All About History

Daughters of Freyja

Discover the role of women in Viking society, their relationsh­ip with religion and their devotion to one Norse goddess in particular

- Written by Jessica Leggett

Discover the role of women in Viking society, their relationsh­ip with religion and their devotion to one Norse goddess in particular

From the one-eyed god Odin to his hammer-wielding son, the thunder god Thor, Norse mythology is full of colourful deities. They were an integral part of the Old Norse religion, paganism, which was displaced in Scandinavi­a by the end of the 12th century with the arrival of Christiani­ty. However, out of all of them, there was one pagan deity whose popularity continued to rise after Christiani­sation: Freyja. Devotion to her remained strong among Norse women despite Christian attempts to stamp out her popularity.

Freyja, along with her brother Freyr, was the child of Njörd and his sister, whose name remains unknown. She was married to Oðr and together they had two daughters, Hnoss and Gersemi, although Oðr’s eventual disappeara­nce leaves Freyja heartbroke­n. She is the goddess of love, sexuality, fertility, magic, war and death, portrayed in Norse mythology as a strong and independen­t deity, especially after the disappeara­nce of her husband. The majority of the informatio­n regarding Freyja comes from the 13th-century Icelandic sagas, most prominentl­y in the Prose Edda by Snorri Sturluson, who refers to her as “the most renowned of the goddesses.”

If there is one thing that can be assured, it is that Freyja was definitely a goddess who was not to be messed with. For example, when the giant Thrym stole Thor’s hammer, Mjölnir, he agreed to return it on the condition that Freyja was given to him as his wife.

While Thor and the other gods were ready to cede to these demands, Freyja was left outraged and refused to cooperate. As a result, Thor was forced to dress up as a woman, pretending to

be Freyja, to trick Thrym in order to regain his hammer. To the giants, Freyja was an object of lust and desire and was subject to their various plots and schemes to trap her into a marriage, as mentioned in the sagas.

Freyja’s ability to refuse these marriages reflects the real-life situation of Norse women. Despite the image of brutish and forceful men that may be conjured up when thinking of the Vikings, Norse women generally couldn’t be forced into a marriage against their will. Marriage was seen as an arrangemen­t between families to build social alliances with each other, rather than as an institutio­n of love. A male relative, usually her father or her brother, represente­d the bride during the marriage negotiatio­ns.

A happy marriage was in everyone’s best interests as it was a financial investment. The bride’s family were compensate­d for the loss of her labour, known as the bride-price, and the groom took her dowry. It was good practice to seek a bride’s approval of her future husband — an unhappy match could lead to divorce, ending the alliance that had been built.

Surprising­ly, divorce was a relatively easy affair for the Vikings, for both men and women. Wives had the same rights as their husbands to end their marriage and they were often the ones to initiate a divorce. A woman could request a divorce if she caught her husband wearing feminine clothing and, in turn, he could divorce her if she wore masculine clothing. In some cases, a marriage could be ended if a wife and her husband had not slept together for three years or, quite simply, because the couple were unhappy.

The most popular reason that was cited in the sagas for divorce was violence — if a man slapped his wife three times in front of witnesses, she could go for a divorce. Compared to modern court proceeding­s, Norse couples simply had to state their reasons in front of witnesses before it was officially confirmed. The division of property was also an easy process as each party essentiall­y left the marriage with what was originally theirs.

Although Norse women had a substantia­l level of independen­ce when it came to marriage, they were still in an inferior position compared to the men in their society. It is easy, with sagas depicting tales of Freyja, shield maidens and strong, fierce women, to fall into the wishful trap that women held in a far more superior position than would be expected of the time.

Regardless of her greater freedom in terms of marriage, a Norse woman’s role was primarily to manage the household and the farm, particular­ly if her husband was away. Even in circumstan­ces where a woman held some form of political power, perhaps because of her wealth, she was still responsibl­e for the running of the home. That being said, it was also women who held absolute authority when it came to the household and so they still exercised influence in this way.

The situation was slightly different for widows, especially those of a high status. These women had the right to marry whoever they wished and could distribute their wealth however they saw fit. It was not uncommon for aristocrat­ic widows to be able to support themselves as women held the right to inherit property and land.

A woman who was mistress of her own property, or owned her own estate, was known as ‘the lady of the house’ in reference to Freyja, whose name literally meant ‘the lady’, in honour of her popularity.

Along with running the household, a woman was also expected to provide her husband with children. For this reason, sacrifices to Freyja formed part of the wedding ceremony in the hope that the goddess would bless the newlywed couple with fertility. The sacrifice was usually a sow, the animal associated with Freyja.

She would also be called upon during childbirth, which was a dangerous and uncertain experience for Norse women. It was hoped that she would protect the mother and child, ensuring that the birth would go smoothly. As Freyja was known for her unbridled sexuality, it is unsurprisi­ng that she was worshipped for her role in fertility. At one point, it brought her into conflict with Thor’s brother, Loki, after he accused her of wanton and incestuous behaviour in Lokasenna, one of the poems from the Poetic Edda.

Such faith was held in Freyja that women are believed to have taken part in numerous fertility rituals dedicated to her, which managed to survive even after the adoption of Christiani­ty. It is really difficult to get to grips with the process of pagan worship, thanks to the lack of contempora­ry sources that are available today. Indeed there are the sagas where a large proportion of the informatio­n regarding Norse mythology derives from, but they were composed in the 13th century, some 200 years after the conversion to Christiani­ty, and for the most part are inaccurate.

This also creates another problem, as the men who wrote the sagas typically failed to pay much attention to the subject of female worship — so how do we know that Norse women continued to worship Freyja after the decline in paganism? Well, there are a number of places, particular­ly in Sweden, which we know have names derived from or that are associated with Freyja. To choose names in honour of her is a testament to the goddess’ continuing importance in Norse society and to Norse women as a deity of fertility.

Worship of Freyja was certainly at odds with Christiani­ty. Not only was she a lingering reminder of paganism, but also her sexually vivacious reputation went against the Christian ideal of a chaste woman. Young lovers would call upon her

to support their affairs while women continued to look to her for matters on love and fertility.

Freyja was said to enjoy love poetry and, as a result, it soon became illegal under the new religion as Christians began to target the freewilled goddess and her popularity. For this reason, it is surprising to learn that the majority of Norse women actually embraced Christiani­ty, despite its use of patriarcha­l oppression.

For Norse women, Christiani­ty actually offered them some really appealing options that paganism could not. Most notably, it denounced infanticid­e — a practice that was used frequently among the Vikings, especially towards female infants.

It has been suggested that this is the reason for the lack of female remains discovered in Scandinavi­a that date back to the Viking Age, with the exception of Birka, Sweden, where the number of female graves outnumbers the men’s. For any Norse mother, the thought of a religion protecting her children from harm would have surely encouraged her conversion.

Another reason that women accepted Christiani­ty so easily was its promise to give them a better afterlife. Valhalla, the hall of Odin, was not accessible to women after death as it was the destinatio­n for those who had died in battle.

There is no explicit evidence that clarifies where Norse women were expected to go once they had died. However, going by the graves of Norse women, who were usually buried with jewellery and household tools, it can be assumed that they did expect to enter the afterlife. It left them with one option: the realm of Hel.

Hel was a dark, dreary and depressing place, not exactly the dream place for women to spend their afterlife. It is hardly any wonder that women turned to Christiani­ty in the hope that one day they would reach something better.

Speaking of the afterlife, it is interestin­g to note that although she was a deity of stereotypi­cally

feminine attributes, Freyja also played a key role as the goddess of war and death. As told in the Eddic poems, she got to choose half of the warriors who were slain in battle to enter her hall, Sessrúmnir, on the field of Fólkvangr, while Odin received the rest.

Judging by Egil’s Saga, it has also been assumed that perhaps women believed they could also go to Freyja in the afterlife. Egil’s daughter, Thorgerd, threatened to starve herself to death when her father refused to eat after the death of his son.

She declared, “I have had no evening meal, nor will I do so until I join Freyja.” Does this imply that women could hope for an afterlife with the goddess? Unfortunat­ely there is little informatio­n out there, besides Egil’s Saga, to suggest that Norse women could go to Freyja after death.

Considerin­g existing evidence, it is generally assumed that while those killed in battle went to the halls of Freyja and Odin, everyone else went to Hel. This leads to the conundrum of female warriors, also known as shield maidens.

Whether women actually held roles in the military continues to provoke heated debates, particular­ly when it comes down to recent archaeolog­ical findings, with arguments for and against. If women did indeed fight as warriors, it is certainly worth thinking about whether they would have been allowed to enter Freyja’s hall, or even Odin’s, on the basis of their profession rather than their sex.

Despite the advantages for women adopting Christiani­ty, their devotion to Freyja continued, if the sagas are to be believed. It was said that out of all of the Norse gods, Freyja became the last living deity after the death of her brother. She continued to perform sacrificia­l ceremonies, increasing her popularity with her worshipper­s.

As Christiani­ty tightened its grip across Scandinavi­a, Freyja gradually became assimilate­d into Scandinavi­an folklore. Although the role of Norse women in society and religion changed as paganism began to fade, it seems that there was still some focus on the traditiona­l mythology and worship of the fertility goddess.

 ??  ?? Legend had it that Freyja travelled in a chariot pulled by two cats
Legend had it that Freyja travelled in a chariot pulled by two cats
 ??  ?? Freyja apparently liked love poetry and was seen as a romantic deity
Freyja apparently liked love poetry and was seen as a romantic deity
 ??  ?? The left hand clasping the breast suggests that this could be Freyja
The left hand clasping the breast suggests that this could be Freyja
 ??  ?? A hand-drawn illustrati­on of Freyja from a 17th-century Icelandic manuscript
A hand-drawn illustrati­on of Freyja from a 17th-century Icelandic manuscript
 ??  ?? A Viking pendant representi­ng Freyja
A Viking pendant representi­ng Freyja
 ??  ?? Freyja, as depicted by Johannes Gehrts An illustrati­on of Freyja that accompanie­d Wagner’s opera Das Rheingold Freyja had her own hall where those who died in battle could go
Freyja, as depicted by Johannes Gehrts An illustrati­on of Freyja that accompanie­d Wagner’s opera Das Rheingold Freyja had her own hall where those who died in battle could go
 ??  ?? The Prose Edda tells of the Old Norse gods Freyja and Loki assembled as they are in the poem Lokasenna A depiction of Freyja from 1890 by Donald A Mackenzie
The Prose Edda tells of the Old Norse gods Freyja and Loki assembled as they are in the poem Lokasenna A depiction of Freyja from 1890 by Donald A Mackenzie
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 ??  ?? Freyja was worshipped as a fertility goddess
Freyja was worshipped as a fertility goddess
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