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‘Don’t sacrifice your life to visit the Taj Mahal’

As monuments reopen, tourist operators don’t want crowds despite loss of income

- BY EMILY SCHMALL AND KARAN DEEP SINGH

From a rickety fishing boat on the Yamuna River, Sumit Chaurasia points out how the setting tangerine sun catches the sparkle of the mother-of-pearl embedded in the Taj Mahal, India’s majestic monument to love.

For a decade, Chaurasia, 35, has made such poetic observatio­ns to tourists. But since March 2020, when India imposed a nationwide lockdown to curb the coronaviru­s, its monuments have been largely closed. Visas for foreign tourists have been suspended, and he and legions like him have been out of work.

While the Taj Mahal partially reopened in mid-June — with strict limits on the number of visitors — Chaurasia’s life, like much of India, remains in limbo: no longer totally shut down, but far from fully normal or safe.

“The corona is still with us,” said Chaurasia, pointing out the flames licking the riverbank from a crematory next to the monument. This spring, Agra, like New Delhi, ran out of space to cremate its dead, with thousands a day dying from Covid the country experience­d one of the world’s most catastroph­ic encounters with the disease.

Deadly Spring

The crowds that usually throng the Taj at sunset have been reduced to a handful of mostly local residents, roaming around the 25-acre complex for just over $3 (AED 11) a ticket.

This near-emptiness makes Chaurasia cry, but he prefers it to the alternativ­e despite the hardships it imposes on him and the family he supports: elderly parents, a wife and two young daughters.

“Don’t sacrifice your life to visit the Taj Mahal,” he said as the boat gently bobbed on the holy Yamuna while monarch butterflie­s fluttered and pelicans soared over the trashclogg­ed shores.

India is only now emerging from its traumatic spring, when a devastatin­g second wave hit, imprinting grim memories of frantic searches for hospital beds, medicine and oxygen — and of funeral pyres that burnt day and night, turning the skies ash grey.

As case numbers have fallen, authoritie­s have cautiously reopened the country, including monuments like the Taj Mahal. But just 4 per cent of the country’s 1.4 billion people are fully vaccinated, and health officials warn another wave may be looming, casting a pall over the life that is starting to return.

“We don’t go out unless it’s necessary,” Chaurasia said.

Agra, with a wealth of Indo-Islamic architectu­ral treasures including the Taj, is usually cacophonou­s and traffic choked. It is now quiet and uncrowded, and so too are the stores selling the inlay marble handicraft­s and treacly sweets for which the city, the onetime capital of the Mughal empire, is famous.

Essential tourist stop

Agra is an essential stop for anyone visiting India, from backpacker­s to presidents and about 800,000 people in the city, half its population, are dependent on tourism.

Virtually all of them have been affected, said Pradeep Tamta, a city tourism official. Many of the artisan workshops that populate Agra’s ancient streets have not survived 15 months of intermitte­nt lockdown, and most of the rest are struggling.

In an open-air building along a narrow alley, Irfan Ali, 51, hunches over a machine used to file down shards of mother-of-pearl into moons, stars and other shapes that will later be adhered to marble in intricate patterns on tiles, tabletops, vases and trays.

Foreign tourists, Ali said, have over the years driven up demand for the art form, which represents the materials and motifs of Agra’s most famous monument.

“They wanted a piece of the Taj Mahal,” he said. “Now there’s only silence.”

Sweet misery

Across town, Gaurav Goel, the co-owner of a family sweets business, still bears the shaved head of a Hindu mourner.

The shop, Panchhi, was named for its founder, Goel’s great-grandfathe­r, Pancham Lal. The family specialise­s in petha, a syrupy sweet Agra delicacy made from ash pumpkin, a greyish gourd, boiled in lime water and sugar. According to folklore, petha was invented in the 1630s while the Taj Mahal was being built, to keep the 20,000 labourers energised through Agra’s intense summer heat.

Goel’s grandfathe­r, Kanhaiya Lal Goyal, greatly expanded the business by experiment­ing with new flavours like saffron and cardamom and slicing blocks of petha into different shapes. A cancer patient, he died of complicati­ons from Covid-19 in May.

In normal years, Goel’s five shops sell about $1.3 million (AED 4.77 million) worth of sweets. In 2020, his sales fell by 40 per cent. But he feels ambivalent about customers returning. “The loss of business doesn’t hurt us emotionall­y,” he said. “It’s more that we don’t lose someone.”

Vital resource

The scarcity of visitors is a problem not only for Agra but also for the Archaeolog­ical Survey of India, the government agency that uses its share of the Taj’s ticket sales to restore and maintain many of the 3,500 lesser-known but historical­ly significan­t monuments from India’s long, epic history.

On its busiest days since reopening, the Taj Mahal is hosting 2,000 visitors — less than one-tenth its capacity. For the people who dare visit, however, it’s an extraordin­ary experience. The texture lost in a crowded space emerges like bas-relief when it is empty.

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