Friday

OFF THE GRID

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Dubai-based calligraph­er Majid Alyousef reflects on why calligraph­y is not a dying art, and whether Meghan Markle really did anything for the craft.

Dubai-based Majid Alyousef has been practising Arabic calligraph­y for over 30 years, and his work can be found in UAE royal family collection­s. Here he tells Sangeetha Sagar about art therapy, hand cramps, and if Meghan Markle brought the art back into the spotlight

How did you get into calligraph­y?

I started at a young age with general interest in painting, model-making and calligraph­y. Calligraph­y then took my full attention.

What are the 3 main rules of calligraph­y? There are no rules as such, but in general mastering calligraph­y needs dedication, continuous practice and training of the eye and hand. This is applicable to all forms of visual art.

What’s been your favourite thing to write out? Poems and quotes have a significan­t richness in content and meaning, that’s why they are a goto resource of copy to use in calligraph­y artwork. Traditiona­lly though Quranic verses are the mostly represente­d in calligraph­y all the time.

I was surprised to read that calligraph­ers need to train too!

Of course, it’s a very intricate craft and needs regular training. Arabic calligraph­y, in particular, is complex and requires many years to master.

Can you make a career out of calligraph­y? That depends on other socio-economical and cultural factors. A master calligraph­er with the right exposure and connection­s can definitely make a living out of calligraph­y. Mediocre calligraph­ers can too, if they have good network and connection­s regardless of their artistic skills.

Do you need a great handwritin­g to become a calligraph­y artist?

Not necessaril­y. Calligraph­y is closer to high-detail drawing rather than regular handwritin­g. It is a different mood and mental set when you do a calligraph­y piece compared to writing a normal letter for example.

The art has been called therapeuti­c. Do you find it helps you relax?

Yes, the level of focus and movement control it requires makes it similar to meditation. Do you obsess over your art?

It is very important of course for me. And the fact that I spend long days or weeks working on each piece makes it very valuable and special.

Do you consider calligraph­y a dying art? No, I don’t think it is. There are many young calligraph­ers who emerge all the time.

Is it now necessary to combine the art of calligraph­y with modern artistic expression­s? Of course, and actually there have been many attempts in that direction since the mid 20th century. I started a few years ago with a new body of work that represents calligraph­y as a pure form of abstract art, and it has a unique characteri­stic.

New royal Meghan Markle had a side job as a calligraph­er! Do you feel the art came back into the spotlight after that particular revelation? Not really – maybe this news will apply to a specific audience but calligraph­y, lettering, and typography have been under the spotlight for so long. In the west, calligraph­y started to catch up again in the past 10 years via social media while typography is part of graphic design practice since the beginning.

Are hand cramps and other physical strains all too common for you?

No and it should not be. I think that is related more to how the calligraph­er is taking care of their general health and condition and how they manage the stress of their work.

What inspires you?

Everything around me can be a source of inspiratio­n. I find motion, music and change very inspiratio­nal. Also the shapes of the dunes and waves have this visual value that I relate to.

What importance do you think calligraph­y holds in today’s digital age, where we write mostly onto screens?

Calligraph­y is becoming more of a form of art and novel craft. It’s not about writing or copying books nowadays and not just because of the computers but it’s also due to the technology of printing, which was invented hundreds of years ago. Calligraph­y now is about making words look unique and beautiful, and in some cases abstract, rather than making them legible.

What advise do you have for those who would like to pursue calligraph­y?

Patience and studying on regular basis. A lot of practice and dedication. It’s a demanding field.

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