The National - News

Prophet Mohammed film tells a 1,440-year-old story

▶ The Message can educate young Muslims about their faith and demystify it for outsiders

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As Moustapha Akkad’s biopic of the Prophet Mohammed’s life premiered in the US on March 9, 1977, 12 extremists armed with machetes and shotguns laid siege to three buildings in Washington DC. The deadly 39-hour stand-off ended when their demand was met, bringing screenings of the The Message to a halt mid-reel in New York cinemas.

The siege was an ignominiou­s portent of the controvers­y and false rumours surroundin­g the ambitious film, which charted the life of the Prophet Mohammed and the birth of Islam but was banned from much of this region for years. Now, 42 years on and after being digitally restored, Akkad’s $17 million masterpiec­e will finally be shown across the Middle East this Eid.

Unfounded religious objections meant that The Message never drew the audiences it deserved. Yet it holds timeless lessons, which speak to both the ambition of its Syrian-American filmmaker and the power of his medium. As a compelling and universal art form crossing boundaries and cultural divides, cinema has the power to explain and disseminat­e complex and philosophi­cal ideas to mainstream audiences.

In a religion where interpreta­tions are typically laid out by clerics and imams, films like The Message can educate young Muslims about their faith and demystify it for the rest of the world. The film’s ability to do both while upholding the tenets of Islam – notably by never depicting the Prophet Mohammed – is its greatest achievemen­t. The care the late Akkad took is reflected in the fact that he shot simultaneo­usly in Arabic and English. In an interview in 1976, he said: “Being a Muslim myself who lived in the West, I felt that it was my obligation, my duty, to tell the truth about Islam.”

Just a few weeks ago, Saudi Arabia re-opened cinemas after a 35-year ban while Dubai’s arthouse Cinema Akil will soon have a permanent home. Their importance surpasses mere entertainm­ent. Cinema is vital to spurring dialogue and fostering cultural understand­ing. The release of The Message across the region will usher in a new era for the masterpiec­e and go some way to redeeming the tragedy of its original reception. Its ambitious aim to visualise a 1,439-year-old religion and its achievemen­t in conveying that message is as breathtaki­ng as it was 42 years ago.

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