Friday

NEW SERIES!

In the first of a series profiling distinctiv­e neighbourh­oods around the UAE, Sangeetha Swaroop goes on a guided tour into the Al Fahidi Historical Neighbourh­ood, where nostalgia, heritage, architectu­ral marvels and pure charm abound

- PHOTOS BY ANAS THACHARPAD­IKKAL

The temps are dropping, so we’ve got your weekend sorted from now on. Each week, we profile a new neighbourh­ood for you to explore – this week it’s Bastakiya.

Walking along the quaint and winding alleyways of the Al Fahidi Historical Neighbourh­ood, with wind towers and rustic, sandcolour­ed homes for company, you could be forgiven for wondering if you really are in Dubai. This overwhelmi­ngly rich canvas of a sepia-toned magnificen­t city quarter may lack the gleam of the glitzy, towering spires and other iconic landmarks that draw millions to Dubai, year after year. Yet, it is here, in this atmospheri­c and scenic locale beside the flowing waters of the Creek, that you can unravel an intoxicati­ng mix of heritage and culture.

There’s a whiff of nostalgia, dollops of history and oodles of charm surroundin­g the air here. Its sand, coral and gypsum homes tell us stories of a flourishin­g bygone era when dhows from afar laden with goods and spices landed on its sandy shores. The stone walls speak volumes of the lifestyle of a not-too-distant past; the fruit-bearing trees in courtyards stand testimony to a time when young boys and girls, men and women, camel and livestock found shelter under its widespread branches.

Formerly known as Bastakiya, the area was named after wealthy textile and pearl merchants from Bastak in northern Iran who arrived in Dubai more than a century ago to settle by the Creek to evade taxes imposed on them in their native land. Dubai’s welcoming policy ensured that these businessme­n could continue with their trading and commercial activities at the Creek. Settling down in the area granted to them, they built the maze of wind-towered homes with narrow sikkas (alleys) meandering through in precisely the same fashion as it was in Bastak, giving rise to the name of Bastakiya.

The narrative of architectu­re

Currently, 55 renovated homes dot the landscape of the Al Fahidi Historical Neighbourh­ood. Some of the homes have exposed walls that show you clearly the material used in constructi­on. Sea stone and coral from the Dubai Creek with a mixture of mud, sand, gypsum and limestone formed the base for most of these houses (called Bait Morjan). Houses were also built with palm fronds (Bait Areesh) but following a fire that destroyed most of the market and surroundin­g Areesh homes in the late 19th century, houses began to be constructe­d solely in sea stone and coral.

Step into any house here – now converted into art galleries, curio stores, restaurant­s and boutique hotels – and you will notice a central

open courtyard with a fruit-bearing tree in the middle. This is where the children played, women cooked and the family dined. Often, camels or other livestock the family owned were also tied up here.

Three generation­s of the same family often lived in the same house and each family shared one room. The number of rooms in each house is thus an indicator of the number of families that lived there.

Look out for the wind towers that served as a ventilatio­n system – allowing hot air to escape through the top while letting in cooler air inside the house – and were an important element of traditiona­l architectu­re throughout the Arabian Gulf. Not all homes have wind towers, but those that do belonged to the more well-off families.

It wasn’t just the wind towers; every design element and constructi­on material was intended to alleviate the heat and humidity. For instance, thick walls provided greater insulation while the porous nature of the coral stone also made it an excellent natural insulating material.

Where privacy is a priority

Step out into the shaded alleyways and observe the exterior walls. The relatively small openings you see at the top not only shielded the interiors from the harsh heat but also accentuate­d the desire for privacy. Indeed, no two homes have front doors that face each other – attesting to this need for privacy.

Ornately carved and studded wooden doors signify an Indian influence but the doors were often low in height to prevent passersby from catching a glimpse inside. Many have a smaller door within a larger one – the former for general use while the latter is opened to move in furniture and/or camels and livestock.

Don’t miss another interestin­g feature – low-level windows. These rooms are the majlis for men and if the windows were left open, it signified that the man of the house was inside.

Explore the house of Mohammed Sharif Sultan Al Ulama, a prominent commercial judge of Dubai – it today represents one of the finest examples of wind tower houses in the region. Originally built in 1931, the two-storied house was partially restored in the 1970s and 1990s before undergoing a complete restoratio­n in 2006. The house features a spacious central courtyard, two wind towers that descend into the living rooms of the first floor, traditiona­l columns, arches and decorative gypsum screens that not only throw up an intricate network of light and shade but also create a degree of privacy across the house between different family zones.

Today, this restored home serves as the headquarte­rs of the Architectu­ral Heritage and Antiquitie­s Department.

Look out for Bait Al Shaar or House of Hair, a unique form of tent housing used by the Bedouins, and woven from the hair of domesticat­ed goats, sheep and camels. This

form of housing provided shade from the bright sun as well as relief on cold winter nights. It was both functional and durable; it could be packed up and ready to move in no time, and lasted for around 40 years.

Admire the reconstruc­ted city wall of old Dubai, a prominent architectu­ral feature of the time that once surrounded cities to defend and secure them against external attacks. Constructe­d in around 1800 CE, it was 50cm thick, approximat­ely 600 metres long and 2.5 metres high.

Let your nose be your guide as the intense fragrance and distinctiv­e aroma of coffee lead you to the Coffee Museum, where you can find a treasure trove of antique implements, including 300-year-old Yemeni clay coffee pots, 600-year-old artefacts from the Ottoman empire, galvanised copper utensils from across the UAE, Turkish foldable roasters, and grinders and sorting machines from across the world. A recreated majlis showcases the coffee tools of the Bedouins in use since mid-15th century onwards.

Observe coffee beans being roasted and brewed; taste Egyptian, Ethiopian and Arabic coffee; and discover how Sri Lankan coffee beans came to be so popular in the UAE – it is said to be the personal favourite of the late Shaikh Zayed Bin Sultan Al Nahyan!

Other interestin­g places to visit here include the Philately House and Coins Museum. The former offers a fascinatin­g glimpse into the history of the postal advances in the UAE and has a rich collection of stamps and postmarks, while the latter exhibits around 500 pieces of rare coins from different historical eras.

Pay a visit to Mawaheb from Beautiful People, a non-profit art studio for the determined ones in the age of 16 years and above.

The Majlis Gallery and XVA Gallery also feature a variety of contempora­ry art in a traditiona­l Arabic setting.

Quirky little craft shops sell souvenirs – from salt and pepper shakers in traditiona­l clothing to traditiona­l Iranian hand painted wall plates in vibrant blue and white and decorative mosaic Turkish lamps. Spice shops are crammed with baskets of cloves, cinnamon, cardamom, dried lemon, nutmeg and other seasonings popular in Middle Eastern cuisine.

The Majlis Gallery features contempora­ry art in a traditiona­l Arabic setting. After, head to the craft shops for quirky souvenirs

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 ??  ?? A maze of wind-towered homes with narrow sikkas (alleys) make up the nostalgia of the area
A maze of wind-towered homes with narrow sikkas (alleys) make up the nostalgia of the area
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 ??  ?? Ornately carved and studded wooden doors at Bastakiya signify an Indian influence
Ornately carved and studded wooden doors at Bastakiya signify an Indian influence
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 ??  ?? Left: Majlis gallery. Above and below: The Coffee Museum– taste Egyptian, Ethiopian and Arabic coffee here
Left: Majlis gallery. Above and below: The Coffee Museum– taste Egyptian, Ethiopian and Arabic coffee here
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