The National - News

The provenance of great literature

Fresh evidence that William Shakespear­e had assistance has raised age-old questions

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Western civilisati­on is built upon narratives that have shaped language, culture and thought. Authorship of the most famous narratives is a source of long-term debate and controvers­y. The work of William Shakespear­e, for example, grips our attention in a remarkable way. Given the depth of Shakespear­e’s work from sonnets to plays and its enlarged effect on the English language, any revelation­s about the provenance of the work is bound to create controvers­y.

The recent controvers­y in the saga has been sparked by the latest edition of The New Oxford Shakespear­e compendium. Advanced textual analysis has persuaded the editors to credit Christophe­r Marlowe, a contempora­ry playwright of Shakespear­e’s, as a co-author on several plays including Henry VI.

The editors of the New Oxford used computeris­ed analysis to statistica­lly determine the words and phrases preferred by each writer. The algorithm then determined the manner in which the writers constructe­d narratives and discovered evidence that they must have collaborat­ed on a number of plays previously attributed to Shakespear­e alone.

The hypothesis that Marlowe was involved in Shakespear­e’s greatest work is not new (it has been kicking around since at least 1819). Advancemen­ts in technology, however, have given researcher­s new power to answer the question. But does that sufficient­ly satisfy our curiosity about Shakespear­e’s life or, perhaps more importantl­y, does it change the quality and impact of his work?

Seeking truth about the provenance of literature is part of our nature but it is equally important to focus on the lessons transmitte­d in Shakespear­e’s work. Thus, it is wonderful that people are excited about these new details in Shakespear­e’s life but the real positive effect of these revelation­s would be renewed interest in reading the work itself. While it is easy to get lost in the mystery of the story, it is much harder, especially in our world of social media distractio­n, to meditate on the work itself and get lost in the narratives Shakespear­e (and company) left the world so long ago.

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