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BTS chart new K-Pop path with album

New album is the darkest, strangest and most ambitious music the group has made

- By August Brown

If there’s a digital age equivalent to camping outside a record store waiting for a new album to drop, it’s what BTS fans did overnight: hovering over Spotify or Apple Music, pouring some very strong coffee and waiting for 4am to arrive, so they could finally stream Map of the Soul: 7 when it landed.

The new album from the biggest KPop group in the world is a global record biz event like no other, a comprehens­ive 20-song collection that looks forward, backward and all around the K-Pop landscape that RM, Suga, J-Hope, Jin, Jimin, Jungkook and V helped create. It booked more than four million presales, easily eclipsing the year-end tally of its predecesso­r, Map of the Soul: Persona (and that’s not even counting the streams to come).

There’s never been a more sure-fire Billboard chart-topper in recent pop. To quote their countryman, Parasite director Bong Joon Ho, it makes any other event in music seem quaintly “local”.

But fortunatel­y, the album is also a fantastic summary of BTS’ accomplish­ments so far, and charts a path forward in a tumultuous but exciting new era for K-Pop. It’s an album about being in a

band, about the relationsh­ips that form and get tested in the crucible of insane fame, all set to some of the most genre-invigorati­ng music of their career. If you were hitting “refresh” in the blue glow of your phone all night, BTS has richly rewarded your patience.

Dedicated BTS Army troops will immediatel­y notice that the front quarter of this gargantuan album is previously released material from Persona, the 2019 EP that pivoted the band from their smash hit Love Yourself trilogy into this new period.

Boy With Luv, Make It Right, Dionysus and Jamais Vu will be plenty familiar at this point. Maybe there’s someone out there hearing them for the first time on this album, but they’re likely placed here as context, almost like a map of the territory or a family tree at the beginning of a sprawling novel.

Because what comes next is the darkest, strangest and yet most relevant and ambitious music BTS has made yet. It’s partly a hat tip back to their roots as a hip-hop act, Bangtan Boys, but attuned to today’s misty, hard-kicking sonics and bolstered by everything they’ve learnt in the intervenin­g years as pop stars.

UGH! seethes with paranoia and showcases the best technical rapping of BTS’ career — it’s closer to drill music than anything casual audiences might associate with K-Pop. On Respect, RM and Suga try their hand at the wavy yelps of Young Thug and emerge with one of the strongest trap tracks of their lives.

Black Swan is foggy and arty and catchy as hell: If 7 has a statement of purpose, it’s probably this cut. It shows the biggest band in the world as attentive students of trippy modern hip-hop, but aware of the meticulous­ness and skill they bring to it as well.

On a first pass, the R‘N’B and global pop moments are some of the most affecting, even more so given the breadth of the record.

If you had hit play at exactly 4am you’d be getting close to 6am at this point. The sun is about to come up, but whatever you just went through with 7, rest assured that many millions did it with you.

 ?? Photos: AFP and supplied ?? (From left) Suga, J-Hope, Jin, Jungkook, Jimin, RM and V.
Photos: AFP and supplied (From left) Suga, J-Hope, Jin, Jungkook, Jimin, RM and V.
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 ??  ?? (From left) J-Hope, Suga, Jungkook, Jimin, RM, V, and Jin visit the ‘Today’ Show at Rockefelle­r Plaza on Friday in New York.
(From left) J-Hope, Suga, Jungkook, Jimin, RM, V, and Jin visit the ‘Today’ Show at Rockefelle­r Plaza on Friday in New York.

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