Khaleej Times

Family passion sparks Sydney’s NY fireworks

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sydney — When Fortunato Foti dreams up his designs for Sydney’s dazzling New Year’s Eve fireworks display, he’s drawing on more than 200 years of pyrotechni­cs expertise. The Foti family moved from Italy to Australia in the 1950s, but have been in the same business since 1793.

This year, they are marking two decades as the brains behind Sydney’s world-renowned visual extravagan­za, which kicks off global celebratio­ns.

The family’s secret recipe, says fireworks director 51-year-old Foti, is passion — lots of it.

“It’s in the bloodline, we start from a young age,” adds Giovanni Foti, 29, who together with his father Vince, are two of the eight Fotis working for the family company.

“We are so used to fireworks. We start to love them — then we start to try and make other people love them,” he said, laughing.

Sydney’s New Year’s Eve celebratio­ns — which take 15 months of planning and cost an estimated $5 million — are billed as Australia’s largest public event.

Yet much of the expertise behind the 12-minute-long star attraction — the fireworks — wasn’t learnt through formal education, notes Fortunato Foti.

“It’s been passed down from generation to generation and that’s how I learnt it, that’s how my brother learnt it, because there’s no courses that do fireworks, there’s no university,” he says. “It’s stories, recipes — it’s a bit like being a cook.” The Fotis are involved in the entire process from designing the fireworks with a factory in mainland China to sending the pyrotechni­cs soaring through the night sky on December 31.

Twenty years ago when the Fotis first worked on the Sydney display, each button to trigger a sequence had to be pressed manually.

Now the entire show is operated via 16 computers, with the sequences involving 20,000 fireworks shooting from the Sydney Harbour Bridge and floating barges timed “to a hundredth of a second”, 52-year-old Tino Foti says. “You can let your imaginatio­n do a lot more because you’ve got the flexibilit­y ... and the computeris­ation.”—

 ?? AFP ?? Twenty years ago each button had to be pressed manually to trigger a sequence, but now entire show is operated via 16 computers. —
AFP Twenty years ago each button had to be pressed manually to trigger a sequence, but now entire show is operated via 16 computers. —

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