Music finds a place at Istanbul’s trade hub
istanbul — It’s an early summer evening at Istanbul’s Grand Bazaar, the maze-like warren of alleyways crammed with shops that has been the city’s trading hub for over half a millennium.
But this time, there are no traders’ voices beckoning to travellers to come and haggle over the price of a carpet. Nor is the air filled with the pungent whiff of oriental spices being offered to passers-by.
As the evening light streams through the upper arch windows, it is music that resonates through the bazaar; oriental wind instruments like the Turkish ney and Armenian duduk, the lute-like oud and the Balkan accordion.
For the first time in its history as an epicentre of trade and commerce in Istanbul, the bazaar is being used for a concert in the prestigious annual summer Istanbul Music Festival run by the Istanbul Foundation for Culture and Arts (IKSV) — the city’s premier musical event since its creation in 1973.
It’s a constant source of frustration to music lovers in Istanbul that the Turkish megapolis lacks a world-class, purpose-built music venue, especially for classical and traditional music.
But the festival uses the city’s multicultural and multiconfessional heritage to make up for what it lacks in modern infrastructure, staging concerts in churches, synagogues, historic universities and now the Grand Bazaar.
“It is a very intelligent way to use this kind of historical space for concerts and bring in people for reasons
other than their original function,” said Kudsi Erguner, a celebrated Turkish traditional musician and one of the great living exponents of the ney.
“Usually, people come here to buy things,” he added, before dazzling the audience with his command of the long, flute-like instrument.
Despite the venue not being built for the purpose, he praised the acoustics of the Grand Bazaar, known in Turkish as the Kapalicarsi, meaning Covered Market. “The space is curved, there is a nice resonance and a very nice differentiation of sound,” he added. —