The National - News

Instagram art: your phone as the new salon

- Nick Leech Cindy Sherman’s Instagram

The history of art is littered with great conversati­ons, think about the correspond­ence between Vincent van Gogh and his art dealer brother, Theo or Jackson Pollock and Lee Krasner’s papers, which occupy 4.75 linear metres of storage space at the Smithsonia­n Institutio­n’s Archives of American Art.

The venues where these conversati­ons have taken place are also the stuff of art legend. Where would modernism be, for example, without the Les Deux Magots in Montparnas­se – a haunt of James Joyce, Pablo Picasso and Ernest Hemingway – or Vienna’s Café Museum, at which Gustav Klimt, Oskar Kokoschka and Egon Schiele were guests?

Thanks to the internet, digital cameras and social media, all of this has changed and communicat­ion between artists has become as dematerial­ised as it is instantane­ous, but does that mean it’s also immaterial?

The response to self-portraitis­t Cindy Sherman’s decision to make her private Instagram account public – simultaneo­usly turning her feed into an art gallery, discussion forum and museum – would suggest not.

“Cindy Sherman’s Instagram account may be the best art exhibition of 2017,” wrote Salon’s Gabriel Bell, breathless­ly.

Before Sherman made her decision to switch her Instagram moniker from the private @misterfrie­das_mom to @_cindysherm­an_ , the British artist Cornelia Parker had taken to Instagram in her capacity as the official artist of the UK’s general election, posting as electionar­tist2017, while the photograph­y department at The Metropolit­an Museum of Art in New York explored the camera-phone’s potential as a platform for exchange with a new show, Talking Pictures: Camera-Phone Conversati­ons Between Artists.

The exhibition shows the results of visual exchanges between 12 sets of artists between November and April. The participan­ts were asked not to submit messages or captions or to share their images publicly.

As Mia Fineman, the show’s curator hoped, the results shed a light on communicat­ion in a globalised and interconne­cted world, but the strictures presented little more than a snapshot of the ways in which artists engage with peers and the world around them. At least I hope that’s the case.

Talking Pictures is at The Met Fifth Avenue, New York, until December 17 (www. metmuseum.org)

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