A guide to the best UAE exhibitions of the season
Nick Leech takes his pick from the myriad of interesting exhibitions opening across the emirates
Now that a new art season is upon us, here’s our guide to the pick of the new exhibitions opening in Abu Dhabi, Sharjah and Dubai.
Bruno Boudjelal, Frantz Fanon ▶ NYU Abu Dhabi, The Project Space, Abu Dhabi ▶ Until September 27, 2017
The one downside to this enchanting exhibition is the absence of its photographer, Bruno Boudjelal. Boudjelal charts his odyssey in search of the psychoanalyst, philosopher and inspirational revolutionary Frantz Fanon in a series of poetic images that evoke Fanon’s birthplace, Martinique, the years of his radicalisation in Algeria and Ghana, where he briefly served as a diplomat for the post-colonial Provisional Algerian Government.
Community & Critique: SEAF 2016/2017 Cohort 4 ▶ Warehouse421, Abu Dhabi ▶ September 16 to January 14, 2018
For a snapshot of who the players might be in the UAE’s creative industries, visit the Mina Zayed-based gallery spaces of the Salama bint Hamdan Al Nahyan Foundation to see process-driven work from the latest home-grown graduates of the Salama bint Hamdan Al Nahyan Emerging Artists Fellowship (SEAF).
A year-long programme in partnership with the Rhodes Island School of Design, SEAF acts as an intensive preparatory school for about 15 UAE-based creatives each year, many of whom go on to pursue further post-graduate studies in the fields of art and design.
The March Project 2017 ▶ Sharjah Art Foundation, Sharjah ▶ September 30 to October 30, 2017
The March Project 2017 exhibition features site-specific works developed by five artists during the fourth edition of this annual educational residency programme. Designed to encourage young artists to research, realise and present works through professional development courses, seminars, exhibitions and site visits over a five-month period, this year’s crop includes Al Anood Al Obaidly and Nasir Nasrallah from the UAE, Mahmoud Safadi from Lebanon and Sofiane Zouggar from Algeria.
Maha Maamoun, Select works in video and photography ▶ Project Space Art Jameel, Dubai ▶ September 13 to October 12, 2017
The video and photo series featured in this exhibition were the first works to be acquired by The Metropolitan Museum of Art in New York through its new collaboration with Art Jameel and the establishment of the Art Jameel Fund, which allows the museum to acquire works by modern and contemporary artists from the Middle East. These include Maha Maamoun, whose work explores the proliferation of reproducible imagery that circulates, gyre-like, in Cairo’s visual economy.
Ramin Haerizadeh, To Be or Not To Be, That is the Question. And Though, it Troubles the Digestion ▶ Gallery Isabelle van den Eynde, Dubai ▶ September 13 to November 2
If ever there was a show that had to be seen up close it is this mid-career retrospective of the solo work of Ramin Haerizadeh. Featuring collages and photomontages that the artist returns to and modifies over time, the work contextualises personal images of the artist’s mother and family with imagery that reflects on broader political themes and events, unleashing the playful and profoundly political spirit Dada and Surrealism on Middle Eastern diasporic life, the Arab Spring and life in Dubai.
Jacob Hashimoto, Eclipse and Enoc Perez, The Desert Bloom ▶ Leila Heller Gallery, Dubai ▶ September 21 to November 4
One of two Alserkal Avenue galleries presenting two shows at once, Leila Heller Gallery presents Jacob Hashimoto’s monumental Eclipse (2017), a billowing cloud of blackand-white rice paper and bamboo that featured as part of The End of Utopia show at this year’s Venice Biennale. This is accompanied by Enoc Perez’s The Desert Bloom, a series of prints and paintings of regional architectural icons that examine the utopian impulses behind buildings such as the Sheikh Zayed Grand Mosque in Abu Dhabi and Zaha Hadid’s Haydar Aliev Cultural Centre in Baku.
Roshanak Aminelahi, Gordafarid and Mohannad Orabi, Ripples ▶ Ayyam Gallery, Alserkal Avenue, Dubai ▶ September 13 to October 26
Ayyam Gallery’s September offerings feature a new body of work by the Dubai-based Syrian artist Mohannad Oraibi, and the first solo show for the Dubai-based Iranian painter Roshanak Aminelahi. Oraibi’s paintings of children represent a continuation of the naive style of painting he first explored in his Mu’allaqat exhibition at Ayyam Gallery Beirut in 2016 and not only refer to a sense of lost innocence while looking back to life in Syria before the war but to the sense of loss that comes with exile and displacement. Aminelhai’s large scale works include monumental portraits of mounted warriors, enigmatic women and birds that look farther back to epic story cycles such as the Shahnameh, and to a celebrated female warrior Gordafarid, whose legendary prowess is echoed in the contemporary deeds of Kurdish women who have fought against ISIL.
Amir Khojasteh and Philip Mueller, Good Face and Incurable Flaws ▶ Carbon 12, Dubai ▶ September 13 to October 31, 2017
One of two shows opening in Dubai that are investigating portraiture, for the other see Behind the Portrait at Gulf Photo Plus. Good Face and Incurable Flaws features the work of two artists who are headed in different directions. Phillip Mueller’s Renaissance-inspired Apollonian portraits appear in stark contrast to Amir Khojasteh’s Dionysian grotesques, but both address the question at the heart of the genre, what is it that makes a telling human likeness?
Pouran Jinchi, The Line of March ▶ The Third Line, Dubai ▶ September 13 to October 21
Reflecting on the conflict that defines contemporary politics and the militarisation of everyday life, from the games we play and the words and language we use, Pouran Jinchi’s The Line of March receives its world premiere in Dubai. A meditation on abstraction and minimalism from both a North Atlantic and a Middle Eastern perspective, the work combines traditional calligraphy and embroidery, drawing and sculpture to exquisite effect.
Daniel Gustav Cramer and Joana Escoval, Sand ▶ Grey Noise, Dubai ▶ September 23 to October 28, 2017
Umer Butt’s shows at Grey Noise are always distinguished by the care that goes into their curation – this collaboration with Portugal’s Vera Cortês Art Agency has been more than a year in the planning – and by a commitment to work that is as aesthetically austere as it is intellectually demanding.
The first exhibition of Cramer and Escoval’s work in the UAE, Sand takes its name from the first work in the exhibition, a show that features works that reflect on environments, atmospheres and perceptions that are connected by ideas as much as subject or media.
Behind the Portrait ▶ Gulf Photo Plus, Dubai ▶ Opens September 13
Never before have we been surrounded by such a superabundance of imagery but the irony is that the more image-saturated our lives become, the less time we devote to looking at those images.
Featuring portraits accompanied by short stories and explanations, Behind the Portrait is designed to take us back to the stories and the emotions behind the exhibited images, raising questions about the eloquence of pictures, both still and moving, and their relationship with their subjects, with us and with words.
Massoud Arabshahi, Early Works from the Azari Collection ▶ Lawrie Shabibi ▶ September 23 to November 2
Featuring 25 works on paper, card, carbon paper and foil, all made between the years 19601964, this exhibition surveys Massoud Arabshahi’s formative works at a key moment, not just in the artist’s career but in the development of Iranian Modernism.
At a time when artists in Iran were searching for a new visual language to connect the country’s traditions with modernity, Arabshahi looked to the ancient reliefs of Mesopotamia and Persia for inspiration. The works on show are all taken from the private collection of the Azari family, formed by an Iranian-American couple who were resident in Tehran between 1959 and 1964.
M Pravat, Liquid States ▶ 1x1 Gallery, Dubai ▶ September 14 to October 31, 2017
A more than decade-long investigation of the layers of construction and demolition, permanence and disintegration that comprise Pravat’s immediate architectural and urban surroundings in Delhi, this show uses architectural features to investigate the relationship between Delhi’s urban fabric and its memories.
Theatre of the Absurd ▶ Green Art Gallery, Dubai ▶ September 13 to October 28, 2017
Theatre of the Absurd features paintings and sculptures by the French-Syrian artist Farah Atassi that nod to the early 20th century Modernist avant-garde, sculptures by Hemali Bhuta that investigate liminal states, and new works from Nika Neelova’s Lemniscate series, which investigates the vestigial remains of humanity in a post-human world. The result is a show that examines relationships between art and architecture and between people and the spaces they inhabit.
Thameur Mejri, Heretic Spaces ▶ Galerie Elmarsa, Dubai ▶ September 13 to October 19, 2017
The first solo exhibition by the 35-year-old Tunisian artist Thameur Mejri in the UAE, Heretic Spaces contains drawings and paintings that explores themes of masculinity and violence. Mejri’s canvases are grotesque spaces where bodies are mutilated and then displayed alongside the detritus of everyday life while drawing on visual references from the language of newsreels, film and the history of art. There are links to Goya and Bacon to be drawn, but the influence of current affairs is much more immediate.
Fabian Muir’s Urban Burqa, main image, Roshanak Aminelahi’s Warrior Riding, far left; Ramin Haerizadeh’s Still Life, left