When Bateman gets dramatic
‘Arrested Devleopment’ actor stars in new Netflix series ‘Ozark’, about a Chicago financial adviser who runs afoul of a powerful drug lord
You have acted in and directed so many projects centred around family with varying degrees of dysfunction — are you trying to work
Whether you remember him from his child-actor days on Silver Spoons and Little House on the
Prairie, his role as the longsuffering Michael, the only sane member of the Bluth family on Arrested Development (the original and the Netflix reprise, which just got a new season), or any number of comedic and dramatic film roles from the last few years including, most recently, the voice of Nick Wilde the fox in the Oscar-winning
Zootopia, you know Jason Bateman, the elastic Everyman whose cool facade
often masks an inner meltdown.
And before he reunites yet again with his nutty siblings and parents on Arrested Development,
viewers will see the 48-year-old actor-director in Ozark, premiering on Netflix today. Bateman not only stars in the story of a milquetoast Chicago financial adviser who runs afoul of a powerful drug lord, he also executive produces and directs multiple episodes.
something out?
It’s no secret that my family was very atypical and that [sister and Family Ties star] Justine and I were both working from a really young age. My father was a writer-directorproducer of independent film and television. He was a bit of a bohemian with his schedule and his work. My mother was a flight attendant for Pan Am for 30-some years, so she was flying two weeks of every month when we were growing up. Christmas was often celebrated on the 18th or the 30th. Just to hang out with her, I’d go with her on one of her trips to Tokyo and I would be serving food trays down the aisle. There were times of high function and times of dysfunction by virtue of it being nontraditional. Whenever somebody comes to me with an unconventional or dysfunctional family premise, it sounds very interesting to me.
You also have often played characters who are the stable one in a world of crazies, yet you can see a rage simmering inside them at having to fill that role. Marty Byrde in Ozark is another that vein. What appeals to you about having to be contained?
Somebody who’s got the gun pointed at somebody and their finger is on the trigger, you can’t look away because you might miss the shot. This guy’s going to kill that person, right? You’re staring, you’re not going to buy popcorn or you’re not going to the fridge. As soon as he pulls the trigger, now you can go carry on and kind of reset and take a breath. With the characters that I’m really drawn to, I am the audience.
If I’m showing a little bit more control and restraint and stress than the audience is or would in that situation, then they are compelled to watch me, the proxy, pick the moment to release the valve. Because I am their valve. I just think it’s more interesting. I like having the audience in my hand. That’s probably why I’m drawn to directing. Where you are controlling the audience’s experience. You’re shaping it.
You’ve now directed yourself in several projects, including Ozark. What does Jason Bateman the director think Jason Bateman the actor needs to work on improving?
Well, if my wife has anything to do with it, it would be to be less the simmering person that you were talking about and let the kettle pop a couple of times.
In the role that calls for it.
Exactly, that’s exactly it. I just don’t want to be a character actor. I don’t want to be the guy that explodes and does a bunch of acting. I like to be somebody who’s a little bit more of a tour guide for the audience and observes those people that are doing a bunch of acting.
Given that show business is the family business, if your kids expressed interest, would you want them to go into it?
I mean, as soon as they’re old enough to understand what it means when I say it’s not a meritocracy, then I’ll let them.
I’ve been doing this 38 years, and if you put that much time into any career, you can feel pretty confident about your job security or your pension.
I think any parent would want their child to put that much time into something that’s a little bit more reliable. I’m still two years or three years of no work away from not ever working. How do you recommend that for a child?
—Los Angeles Times