Indonesian remake of US teen drama ‘Pretty Little Liars’ embraces Bali’s carefree spirit
▶ Saeed Saeed talks to actor Shindy Huang about how the ‘bahasa’ version of the show has been adapted
Friendship knows no language.
That’s one of the reasons US teen drama Pretty Little Liars became such an international sensation.
In addition to the bumper ratings throughout its seven-season run, which ended in 2017, the drama about four estranged friends reunited by a mysterious villain spawned international adaptations in India and Turkey.
The latest territory to provide its own spin is Indonesia, which recently premiered its version on the online streaming platform Viu.
Whether you are a fan of the original or a newcomer, the bahasa Indonesia version is as entertaining as it is fascinating.
Not only do the panoramic shots of the oceans and lush greenery of its Bali setting inspire serious travel envy, but some of the themes tackled also provide interesting insights into Indonesia, the world’s most populous Muslim country.
It is also a display of talent from an industry that rarely receives international attention.
Then again, that is not something that would bother most Indonesian television creatives. With a population of 267 million people to entertain, the industry has been buzzing for decades.
As such, the country’s entertainment industry has developed a no-nonsense approach to production. Case in point: this version of Pretty Little Liars was shot in true Indonesian style, with all 10 45-minute episodes filmed within a tight schedule of 41 days.
“It was a challenge and you always have to come prepared,” says Shindy Huang, 25, who plays one of the four friends, Aria.
In addition to the compact schedule, Huang recalls the initial pressure of adapting such a much-loved international series.
“In a way, I was expecting to be judged because many people have watched the original and already have a mental image of how everything is supposed to be and look like,” she tells The National.
“But eventually, you just focus on the work. The show is pretty faithful in certain aspects and when it comes to my character, I remain loyal to her essence. But this version is localised, so what we are doing with our characters is showing them within an Indonesian context.”
This means certain hot-button societal topics were introduced, while other themes from the original series were discarded or modified to suit cultural sensibilities.
The series has a strong anti-bullying message both on and offscreen, with actors Anya Geraldine (Hanna), 24, and Yuki Kato (Alissa), 25, publicly detailing their experience of being bullied due to the former’s weight and the latter’s Japanese heritage.
When it comes to shooting in Bali, Huang says the island was not chosen for its idyllic surroundings.
Long viewed as a tourist and trade hub, the freewheeling vibes of the Balinese locale is in line with the carefree nature of the characters.
If the show was set in the more conservative Indonesian capital of Jakarta, she states, none of the characters would ring true.
“The show still has a lot of western touches,” Huang says. “And Bali has always been a place where people in Indonesia can be more expressive, daring and bold. That freedom of Bali is similar to the spirit of the characters on the show.”
While that is the case, Huang says there are still lines that cannot be crossed. She explains how the Indonesian version of Pretty Little
Liars toned down the romantic scenes of the original to adhere to local customs.
“There is no PDA [public displays of affection] because the idea here is that these things should remain behind the curtain,” Huang says. “But everyone understands romance and love, so we translated that in a local way.”
More than the significant online buzz at home and the international audience on offer via Pretty Little
Liars, what gives Huang the most satisfaction is the chance to shine among the pack.
If you are an actor in Indonesia, she says, then the hustle is real, as it is an industry built on tight and enduring partnerships.
Huang hopes the arrival of Viu into the landscape can act as a circuit breaker that shows local television and film executives that the country is full of untapped talent.
“When it comes to my experience – and this just based on what I have seen – it is normally the same actors being cast because that is what the market wants. So with platforms like Viu coming here, it gives us more of a chance,” she says.
“But at the same time, the industry is getting much healthier. Ten years ago, I would not have an opportunity to play this role, so it is getting better and better.”
Certain hot-button societal topics were introduced, while other themes from the original series were modified