When art forged friendships for life
WALK DOWN A DELIGHTFUL MEMORY LANE WITH SOME OLD-TIMERS AT THE PIONEERING DUBAI INTERNATIONAL ART CENTRE IN JUMEIRAH
Catching up with some old-timers at Dubai International Art Centre (DIAC), Dubai’s very first art gallery, is like going down a delightful memory lane. The yesteryear ‘Jumeirah Janes’ as they call themselves, break into a throaty giggle as they recollect how they were once stuck in a sandstorm in a deserted village in Ras Al Khaimah.
Live painting
“Some of our husbands didn’t even know we had ventured out to Jazirah Al Hamra that day,” said artist Vandana Valrani, even as another giggle attack strikes when someone mentions a flat tyre incident near a camel farm.
“We would just take off on these quick trips for a session of live painting or sketching. The memories are still etched in our minds,” says artist Annemieke Husseini.
Among the earliest members of DIAC, which launched in 1976, the talented women have been practising art in Dubai, long before the bustling galleries of Bastakiya or the warehouse wonders of Al Quoz sprang up.
“Art in the emirates back then was just something ordinary people like us did together and in the process, shared our knowledge. We were a small and close-knit community and became friends for life. Initially, there were no ‘professionals’ like we know them today,” says Husseini, who started out with porcelain doll making.
DIAC, earlier called Art Society of Dubai, was started by a group of art enthusiasts near Jumeirah Beach. And as the women recollect, 10 artists held the first exhibition at the InterContinental Hotel in Deira in May-June 1976.
Bina Samuel, a water colour and silk painting teacher, says, “Art sold well in those days. You could get a good canvas for Dh150 and a great one for around Dh1,000. But now, people are quick to go in for prints.”
“Exhibitions too were well attended,” says Valrani. “People had more time on their hands and there was far less traffic.”
DIAC’s manager Sahira Amin says, “From what I’ve heard, registrations for DIAC courses would get filled up very fast as there were hardly any avenues for art. Courses, at Dh50 each, were also very affordable.”
Nostalgia reigns as the women recall the works of early DIAC teachers: Margaret Handerson, Marian Ball, Elizabeth Brown, Reta Annen, Shakeel Siddiqui, Tina Siddiqui, Lyndon Ashmore, Nargis Khalid, Helen Wong — the list is long.
Alem Goshimi, an art teacher at DIAC, says: “There has been an explosion of museums, art galleries, exhibitions and other events because of the government’s push for the arts. There are so many people formally teaching and learning art today.”
The old-timers also concede a change in the quality of art. “What we see with this explosion is a greater variety of art. It is more international and is produced by professionals who have a wide exposure,” says Husseini.
“Earlier, we were largely ladies at leisure, Jumeirah Janes really, doing art together. Today, it’s a wider circle. The canvas is much larger and there’s so much more to learn and do,” adds Valrani.
Art in the emirates back then was what ordinary people like us did together and shared our knowledge. There were no ‘professionals’ as we know them today.”
Annemieke Husseini |
Artist, DIAC