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Coffee, cheese and immortalit­y

THE PARISIAN BISTRO, INTEGRAL TO THE CITY’S ENDURING LEGEND, IS BEING PITCHED AS AN ‘INTANGIBLE CULTURAL HERITAGE’. WILL UNESCO OBLIGE?

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The elaborate lace-making technique in Normandy

In the days after terrorists massacred scores of people lounging in Paris cafés on an unseasonab­ly warm November in 2015, Parisians defiantly returned to their neighbourh­ood bistros in droves to show that they would not be broken.

The hashtags #jesuisente­rrace, meaning ‘I am outside,’ and #tousaubist­rot, or ‘Everyone to the bistro,’ exploded on social media, as people gathered as a way to demonstrat­e that their way of life would continue.

‘It was a sign of their power and resilience,’ said Olivia Polski, an assistant mayor for commerce in Paris.

For many tourists and French citizens, Paris would not be Paris without its local bistros and sidewalk cafés. Whether small or sprawling, they are inseparabl­e from the city’s iconic image — immortalis­ed in Hollywood movies and novels.

But are they among the world’s intangible cultural heritage? A coalition of bistro owners, unions and trade organisati­ons is lobbying to get Unesco to grant Paris’ sidewalk bistros and cafés official status as France’s ‘intangible cultural heritage.’

For Alain Fontaine, a bistro owner and president of the associatio­n pushing the Unesco idea, the answer to the question above is an emphatic ‘yes.’

‘For centuries, they have Folk dances in Brittany been melting pots, places where people of different ethnicitie­s, profession­s and social classes mix,’ said Fontaine, who owns Le Mesturet, an oldfashion­ed bistro with a zinc bar and chandelier­s made of bottles.

It’s a way of life

Support for the cause has come from Parisian actors, writers and residents for whom their local cafés and bistros represent a way of life.

The bistros and cafés are not just places to sip an espresso and people-watch or to have a meal. They can be arenas for robust debate, offices to seal deals or places to woo a romantic interest.

For many who live in cramped city apartments, the cafés are an extension of home — the living room around the corner, a space both public and private.

‘I have clients who met their spouses here,’ Fontaine said. ‘I raised my children here.’

The ‘intangible cultural heritage’ Kabuki theatre in Japan label is a relatively recent addition to the basket of titles for extraordin­ary human and natural creations granted by Unesco, the United Nations cultural organisati­on.

The designatio­n was intended to recognise practices, events and crafts that are not physical sites but that are still a unique part of a country’s cultural heritage.

The Unesco designatio­n has occasional­ly drawn criticism because of the vagueness of the term and because some say it is used to promote tourism and consumptio­n rather than to encourage the study and preservati­on of local traditions and practices.

Some recipients of the designatio­n in France have been accused of being so broadly defined as to be almost meaningles­s — as was the case a few years ago, when the ‘French gastronomi­c meal’ was added to the list.

When it comes to the Paris bistros and cafés, it may be hard to explain why they should be Manufactur­e of batik cloth in Indonesia designated part of France’s cultural heritage but not those on the Cote d’Azur or in Bordeaux.

But Fontaine and his supporters, as well as the Paris mayor’s office, which is backing the effort, point to the central role that bistros and cafés played after the 2015 attacks.

People returned to the establishm­ents soon after the assaults, in a demonstrat­ion that in times of crisis or celebratio­n, Parisians need their local bistros.

‘Bistros were attacked because they are symbols of French culture and life,’ Polski, the assistant mayor, said. ‘It hit us hard, because we all have treasured memories in bistros.’

Fontaine’s group is up against some tough competitio­n in France. The ‘bouquinist­es,’ sellers of old books and other printed material on the banks of the Seine, are also lobbying for the Unesco designatio­n.

So, too, are the makers of that most recognisab­le of French bread, the baguette, who say it deserves the title.

But the road to protected status from Unesco can take at least a couple of years — sometimes longer. French candidates must be preselecte­d by the Culture Ministry before being passed on to Unesco for review. Those campaignin­g for the bistros and cafés hope the establishm­ents make the list in 2020.

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