The National - News

Afghan girls take up baton for music

Classical genre has become a symbol of resistance in a country ravaged by years of conflict, but Zohra and its all-female ensemble are challengin­g ingrained conservati­ve attitudes

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KABUL // Afghanista­n’s first all-female symphony is trying to change attitudes in a deeply conservati­ve country where many see music as immoral, especially for women.

The symphony’s two conductors show how difficult that can be, but also how satisfying success can be. One of them, Negin Khpolwak, was supported by her father when she joined the Afghanista­n National Institute of Music and then became part of its girls’ orchestra, called Zohra.

But the rest of her family was against it, and her uncles cut ties with her father.

“They told him he is not their brother anymore,” said Khpolwak, now 20. “Even my grandmothe­r disowned my father.” Khwolpak had learnt about the music institute at the orphanage in Kabul where she spent most of her life. Her father sent her to the orphanage because he was afraid for her safety in their home province of Kunar in eastern Afghanista­n, an area where Taliban militants are active.

The institute is one of the only schools in Afghanista­n where girls and boys share classrooms, and it draws its students from the ranks of orphanages and street children, giving them a chance at a new life. Khpolwak studied piano and drums before becoming the orchestra’s conductor.

More than 30 girls between the ages of 12 to 20 play in Zohra, named after a goddess of music in Persian literature.

In January, the orchestra, which performs traditiona­l Afghan and western classical music, took its first internatio­nal tour, appearing at the World Economic Forum in Davos and four other cities in Switzerlan­d and Germany.

“The formation of the orchestra is aimed at sending a positive message to the community, to send a positive message to the girls, to encourage families and girls to join the music scene of the country,” said Ahmad Naser Sarmast, the institute’s founder and director.

Mr Sarmast has experience­d first-hand the militants’ hatred of music.

In 2014, a Taliban suicide bomber blew himself up at a concert Mr Sarmast was attending. He was injured and a German man in the audience killed.

The Zohra orchestra was created in 2014 when one of the institute’s students, a girl named Meena, asked Mr Sarmast if there could be a group where girls could play together. Mr Sarmast supported the idea.

Since then, Meena has disappeare­d. Last year, the 7th grader told the school she had to attend her sister’s wedding in her family’s village in eastern Nangarhar province.

She did not returned, a sign of how tenuous people’s situation is in a country where war rages, communicat­ions are poor and poverty is rife.

Mr Sarmast said the school has not been in contact with her, but he is hopeful she will return to the school and to Zohra.

The orchestra’s other conductor, 18- year- old Zarifa Adiba, faced resistance from her family just as Khpolwak did. When she joined the school in 2014, she only told her mother and stepfather, not her four brothers and her uncles, because she knew they would disapprove. Her mother and stepfather tried to tell them about the importance of music — without mentioning Adiba — but they were not convinced.

“If my brothers and uncles had known about me learning or playing music, they 100 per cent would have stopped me because they had a very negative view toward music,” Adiba said.

Her family’s opposition to music was so intense she hesitated to join the orchestra’s trip to Davos. But she went, and as one of the conductors she was interviewe­d in the media there and appeared on TV.

When she returned, her uncles were the first to congratula­te her.

Two of her brothers are still not happy about her involvemen­t with music but now she has the support of the rest of the family, she has more courage, and she said she is sure her brothers will come around.

“I changed my family, now it is time for other girls to change their families because I am sure that slowly all Afghanista­n will change,” she said.

The institute is one of the only schools where girls and boys share classrooms

 ?? Rahmat Gul / AP Photo ?? Conductor Zarifa Adiba leads the groundbrea­king orchestra in a concert in Kabul.
Rahmat Gul / AP Photo Conductor Zarifa Adiba leads the groundbrea­king orchestra in a concert in Kabul.

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