A masterstroke for Indian cinema

Bahubali 2: The Conclusion is a befitting conclusion to a sweeping spectacle, writes Deepa Gauri

LET US SET aside for now all those grandiose words for now: Yes, Bahubali 2 is as visually spell-binding as its ‘beginning.’ It is has as much grandeur and energy as the first, its special effects are effective, and it does not leave you with a cliff-hanger. But what Bahubali 2 delivers is also the often unattainable: It meets expectations, it does justice to the hype, and it stands on its feet, without need for subtitles or back stories.

Rising above the first, it also serves a powerful discourse on polity and lends credible voice to women. While Amarendra & Mahendra Bahubali (Prabhas) and Bhallala Deva (Rana Daggubati) fight it out, uprooting trees, breaking chariots, smashing heads, breaking bones, and spewing blood, in the backdrop, the film is also an ode to a strong-willed woman, Devasena (Anushka Shetty).

For those who thought Bahubali 1 did not do enough justice to women, its sequel presents women and the matriarchal order with unflinching conviction. Director SS Rajamouli makes a strong case for women – relevant as much today anywhere in the world – as in the kingdom of Mahishmati.

Unfolding with the same thrills as an Amar Chitra Katha comic in the hands of the young and impressionable, Bahubali 2 wears the mark of Rajamouli’s genius in every frame. He doesn’t hurry you through the proceedings – which might be a trifle annoying for those who are used to the breakneck speed of Hollywood.

But Bahubali 2 is firmly rooted in Indian ethos, folklore traditions, and storytelling craft. Rajamouli adheres to the rules, and then makes everything larger than life. There are countless moments of sheer directorial control, especially in the lay-out of the fight sequences, and you can only imagine in awe how this man, from South Indian cinema, could have conceived and executed those moments with such brilliance.

Documenting the rise of Amarendra Bahubali to the throne of Mahishmati, then taking a detour to present his meeting with Devasena, and the conspiracies that follow – including ‘why Kattappa killed Bahubali’ – the film does not offer you story-line surprises.

Instead it focuses on detailing, and very remarkably gives way for Devasena and Rajamatha Sivagami (Ramya Krishna) to present their cases. That gives Bahubali 2, an extra dimension – of love, nobility and valour – not just from a man’s perspective.

In contrast to the dreamy quality of Bahubali 1 (especially the scenes of Mahendra/Shiva and Avantika (Tamannaah), the tone of Bahubali 2 is starker. Amarendra Bahubali is not just shown as a warrior but as a just leader who rightfully earns his place in the hearts of his people.

Prabhas, as Amarendra and Mahendra, is in top form, giving it all he can. Rana Daggubati, now relegated a bit to the background until the climatic confrontation, too evokes the terror that suits his character. But on final count, you might really take home with you the in-control performance of Anushka Shetty. She stands neck-to-neck with the men, as does Ramya Krishna. Sathyaraj’s Kattappa has a more detailed role – and he shines effortless.

Bahubali 2, rife with palace intrigue, deceit, love, anger, betrayal, humour and chivalry – all the plot points that befit an epic, is not just about ‘why Kattappa killed Bahubali.’ It is a directorial masterstroke that happens rarely in Indian cinema. Treasure it!

BAHUBALI 2: THE CONCLUSION Starring: Prabhas, Rana Daggubati, Anushka Sharma, Ramya Krishna Director: SS Rajamouli Now playing at theatres in the UAE Rating: