanon to New York’s Ellis Island at age 8. “Tonight, I celebrate him and all of those in his family who journeyed before him and with him and after him,” he said.
The show’s Katrina Lenk, who won best actress in a musical, said the production “filled her stupid little heart with so much joy.” She dedicated her award in part to the iconic Egyptian singer Umm Kulthum. The Band’s
Visit also won statuettes for best direction, orchestration, sound design, best book and score, lighting and featured actor Ari’el Stachel, who gave a heartfelt speech about his past.
“For so many years of my life I pretended I was not a Middle Eastern person,” he said, addressing his parents in the audience. The show’s director, David Cromer, said
the musical is also about loneliness and despair, and asked everyone to reach out to anyone for whom “despair is overwhelming.”
The two-part spectacle Harry Potter and the Cursed
Child captured six Tonys, including best play, book, lighting, sound design, orchestrations and director for John Tiffany, who asked the crowd to sing “Happy Birthday” to his boyfriend. They obliged.
Garfield, The Boss triumph
A British revival of Angels
in America, Tony Kushner’s monumental, two-part drama about AIDS, life and love during the 1980s, grabbed three big awards, including best play revival and acting trophies for Andrew Garfield and Nathan Lane. Kushner took the stage and pointed out there were 21 weeks until the midterm elections in the United States: “Twenty-one weeks to save our democracy, to heal our country and to heal our planet.”
Garfield won his first Tony, for best leading actor in a play, and dedicated the win to the LGBTQ community, who he said fought and died for the right to love. He said the play is a rejection of bigotry, shame and oppression. “We are all sacred and we all belong,” Garfield said. He then referenced last week’s U.S. Supreme Court decision which ruled in favour of a baker’s right to deny a gay couple a wedding cake based on his beliefs. “(Let’s) just bake a cake for everyone who wants a cake to be baked,” he said, to rousing applause. Lane, who won for best featured actor in a play, said Angels still speaks to society in the midst of “political insanity.”
Billy Joel gave his friend Bruce Springsteen a special Tony Award. “This is deeply appreciated, and thanks for making me feel so welcome on your block,” The Boss said. Later, Springsteen performed
My Hometown on the piano from his sold-out one-man show, ‘Springsteen on Broadway.’ (Robert De Niro, who took the stage to introduce Springsteen’s performance, started off with an expletive directed at President Donald Trump, which garnered him a sustained standing ovation from the crowd.)
Co-hosts Josh Groban and Sara Bareilles, talented and likable if not terribly thrilling, made somewhat subdued hosts, opening the show with a self-parodying duet on piano for all the losers out there — including them. “Let’s not forget that 90 percent of us leave empty-handed tonight. So this is for the people who lose,” they sang.
They went on to cover Sia’s Chandelier — substituting her lyrics for ones that complained about singing live eight shows a week — and sang hits from Andrew Lloyd Webber shows and then closed the telecast with a song about Broadway dreamers. AP