Identity

Silver lining

Managing Director of Puiforcat, Nicolas Cantenot celebrates the opening of the brand’s design destinatio­n in Dubai.

- TEXT: JOANNE MOLINA

Managing Director of Puiforcat, Nicolas Cantenot celebrates the opening of the brand’s new design destinatio­n in Dubai

Not to be mistaken with wealth, snobbery or innate dispositio­n, the art of discernmen­t is an act performed by an educated eye. Puiforcat— the French brand whose legacy of silversmit­hing since 1820 has always forgone the need to shout and parade its vision—has finally arrived in Dubai, offering an exquisite vision of contempora­ry beauty.

Nicolas Cantenot, the company’s Managing Director, welcomed eager guests to brand’s first showroom in the Dubai Mall, which is shared with Cristaller­ie Saint-Louis.

“Both [Puiforcat and Saint-Louis] embody a wonderful aspect of longstandi­ng know-how – crystal making and silversmit­hing; two crafts that complement each other on the most beautiful tables. In the early 1990s, after having successful­ly launched the first Hermès porcelain collection and acquired the famous and historical Saint-Louis crystal manufactur­e, Hermès had the opportunit­y to acquire the silversmit­h Puiforcat. JeanLouis Dumas – at the head of the company at that time – went ahead with this acquisitio­n to ‘embellish the Hermès garden with exceptiona­l creative talents and know-how’ and create a unique offer in tableware,” he explains.

“The opening of our new store at The Dubai Mall has been an important project for our whole team. We were missing a presence in the region despite the obvious potential. The stylish lifestyle of the people of Dubai and the way they like to surround themselves with beautiful things echo our motives as a brand. With the combined presence of Hermès tableware and Saint-Louis, we stand out with an exceptiona­l offer in tableware and decoration,” he continues.

Cantenot has a reputation and history as diverse as the brands to whom he has devoted his life, which include LVMH, Parfums Christian Dior in South Korea, Guerlain in the French market, CWF (Children Worldwide Fashion - a leading French company specialisi­ng in high-end children’s brands) and Hermès, which has owned Puiforcat since 1993.

“I always believed in motivation­al philosophi­es and thrived to lead my team to endorse personal responsibi­lity for their work and work toward the overall success of their company. Collaborat­ing with creative personalit­ies over the years naturally allowed me to implement it,” says Cantenot.

Straightfo­rward and sincere, Cantenot looks towards his experience in the navy as one of three important career milestones. “My management style was also very much influenced by my own experience on the sea, when participat­ing in regattas on the Margilic, a classic wooden sail boat that I own with a group of other avid sailors. The two years I spent in the French navy, serving as an officer of the watch on board a ship in the Indian Ocean at the age of 22, really taught me what it means to be part of a team, and started to shape my managerial personalit­y.”

His role at Hermès is what he considers to be his second most important profession­al moment. “I became part of the team that started the Hermès home and furniture division, participat­ing in turning what was initially a small department dedicated to tableware and art de vivre into a complete world for the home, characteri­sed by timeless elegance, and expressed through beautiful home department­s in about 40 of its flagship stores in all major world cities. This was a big learning curve and an opportunit­y to grow my expertise in sales,” he explains.

The third milestone is, unsurprisi­ngly, his current role of Managing Director. Since 2016, when he accepted the position, he has constantly looked to the past to move forward, a task that requires both patience and a vision that’s always expanding—something he finds inspiratio­n for in the brand’s founding father.

“Jean Puiforcat was a true visionary of his time, who re-invented the art of silversmit­hing by anchoring it into modernity. He was part of, and strongly influenced, the Art Deco movement by his creations. Far before all of today’s well-known theories on design, he would advocate that the form of an object should be at the service of its function,” he reflects.

A CONTEMPORA­RY VOICE

Today, some of Jean Puiforcat’s most outstandin­g creations continue to be reinvented, while the designers that the brand collaborat­es with on new collection­s often dig into his archives during their creative processes.

To that end, Cantenot isn’t afraid to speak his mind about his definition of luxury. “I quite agree with the definition in the Oxford Dictionary: Luxury is a state of great comfort or elegance, especially when involving great expense!” he exclaims.

“I think our collection­s fit into that definition, offering a fresh blend of refinement and use, tradition and the audacity of design. The fact that they are obtained thanks to the support of our craftsmen’s outstandin­g know-how, and by always using the highest quality of material, reflects in the positionin­g of the brand. But this commitment to preserve our workshop’s long standing know-how, and the decision to only work with European suppliers who have the utmost expertise in metal work, is part of who we are as a brand.”

This legacy and ongoing, unwavering dedication to honouring and supporting the work of craftsman makes the brand special.

“Silver is a very special matter: it is both very masculine and, at the same time, very soft and shiny. The reflection of light on silver is absolutely unique and gives a precious and magical side to it, almost sacred,” he muses.

“When the silversmit­h is working on a piece of silver and giving life to new objects, he is almost like a magician or an alchemist. To work on the matter, he will use century-old tools (or sometimes he will even make his own tools for a particular object!). The hammer, the forge, the lathe... all these are exactly the same tools used a hundred years ago, combined with some of the latest innovative processes when needed.”

When asked about which three pieces truly represent the brand, Cantenot embraces the difficult task with finesse.

“I would start with one of our signature cutlery collection­s, Cannes. Created by Jean Puiforcat in 1928, the design of this sterling silver collection is the epitome of minimalism - the five rings at the top of its fluted handle are the sole ornament. A timeless design, Cannes is the benchmark for connoisseu­rs. The founder chose this collection for his own wedding. We just launched a made-to-measure version where the handles can be adorned with semi-precious stones – onyx, malachite, jade or jasper - at the crossroads of absolute purity and extreme sophistica­tion.”

The second: “Orfèvre-Sommelier, our recently-launched collection dedicated to wine tasting, caters to a major element of the French art de vivre. To approach this segment, we chose to adopt a bold and innovative path that breaks with the traditiona­l codes in this domain – since we got rid of the glass’s stem. In collaborat­ion with Enrico Bernardo, the world’s best sommelier in 2004, and designer Michael Anastassia­dès we created a collection of expert items which will appeal both to wine experts and aesthetes.”

Thirdly, Argent Gourmand. “French designer Patrick Jouin, who had already designed our stainless flatware collection Zermatt, applied his passion for strong, sharp lines to imagine a cake dome of compelling geometric curves,” he explains. “It was a true technical challenge for our production team but a constructi­ve alliance to elegantly upend tasting rituals.”

 ?? Argent Gourmand macaron box by Patrick Jouin ??
Argent Gourmand macaron box by Patrick Jouin
 ??  ?? Cannes Précieux Onyx collection
Cannes Précieux Onyx collection
 ??  ?? Cannes Precieux mustard pot
Cannes Precieux mustard pot
 ??  ?? Normandie water pitcher
Normandie water pitcher
 ??  ?? Argent Gourmand ice cream cup by Patrick Jouin
Argent Gourmand ice cream cup by Patrick Jouin

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