City Times

For Kajol, acting is learning on the go

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FROM UNDERSTAND­ING THE craft of acting to the importance of body language and on-screen chemistry, Kajol learnt the basics of her profession one film at a time over her two decade-long career.

In an interview, ahead of her upcoming film Helicopter Eela, Kajol, one of the most spontaneou­s actors in the industry, talks learning the ropes of acting on set. The actor lists down three films — her 1992 debut Bekhudi, Udhar Ki Zindagi (1994) and Dushman (1998) as her favourites.

Talking about Udhar Ki Zindagi, Kajol says the film was so intense that she suffered from a burnout in “a weird way”.

“... I remember having a conversati­on during Baazigar with Shah Rukh Khan and he told me, ‘I should learn how to act’ and I was like, ‘I am doing so fabulously well’. He told me I need to burn out as an actor, I felt, he talks nonsense sometimes.

“But when I was shooting for Udhar Ki Zindagi, I was like, ‘I can’t do films that are so heavy, it sucks so much out of you’. I did not want to do that anymore.”

Kajol remembers discussing with Tanuja that she wanted to do lighter films and not be part of emotionall­y draining movies. “... I (told her) that I want to do films with three songs, three scenes, etc. So I signed up films like Hulchul and Gundaraj, among others.”

But after taking up a series of light-hearted films, Kajol changed her mind and featured in a hard-hitting film like Dushman. The actor says she had initially rejected the project.

“I had said ‘no’ to it because I did not want to do a film with a rape scene in it. I didn’t want to enact that. I felt it would be difficult for me. I am not comfortabl­e with somebody doing that to me on-screen, even for a shot or whatever,” Kajol adds.

But director Tanuja Chandra and producer Pooja Bhatt assured her that they will shoot the scene aesthetica­lly and use a body double.

“They told me they just need one close-up shot and that they will manage it. They lived up to their promise. When you watch the film, you can’t make out. They handled it so well. I am glad I did the film.”

The 1998 psychologi­cal thriller was the seventh highest grossing Hindi film of that year.

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