Identity

Flexi-design

Timeless elegance, high-quality craftsmans­hip and comfort are the key design philosophi­es of Flexform, which are reflected in the company's newly renovated flagship showroom — a fitting way to mark to its 60th anniversar­y.

- TEXT: PENNY MCCORMICK

Flexform’s newly renovated flagship showroom celebrates the brand’s 60th anniversar­y with elegance, quality and comfort

It’s been said that a Flexform sofa is like the blue blazer of fashion: simple, deconstruc­ted, refined. They can be identified at a glance as contempora­ry classics and also by touch – from the goose down cushions to the luxurious upholstery. Now in its third generation, the family-owned company was originally launched in 1959 as a workshop – called Flexform di Galimberti – by two brothers in Brianza, a region of northern Italy known for its artisan workshops specialisi­ng in wood, metal and upholstery.

The original Flexform showroom was designed by Gigi Radice with the help of Gino Colombo, and described as an ‘exhibition palace’ because of its innovative characteri­stics. It served as a launch pad, showcasing the ideal living room space – a fitting backdrop to its now iconic designs. 1959 was a special time for design; in post-war Italy many up-andcoming designers were training at the School of Architectu­re in nearby Milan. One of these was Antonio Citterio, whose 40-year collaborat­ion with Flexform speaks for itself.

To mark the brand’s 60th anniversar­y, the in-house design centre’s concept for the showroom (which spans three floors and covers more than 2000 m2) involved using materials already synonymous with the brand. Hence travertine flooring and walls, dark wood slat ceilings and large windows, with linen curtains that filter the natural light. There is an enviable abundance of green space – from indoor conservato­ries to the gardens outside. This is not a convention­al store, rather an authentic brand experience. Flexform prides itself on the ‘knowing hands’ of its master craftsmen, and in addition to showing new products the showroom houses iconic pieces. Take, for example, the Antonio Citterio-designed Groundpiec­e seating system, A. B.C. armchairs and Infinity bookcase, in addition to an area dedicated to the Mood collection. Upholstery fabrics – velvets, devoré and leathers – are in the so-called ‘ Morandi palette’ of neutrals, from ivory and sand to warm greys and burnished metal hues. The overall sense of serenity and comfort is reinforced by an effective ‘ Made in Italy’ advertisem­ent.

"The common denominato­r in every Flexform product is that it is easily recognised, designed for everyday life and always easy to use." ANTONIO CITTERIO

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 ??  ?? Magister (1982) by Antonio Citterio and Paolo Nava Both designers were influenced by Modernism and by the Bauhaus movement. Their understate­d, minimal Magister sofa replaced traditiona­l buttons with a more modern twohole tufting technique. Other features include a retractabl­e metal shelf behind the seat back which transforms the sofa into a comfortabl­e single bed.
Magister (1982) by Antonio Citterio and Paolo Nava Both designers were influenced by Modernism and by the Bauhaus movement. Their understate­d, minimal Magister sofa replaced traditiona­l buttons with a more modern twohole tufting technique. Other features include a retractabl­e metal shelf behind the seat back which transforms the sofa into a comfortabl­e single bed.
 ??  ?? 1959 Historical showroom
1959 Historical showroom
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