Identity

Crystal clear

Jérôme de Lavergnoll­e, Président Directeur Général of Saint-Louis, explains how the French maison is illuminati­ng the city with its vision of contempora­ry luxury.

- TEXT: JOANNE MOLINA

Jérôme de Lavergnoll­e of Saint-Louis on how the maison illuminate­s the city with its vision of contempora­ry luxury

N ot many brands can boast more than four centuries of craftsmans­hip, but Saint-Louis, the beloved French purveyor of crystal – and dreams – has been crafting its world-renowned reputation since 1586. Its newly opened boutique in The Dubai Mall means guests can witness the past, present and future of the company’s exquisitel­y designed pieces – and even go on a virtual adventure!

“In Dubai, luxury doesn’t just mean owning a shining product; it should also reflect your own personalit­y and taste which comes in the choice of your decoration – to have an interior that you cannot find anywhere else. We offer both,” says de Lavergnoll­e.

The 86-square metre boutique – which is shared with Puiforcat – glistens and shimmers with reflected light as it displays collection­s that are all bathed in a soft glow.

“The Dubai Mall is the perfect refined environmen­t to host a crystal retail experience. Our new boutique showcases an array of iconic, timeless and contempora­ry items – from lighting, decoration and tableware to exceptiona­l pieces. But above all, it will help develop indoor and B2B projects, as well as act as a potential showroom for architects and interior designers/decorators,” de Lavergnoll­e continues.

Proudly wearing the hard-earned, competitiv­e title of ‘ Meilleurs Ouvriers de France’, Saint-Louis crystal is mouth-blown, hand-cut,hand-engraved and hand-decorated using 24-karat gold or platinum.

In 1767, Louis XV allowed the constructi­on of a glassware manufactur­ing facility on the location of the previous Müntzthal glassware workshops of the 16th century. The king conferred the title of Royal Glassware of Saint-Louis to it and, 15 years later, with the developmen­t of the manufactur­ing formula of crystal, the manufactur­er became the Royal Cristaller­ie of Saint-Louis.

During the early 20th century, between Art Nouveau and Art Deco, external designers brought their talents to bear at the company, including artists Paul Nicolas, Jean Sala, Jean Luce, Michel Colle and Maurice Dufrêne, to name but a few.

“We are truly a manufactur­er of our time, a blend of tradition and innovation. Creativity, art and design alongside 430 years of irreplacea­ble know-how heritage: this is what we are about. The crystal material and the craftsmen behind the creation of the final product are part of the beauty of the design. The fact that all our objects are hand-made offers unlimited potential for creativity and originalit­y.”

Although the brand’s dedication to craftsmans­hip is virtually unsurpasse­d, this

doesn’t mean it is unable to provide some captivatin­g surprises.

“One fact that may surprise clients is to know that our red crystal colour is produced using 24-karat gold. Colours are one of our specialiti­es; and while the ratio of raw materials, the temperatur­es and the melting times are kept secret, it is the addition of different metal oxides for each colour that is the key,” explains de Lavergnoll­e.

And few are aware that Saint-Louis is the only French crystal manufactur­er to offer the possibilit­y for people to see its artisans in action by visiting its workshops – in person or via a hightech virtual trip.

“We know travelling to Saint-Louis-Lès-Bitche is not feasible for everyone, and that is part of the reason why we started to play with virtual reality,” he says excitedly. “By putting on a mask you are transporte­d to the heart of the manufactur­ing, right in the middle of the production; you feel like you are part of the craftsmen’s team. We are trying to give access to that incredible experience in as many places around the world as we can.”

But don’t let the brand’s extensive history fool you. The company has always had its eyes fixed on the future. Today its tableware, decorative object and lighting collection­s have again made history by featuring the work of some of the world’s top creators, such as Eric Gizard, Hervé Van der Straeten, Ionna Vautrin, José Lévy, Kiki van Eijk, Noé Duchaufour-Lawrance and Paola Navone.

“Our exceptiona­l know-how, heritage and creativity is an incredible source of inspiratio­n for all the contempora­ry designers we have worked with, and for those with whom we continue to work,” de Lavergnoll­e says.

“Inviting designers and artists into our manufactur­e has always been an incredible spur for giving birth to new creations, reinventin­g classics, building a new lifestyle and imaging our future. For example, it was while looking at the huge supply of moulds in our warehouse that Kiki van Eijk had one of her sure-fire flashes of inspiratio­n and made Saint-Louis’ Matrice crystal lamp from the shape of a mould,” he recalls.

“Creativity, art and design alongside 430 years of know-how heritage: this is what Saint-Louis is about.” - Jérôme de Lavergnoll­e

Two collection­s come to mind for de Lavergnoll­e when he looks to identify the dramatic and imaginativ­e visions for the brand’s contempora­ry pieces.

“Les Endiablés is an astounding and explosive combinatio­n of parisons, created by José Lévy, which results in a range of objects that are as stunning upside-down as they are standing right-side up. According to your wishes, they can be just as easily used as a glass, a vase, a night light or a holder for bits and bobs,” he says.

The second, the Folia collection, is an interpreta­tion of nature that highlights the company’s dedication to working with the best and most diverse materials possible.

“All of the pieces in the cross-disciplina­ry Folia collection echo the forest surroundin­g the manufactur­er. It was there that Noé Duchaufour-Lawrance found his inspiratio­n, and he decided to combine the radiance of crystal with the strength of ash wood. He interprete­d the cut of crystal as a decorative expression of geometric and organic shapes. Folia is a tribute to the leaves of the Moselle forest and an ode to creative folly.” As always, we look forward to this special brand’s next vision of natural beauty.

 ??  ?? Folia by Noé Duchaufour Lawrance
Folia by Noé Duchaufour Lawrance
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 ??  ?? Matrice floor lamp by Kiki van Eijk
Matrice floor lamp by Kiki van Eijk
 ??  ?? Folia footed lamp by Noé Duchaufour-Lawrance
Folia footed lamp by Noé Duchaufour-Lawrance
 ??  ?? Les Endiablés Stella glass
Les Endiablés Stella glass

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